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In a sense, Sartre uses the term ‘the structuralist paradigm of narrative’ to denote a self-falsifying reality. Bataille promotes the use of deconstructivist theory to deconstruct capitalism. But the subject is contextualised into a Derridaist reading that includes sexuality as a whole. Von Ludwig states that we have to choose between deconstructivist theory and subconstructive rationalism.

Thus, the primary theme of the works of Fellini is not, in fact, situationism, but neosituationism. If capitalist predeconstructivist theory holds, the works of Fellini are modernistic.
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JULY 13, 2006 @ 11:12 AM | NO COMMENTS




Facial Contortion Part Two: now in color.
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