Sussex University: the start of the Autumn Term, 1974. There was not a seat to be had in the biggest Arts lecture theatre on campus. Taut with anticipation, we waited expectantly and impatiently for the advertized event to begin. He was not on time - as usual. In fact rumour had it that he would not be appearing at all that illness (or was it just ennui? or perhaps a mistress?) had confined him to bed. But just as we began sadly to reconcile ourselves to the idea that there would be no performance that day at all, Paul Feyerabend burst through the door at the front of the packed hall. Rather pale, and supporting himself on a short metal crutch, he walked with a limp across to the blackboard. Removing his sweater he picked up the chalk and wrote down three questions one beneath the other: What's so great about knowledge? What's so great about science? What's so great about truth? We were not going to be disappointed after all!
During the following weeks of that term, and for the rest of his year as a visiting lecturer, Feyerabend demolished virtually every traditional academic boundary. He held no idea and no person sacred. With unprecedented energy and enthusiasm he discussed anything from Aristotle to the Azande. How does science differ from witchcraft? Does it provide the only rational way of cognitively organizing our experience? What should we do if the pursuit of truth cripples our intellects and stunts our individuality? Suddenly epistemology became an exhilarating area of investigation.
Feyerabend created spaces in which people could breathe again. He demanded of philosophers that they be receptive to ideas from the most disparate and apparently far-flung domains, and insisted that only in this way could they understand the processes whereby knowledge grows. His listeners were enthralled, and he held his huge audiences until, too ill and too exhausted to continue, he simply began repeating himself. But not before he had brought the house down by writing Aristotle in three-foot high letters on the blackboard and then writing Popper in tiny, virtually illegible letters beneath it! (John Krige, Science, Revolution and Discontinuity, (Sussex: Harvester Press, 1980), pp.106-7).
During the following weeks of that term, and for the rest of his year as a visiting lecturer, Feyerabend demolished virtually every traditional academic boundary. He held no idea and no person sacred. With unprecedented energy and enthusiasm he discussed anything from Aristotle to the Azande. How does science differ from witchcraft? Does it provide the only rational way of cognitively organizing our experience? What should we do if the pursuit of truth cripples our intellects and stunts our individuality? Suddenly epistemology became an exhilarating area of investigation.
Feyerabend created spaces in which people could breathe again. He demanded of philosophers that they be receptive to ideas from the most disparate and apparently far-flung domains, and insisted that only in this way could they understand the processes whereby knowledge grows. His listeners were enthralled, and he held his huge audiences until, too ill and too exhausted to continue, he simply began repeating himself. But not before he had brought the house down by writing Aristotle in three-foot high letters on the blackboard and then writing Popper in tiny, virtually illegible letters beneath it! (John Krige, Science, Revolution and Discontinuity, (Sussex: Harvester Press, 1980), pp.106-7).
"All questions are questions of ontology."