Tanaka Hisao was sold as a young boy to a master dai maker. This was by no means uncommon in the last century and while I am aware that Tanaka san’s youth was filled with hardship and the struggle to master the craft assigned to him I never heard him complain about any discomfort or inequity of any sort. He did master dai making and before he was very old was considered by many plane iron blacksmiths as the greatest dai maker alive. Tanaka san was officially granted the title of “Living treasure” in his seventies, a very young age for such an honor. I met him, and my two other Japanese teachers, at a woodworking seminar in New Hampshire in the early 1980’s. Tanaka san, like Fujieada san and Miyano san, was a “Mejin no Mejin”, a Master’s Master. It was my great fortune to have known these great and celebrated craftsmen, all of whom were generous with their time and knowledge and had no reason to be so except out of choice.
These pictures were taken at Tanaka san’s shop in Miki City Japan in the late eighties.
Tanaka san at his bench. Traditional craftsmen tended to work sitting on the floor.

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In the photographs below, Tanaka san is tuning a hand plane that he has made, making it ready for use.
These are photographs showing his work area, with and without his dai bench in place.
Last is Tanaka san's sharpening station.

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Thank you for reading these posts. I hope I have been able to give you a glimpse of something you were not aware of and that you found some of it interesting. For my own part these men were enormously important to me as I came to understand how pathetically narrow my experience was and also that there were, and are, always many ways of efficiently and effectively solving problems and that many of the best are less than obvious. I owe much to these three Shokunin, who treated me most kindly.
After two big pushes out he came, first his head and then a turn and his shoulders next and then all of him (and clearly a him), a perfect presentation. I supported him in the water and without consciously doing so noted that he had the right number of fingers and toes and he looked just perfectly wonderful as he stretched his legs and arms for the very first time. Such a soft and delicate feeling, holding him there under the water, the umbilical cord still pulsing and providing him with oxygen. He was under the water for a good two minutes, gently moving himself around, and then he straightened both of his legs, straightened his back and his neck, opened his arms like a pair of wings and for the very first time opened his eyes, looked at us and smiled.
He looked at all of us, me, his mother, his grandmother, our dear friends Michelle and Rory and his half sister. He made eye contact under the water with all of us. Then he motioned with his arms as though he wanted to come up into the air, so I raised him onto his mother's shoulder. He held his head up and looked around at all of us again, breathed perfectly right from the start, and started giggling.

My son Jake came into this world and forever changed everything for me. All the cliches people say about what happens to you when you become a parent became simple sense since the instant that I first saw the top of his head. His mother had worried before his birth if she would be able to love him as much as she loved her daughter but soon after told me that she needn't have worried, that rather than have to divide her love between two children that her capacity for love simply increased.
He's a lucky fellow, and a very kind and wonderful young man who is fourteen tomorrow. I am so impossibly proud of him and pleased for him beyond measure at what a fine fellow he is. Happy Birthday Jake, and many, many more.



Meet Miyano Dai Endo (his professional name) known to many of those who were close to him as Yataiki. Like my Temple carpenter teacher Fujieda san, I met Endo san at a Japanese woodworking demonstration and seminar in southern New Hampshire in the early 1980s. Yataiki was the last in a long line of great swordsmiths. A swordsmith will typically only take on a son as an apprentice and while he and his wonderful wife were blessed with healthy children none were boys, so the traditions of his swordmaking line have now ended. The pictures below show the stages of the birth of a sword. These sorts of images are quite rare.
I spent a day making steel from scrap antique (pre-industrial) iron objects, such as an ancient iron pot, broken up carefully into pieces the size of half a fingernail, as well as old nails, some heated in the fire and stretched, others cut into 1/2 inch pieces.
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After preparing the forge, we built a fire using wood charcoal and started adding in the scrap iron, a little at a time.
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While a celebrated swordsmith, the bulk of Yataiki's blacksmithing income came from the making of woodworking saws. I have several of his blades and treasure them as great works of art. Here are some pictures of his saw scraping and tuning work area.
Yataiki was an Ai-to master, a No master, an Urusenke tea master, at the time these pictures were taken the president of the International Calligraphy Association (one often sees his calligraphy on commercial products to this day) a Go master of the highest ranking, a poet, perhaps the greatest blacksmith of his generation and the most gentle and generous man I have ever known. The sadness I feel at his passing is so easily eclipsed by the light he brought to my life and many others. I revere him above any other and from the time we met considered him my master, and was privileged to do so.
I shot the pictures below with a cheap 35mm mini camera in the late 80s. They were all taken early one winter morning in the countryside just outside Miki City, Japan.
The man pictured here is a sixteenth generation temple carpenter, one of my teachers. The pictures above were taken near his home. Here he stands at one of the several gates leading into Himeji Castle.
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Back story:
I will spare you the minutiae and post pictures with little descriptions of what is pictured, if needed. Otherwise, enjoy.
Me, Ron and Richard in Mustang's cockpit, 11/19.
Mustang from across the marina.
Our neighbor in Las Palmas to port.
The Captain had a local artist paint this on the wall aft at the Marina.
Under way...
Me getting the ships cannon ready for firing as we cross the line.
Dolphins, and these are little ones. About mid way across during a watch on an overcast night we heard a splash and whoosh to port and knew that it was dolphins coming up for a breath and a look at us. Intensely curious, dolphins are always checking out boats. This night we were treated to a phosphorescence light show. I went forward to the bow pulpit and hung out over the water as perhaps a dozen large dolphins swam left and right and among each other just under and ahead of the bow, with an occasional silhouette of one of them breaching the surface, followed by the abundant phosphorescence caused by their re-entry into the water. Pure magic and one of the most incredibly beautiful things I have ever seen.
Back to the passage. A sail arrangement you probably have never seen...
Wing on wing on wing, The main, an inner fore sail and the outer fore sail, all flying at the same time, one spilling into the next spilling into the last. Very efficient and much safer than flying a purely downwind sail (spinnaker, tri-radial, etc.).
General shots...
We arrived in St. Lucia on December 5th at 07:30 local time, 13 days and 23 hours after leaving Las Palmas, a very respectable time. Our finish place was 4th in the open class and 24th overall, a fine finish. No one who came in ahead of us belonged behind us and many who came after us ought to have finished ahead.
This is White Knight, a fast Swan sailed by two really cool young Italian gentlemen who were great fun to hang out with.
I'll end this with a shot of yours truly at the starboard main winch and Mustang at rest on the west coast of St. Lucia.
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I will miss you all and look forward to catching up when I return. Best wishes to you all. Enjoy Thanksgiving and stay safe.
URL tracking Mustang http://www.sailwx.info/shiptrack/shipposition.phtml?call=ZHGZ3
Sanctioning organizations entry list http://www.worldcruising.com/arc/entries.aspx
Edit: Arrived St. Lucia 07:30 5 December, 3rd in the open division. More once I am home.

Its not such a common sight to see a group of maybe fifteen adults, ranging in age from 24 to 50, running around the streets like a bunch of kids throwing snowballs in the middle of the night. The melee actually grows when a cop we know and like comes upon us in his patrol car, steps out, removes his gunbelt and joins in. There's lots of snow, and it packs easily but not too densely. Perfect snowball snow. Someone gets someone in the earhole, someone else escalates the hostilities by raising a big chunk of plow berm and crashing it over their victim's head, its just mayhem. Great times. The snowball fight winds down, but not the laughter or the smiling. We head over to my old place and enjoy the fire, and the drinks, and the butts, and each other.
There is not a lot I miss about winter in New England, but I sure miss that.

One 5.3 pound roasted chicken.
Pan with drippings.

Pan gravy.

All cut up and ready for the next night.

The makings before removing excess fat from pan gravy.

Dice time.

Knife work.

Half an hour later.

Leftovers.
I went through a long period of unemployment and am now nearly six weeks back to work. During the year + of vritually no work I had nothing positive or even constructive to add to this community and so went AWOL. I probably should have been at least a little communicative but I wasn't. PI probably ought to have checked in with a few particular individuals here (whom I hope are still here) but I didn't. I needed to figuratively crawl under a rock and hide, so I did.
Love to you all and looking forward to catching up.








































































