Enter the Shut Up and Play Yer Revenge of the Son of the Bride of the Return of The To Do List
#1 Run this little 5K race and get "a time"
#2 Clean the house, top-to-bottom, OCD style
#3 Lift weights up. Put them down. Lift them up again. (rinse, repeat)
#4 In the absence of checks (which should be arriving any day now) pay all bills this weekend old-school, in lines, or through money orders.
#5 Find out where the hell my new checks are?!?
#6 Develop last weekend's film
#7 Finish Aronson's Camus and Sartre: the story of a friendship and the quarrel that ended it.
#8 Begin Tête à Tête: Simone de Beauvoir and Jean-Paul Sartre
#9 Look into language courses being offered this fall
#1 Run this little 5K race and get "a time"
#2 Clean the house, top-to-bottom, OCD style
#3 Lift weights up. Put them down. Lift them up again. (rinse, repeat)
#4 In the absence of checks (which should be arriving any day now) pay all bills this weekend old-school, in lines, or through money orders.
#5 Find out where the hell my new checks are?!?
#6 Develop last weekend's film
#7 Finish Aronson's Camus and Sartre: the story of a friendship and the quarrel that ended it.
#8 Begin Tête à Tête: Simone de Beauvoir and Jean-Paul Sartre
#9 Look into language courses being offered this fall
1. Pick 15 of your favorite movies.
2. Go to IMDb and find a quote from each movie. (or in some cases, just remember them.)
3. Post them here for everyone to guess.
4. Strike it out when someone guesses correctly, and put who guessed it correctly and the name of the movie.
and...
5. NO GOOGLING/using IMDb/Wikiquote search functions. That would be cheatin'.
-------------------------------------------------------------
1) "I never met a dame yet that didn't know if she was good-looking or not without being told, and there's some of them that give themselves credit for more than they've got."
2) "Someone has to pay, Lenny. Somebody always pays."
3) "You don't ask for help in America. You demand it. Trick-or-treat- you don't ask, you threaten."
4) "I will drop-kick those fuckin' dogs if they come near me."
5) "By all means move at a glacial pace. You know how that thrills me."
6) "Why can't we have frankfurters?"
"Because this is a Russian tearoom."
7) "Not funny 'ha-ha', funny queer"
8) "I sell biscuits and gravy all over the Southland."
9) "Someday this war's gonna end... "
10) "It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby."
11) "He didn't teach you how to win, he taught you how not to lose."
12) "A little religious communication might not be a bad idea at this stage of the game. Now myself, I don't take any chances, I talk to Mohammed, Buddha, Mr. Jesus H. Christ Himself and any other religious honchos I can come up with."
13) "Obviously you're not a golfer."
14) "I'm not a hero. We'd all be heroes if we quit using petroleum, though."
15) "I know kung fu."
2. Go to IMDb and find a quote from each movie. (or in some cases, just remember them.)
3. Post them here for everyone to guess.
4. Strike it out when someone guesses correctly, and put who guessed it correctly and the name of the movie.
and...
5. NO GOOGLING/using IMDb/Wikiquote search functions. That would be cheatin'.
-------------------------------------------------------------
1) "I never met a dame yet that didn't know if she was good-looking or not without being told, and there's some of them that give themselves credit for more than they've got."
2) "Someone has to pay, Lenny. Somebody always pays."
3) "You don't ask for help in America. You demand it. Trick-or-treat- you don't ask, you threaten."
4) "I will drop-kick those fuckin' dogs if they come near me."
5) "By all means move at a glacial pace. You know how that thrills me."
6) "Why can't we have frankfurters?"
"Because this is a Russian tearoom."
7) "Not funny 'ha-ha', funny queer"
8) "I sell biscuits and gravy all over the Southland."
9) "Someday this war's gonna end... "
10) "It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby."
11) "He didn't teach you how to win, he taught you how not to lose."
12) "A little religious communication might not be a bad idea at this stage of the game. Now myself, I don't take any chances, I talk to Mohammed, Buddha, Mr. Jesus H. Christ Himself and any other religious honchos I can come up with."
13) "Obviously you're not a golfer."
14) "I'm not a hero. We'd all be heroes if we quit using petroleum, though."
15) "I know kung fu."
It is a brave new world at last, composed solely of binary oppositions and technological realities which would have been difficult to see coming even five years ago. In only such a situation as the one we find ourselves in could I make the statement that follows. "There are two types of people in the world: those who like MySpace and those who do not."
I am in the latter category. I don't wish to make too much of it because it rarely impacts my life. (except on those rare occassions where I meet someone--in the flesh--asks me to "check out" their MySpace page for some reason. ) It isn't that online social networking doesn't interest me; it does. I even had a MySpace account for about two years when working outside the US. It seemed more practical to post bulletins which update all my friends at once rather than sending each of them an email or formatting an e-mail to be addressed to all. Eventually though, I came back to the US and after one too many "pimped" MySpace pages, I had to delete my account and stay away from there altogether. I liken it to a beekeeper who, stung by bees daily over the course of decades, slowly approaches that final day where he takes one sting too many, goes into anaphylactic shock and dies in minutes...respiratory failure, tounge swelling and throat contricting... kind of like that...you know...but with MySpace.
When I first joined SG it was a hell of a lot smaller. Few knew. SG, then, was a more interesting and informative space. The user generated content was so much better in terms of the new information and original insight that was provided. The users ranged from semiotics professors at U of Toronto to activists working overseas to aspiring writers with something interesting to actually say. These days, eh... I'm just not seeing much worth looking at. It's *NOT* as bad as MySpace, but then , it isn't a whole lot better either. Suicidegirls(TM) keeps trying to spice it up... Epstein used to interview the countercultureceleb du jour in 250 words or less. Scott Ian writes now... but I seriously wonder what that's worth. Noted commentary from the goatee in Anthrax? (And I USED TO LOVE ANTHRAX - even if Joey Belladonna was a bit of a prancing tool on stage - can anyone say: "woooaa!!!-glad to be here tonight?" as many times in 2 hours as that guy?) But seriously... I'm just wondering how many times they've reached out to Flava Flav now only to find he has an exclusive contract and can't work w/ SG. Maybe Joey Lawrence or the kids from Menudo are free? As far as virtual spaces go, this joint seems to be a cock-slinky of information to me. It's a MySpace. It's an AOL.
SuicideGirls (TM) seems to trade on cultural iconography. The users give them money, they get to look at boobies and get a space to communicate with other members via boards, blogs, listservs and a chatroom. I assume the boobies haven't changed much... 4 new sets a day is way too much for me to keep track of so I've given up on the PG13nography aspect of the site...but the user makeup definitely has. It would seem that the lions' share of folks who are members these days need this iconography in their lives--in some way--and membership/affiliation--even if virtual--with other people sharing similar needs/aesthetics serves some emotive purpose for them. But that seems to be my point: that it is purely emotive. As I write that, I think that could be the only explanation for a line of SG clothing... this is me/this is my uniform.. There is no rationality to it--not that there needs to be--but it must be pointed out. SG and intellect just don't fucking mix seems to be my point, here. This is not a new phenomenon; I have realized this many times over the years, let my membership expire and then, finding myself wth too much money in a period of feast amidst a life of famine, I throw down for a renewal to see if things have changed and maybe to see a set or two from old SGs that I try my best to kindle old crushes on.
I was just tempted to type "...and that's a shame" in regards to the content. But it's not; that's just the way of things. I (and the others who used to be here) have since found other sites (albeit without scantily-clad girls, but that is something else to be addressed) so it's not like anyone is left in the lurch. The rest of teh interwebz is much more interesting and not quite as annoyingly lavender. I'm not sure what term to use, but I see a certain amount of similarities between Urban gentrification and what SG has morphed into. Where once there was solid content, commentary, and interesting people--most all of which came from the members--honest to god originals, these days the majority on here look and read the same to me. SuicideGirls is nothing more than a porn-centered Social Networking site with not much else going for it. I'm sure membership has never been higher but then again McDonalds is enjoying record sales as well and no one would argue it speaks to the unparalleled greatness of McCuisine.
This whole diatribe has sounded somewhat bitter, but there is one great thing: Suicidegirls (TM) can't make it a good site. Thats the reality. Sean and Missy and S5 and Olivia and all the other people who worked on the site back in the day didn't make it great... for me, at least. (well, maybe s5 but only because of his commentary) The users did all of the work. It was the collective, the multitude, the swarm, the hive... not the programmers or business analysts. Not the people hired for their name and their tounge in cheek featured columns. Also, in the grand scheme of things, the world doesn't give a shit if this is a great site or not and I have doubts that it ever could be again... sad to say it should stick to PG13onography as it's about all it can be capable of now. SuicideGirls started in the pre-blog era where individuals generally went to a community-provider (such as SG, LiveJournal, etc) to communicate. The rules of information networking and even social networking among teh interwebz has radically changed though and most people have kicked off this need for the intermediary. RSS Feeds and the like have allowed us to keep up with new commentary provided by those whose opinions we respect and Social bookmarking sites have allowed us to find new content from site outside our normal retinue. Furhter, the folksonomy revolution allows us--the masses, the hive, the collective, to tag items as we see fit and place them beyond such limiting categories as "Current Events," "The Girls," "The Site" etc. I'm ever-stoked on the internet and all it has to offer in terms of the democratization of information and ideas. I just wish there was some damn way I could get the un-used portion of my annual dues returned to me.
I am in the latter category. I don't wish to make too much of it because it rarely impacts my life. (except on those rare occassions where I meet someone--in the flesh--asks me to "check out" their MySpace page for some reason. ) It isn't that online social networking doesn't interest me; it does. I even had a MySpace account for about two years when working outside the US. It seemed more practical to post bulletins which update all my friends at once rather than sending each of them an email or formatting an e-mail to be addressed to all. Eventually though, I came back to the US and after one too many "pimped" MySpace pages, I had to delete my account and stay away from there altogether. I liken it to a beekeeper who, stung by bees daily over the course of decades, slowly approaches that final day where he takes one sting too many, goes into anaphylactic shock and dies in minutes...respiratory failure, tounge swelling and throat contricting... kind of like that...you know...but with MySpace.
When I first joined SG it was a hell of a lot smaller. Few knew. SG, then, was a more interesting and informative space. The user generated content was so much better in terms of the new information and original insight that was provided. The users ranged from semiotics professors at U of Toronto to activists working overseas to aspiring writers with something interesting to actually say. These days, eh... I'm just not seeing much worth looking at. It's *NOT* as bad as MySpace, but then , it isn't a whole lot better either. Suicidegirls(TM) keeps trying to spice it up... Epstein used to interview the countercultureceleb du jour in 250 words or less. Scott Ian writes now... but I seriously wonder what that's worth. Noted commentary from the goatee in Anthrax? (And I USED TO LOVE ANTHRAX - even if Joey Belladonna was a bit of a prancing tool on stage - can anyone say: "woooaa!!!-glad to be here tonight?" as many times in 2 hours as that guy?) But seriously... I'm just wondering how many times they've reached out to Flava Flav now only to find he has an exclusive contract and can't work w/ SG. Maybe Joey Lawrence or the kids from Menudo are free? As far as virtual spaces go, this joint seems to be a cock-slinky of information to me. It's a MySpace. It's an AOL.
SuicideGirls (TM) seems to trade on cultural iconography. The users give them money, they get to look at boobies and get a space to communicate with other members via boards, blogs, listservs and a chatroom. I assume the boobies haven't changed much... 4 new sets a day is way too much for me to keep track of so I've given up on the PG13nography aspect of the site...but the user makeup definitely has. It would seem that the lions' share of folks who are members these days need this iconography in their lives--in some way--and membership/affiliation--even if virtual--with other people sharing similar needs/aesthetics serves some emotive purpose for them. But that seems to be my point: that it is purely emotive. As I write that, I think that could be the only explanation for a line of SG clothing... this is me/this is my uniform.. There is no rationality to it--not that there needs to be--but it must be pointed out. SG and intellect just don't fucking mix seems to be my point, here. This is not a new phenomenon; I have realized this many times over the years, let my membership expire and then, finding myself wth too much money in a period of feast amidst a life of famine, I throw down for a renewal to see if things have changed and maybe to see a set or two from old SGs that I try my best to kindle old crushes on.
I was just tempted to type "...and that's a shame" in regards to the content. But it's not; that's just the way of things. I (and the others who used to be here) have since found other sites (albeit without scantily-clad girls, but that is something else to be addressed) so it's not like anyone is left in the lurch. The rest of teh interwebz is much more interesting and not quite as annoyingly lavender. I'm not sure what term to use, but I see a certain amount of similarities between Urban gentrification and what SG has morphed into. Where once there was solid content, commentary, and interesting people--most all of which came from the members--honest to god originals, these days the majority on here look and read the same to me. SuicideGirls is nothing more than a porn-centered Social Networking site with not much else going for it. I'm sure membership has never been higher but then again McDonalds is enjoying record sales as well and no one would argue it speaks to the unparalleled greatness of McCuisine.
This whole diatribe has sounded somewhat bitter, but there is one great thing: Suicidegirls (TM) can't make it a good site. Thats the reality. Sean and Missy and S5 and Olivia and all the other people who worked on the site back in the day didn't make it great... for me, at least. (well, maybe s5 but only because of his commentary) The users did all of the work. It was the collective, the multitude, the swarm, the hive... not the programmers or business analysts. Not the people hired for their name and their tounge in cheek featured columns. Also, in the grand scheme of things, the world doesn't give a shit if this is a great site or not and I have doubts that it ever could be again... sad to say it should stick to PG13onography as it's about all it can be capable of now. SuicideGirls started in the pre-blog era where individuals generally went to a community-provider (such as SG, LiveJournal, etc) to communicate. The rules of information networking and even social networking among teh interwebz has radically changed though and most people have kicked off this need for the intermediary. RSS Feeds and the like have allowed us to keep up with new commentary provided by those whose opinions we respect and Social bookmarking sites have allowed us to find new content from site outside our normal retinue. Furhter, the folksonomy revolution allows us--the masses, the hive, the collective, to tag items as we see fit and place them beyond such limiting categories as "Current Events," "The Girls," "The Site" etc. I'm ever-stoked on the internet and all it has to offer in terms of the democratization of information and ideas. I just wish there was some damn way I could get the un-used portion of my annual dues returned to me.
My name is Stephen. I live in the Riverside area of Jacksonville, FL. This is a project I am undertaking to see just what happens when someone with virtually no experience or knowledge of gardening attempts to grow an abundance of their own food. Armed with a fairly decent attitude, internet access and the accumulated good will of others, I think I can make this work. Obstacles to overcome--outside the parameters below and the ones listed above--are as follows: I have incredibly limited square yardage. There is no direct sunlight available in my front yard and only half of the front enjoys full sun. There has been no preparation of the yard, no planning in advance, this is simply hitting the ground running after deciding (on a whim) to try this out.Also, I am told that it is very late in "the season" to be starting a garden With that said, there seem to be plenty of reasons to fail and plenty of reasons to succeed. Let come what may.
The parameters of this project are as follows:
The parameters of this project are as follows:
In Australia now. Arrived 4 days ago. Back aboard the Westra (I think they're calling it the "Steve Irwin" these days). This will not be updated for the next sixty days or so. For info on current actions/location try GOOGLE.COM > NEWS> search: "Sea Shepherd"
"In running there is the challenging (26.2 miles, say), there is the grueling (the Western States 100-Miler), and there is the clinically insane."
Stumbling upon an online description of the Sri Chinmoy 3,100 Mile Race I immediately stopped and checked the URL to make sure it wasn't an article from The Onion. It also forces me to reconsider just how radical I really was when I began my undergraduate efforts to pioneer Drunken Mathematics for future consideration into the Olympic Games. (not very radical at all in retrospect)
(For full article, click "Spoiler" below
Stumbling upon an online description of the Sri Chinmoy 3,100 Mile Race I immediately stopped and checked the URL to make sure it wasn't an article from The Onion. It also forces me to reconsider just how radical I really was when I began my undergraduate efforts to pioneer Drunken Mathematics for future consideration into the Olympic Games. (not very radical at all in retrospect)
(For full article, click "Spoiler" below
For the short version:
1,300 miles, and a half-mile concrete track circling High School somewhere in Queens
Her name is Hélène Grimaud and to say I'm utterly objective about her music, would be--in the strictest sense--a lie.
<div style="text-align: center;"><img src="http://media.npr.org/programs/atc/features/2006/oct/wild_harmonies/grimaud200x200.jpg" border="5"></div>
I was first tuned in to her by <a href="http://www.npr.org/templates/dmg/popup.php?id=4625297&type=1&date=29-Apr-2005&au=1&pid=62016023&random=2237420264&guid=00069EEED9D8071A007AA7D261626364&uaType=WM,RM&aaType=RM,WM&upf=Win32&topicName=&subtopicName=&prgCode=ATC&hubId=-1&thingId=4625296&ssid=&tableModifier=&mtype=WM">an interview with her</a>, conducted by Robert Siegel on All Things Considered, in late May 2005. Solely on the basis of her intensity, she was able to win me over to checking out Rachmaninov and Chopin, based on the sheer intensity of her responses to Siegel. I've always been attracted to the superlative--as I imagine that we all are--but being amazing at something, and truly caring about that which you are amazing at makes for a stellar combination to me, especially when that passion becomes infectious and I begin to be moved. Mister Self-interested: that's me.
<div style="text-align: center;"><img src="http://www.sfsymphony.org/images/press_lg/Helene_Grimaud_3.jpg" width="220" border="5" height="294"></div>
By mid June I had found and purchased her <a href="http://www.amazon.com/H%C3%A9l%C3%A8ne-Grimaud-plays-Chopin-Rachmaninov/dp/B00061H2UE/ref=pd_bxgy_m_text_b/104-6919082-1567927#moreAboutThisProduct">Chopin & Rachmaninov album</a> and was listening to it almost exclusively, focussing intently on Chopin's Marche Funebre (<a href="http://www.amazon.com/gp/recsradio/radio/B00061H2UE/ref=pd_krex_listen_dp_img/104-6919082-1567927?ie=UTF8&refTagSuffix=dp_img">found here</a> as track 3... notice the immaculate phrasing) I was hooked.
<div style="text-align: center;"><img src="http://tbn0.google.com/images?q=tbn:n7GY5JYy2d5LuM:http://www.southbankcentre.co.uk/assets/92B1BC0E-17A4-F7CE-BFE02869BA73CF4F.jpg" border="5"></div>
By mid-August of that year my whole life had turned upside-down and I had pared down all my material possessions in the world to that which could be shoved into a duffel-bag and was working at sea doing <a href="http://www.seashepherd.org/">Marine Conservation</a>, but I brought Grimaud's Rachmaninov & Chopin w/ me. During my first Pacific crossing, I would wake up early in the morning - 2:30am or so, just to get into the Green Room aboard <a href="http://www.seashepherd.org/fleet/fleet.html">the Farley Mowat</a> so i could put her CD in the DVD player and hear it through half-way decent speakers undisturbed (all I had aboard was a donated boom-box). Amidst a stretch of 5 months or so that involved working in the engine room of a re-purposed 1957 Norweigian fishing trawler, Grimaud was--perhaps on one level--sole "epicurean" vestige, but also she was just <a href="http://www.harrisonparrott.com/artists/Helene_Grimaud.asp">so amazing at what she did,</a> her music was kind of a testimony to something not too far removed from something that I wanted my life to be about. Her music was evidence of the driven, something sorely lacking from the culture of the american south.
Tonight, I happened upon another CD of hers, <a href="http://www.grimaud-credo.com/special/?ID=fr/grimaud-credo">Credo</a>. I'm listening to it now. Totally amazed. Thrilled. Stoked. It's the first time I've heard her play since I left that ship in 2006, leaving the CD behind for someone else to stumble upon. And I'm just wishing I could find an interview of her speaking in English about what this music means to her. You can hear the intensity in parts, but for me what's really more interesting is the restraint--the tocuh--the softness of touch on particular keys for certain notes in the composition. That stems from an intensity too and I think it's evidence of a more mature sort of passion for the song, but I can't be certain--all i can do is listen ant think about it.
Also, Grimaud is a fellow conservationist, working for <a href="http://saintpaulsunday.publicradio.org/featured_artists/grimaud.html">wolf conservation</a> in N. America via <a href="http://www.nytimes.com/2006/11/05/arts/music/05oest.html">the Wolf Conservation Center</a> which she apparently helped found. Add this to the list of reasons why I have a huge crush on her.
<div style="text-align: center;"><img src="http://graphics8.nytimes.com/images/2006/11/05/arts/600_oest.jpg" border="5">
<div style="text-align: center;"><img src="http://media.npr.org/programs/atc/features/2006/oct/wild_harmonies/grimaud200x200.jpg" border="5"></div>
I was first tuned in to her by <a href="http://www.npr.org/templates/dmg/popup.php?id=4625297&type=1&date=29-Apr-2005&au=1&pid=62016023&random=2237420264&guid=00069EEED9D8071A007AA7D261626364&uaType=WM,RM&aaType=RM,WM&upf=Win32&topicName=&subtopicName=&prgCode=ATC&hubId=-1&thingId=4625296&ssid=&tableModifier=&mtype=WM">an interview with her</a>, conducted by Robert Siegel on All Things Considered, in late May 2005. Solely on the basis of her intensity, she was able to win me over to checking out Rachmaninov and Chopin, based on the sheer intensity of her responses to Siegel. I've always been attracted to the superlative--as I imagine that we all are--but being amazing at something, and truly caring about that which you are amazing at makes for a stellar combination to me, especially when that passion becomes infectious and I begin to be moved. Mister Self-interested: that's me.
<div style="text-align: center;"><img src="http://www.sfsymphony.org/images/press_lg/Helene_Grimaud_3.jpg" width="220" border="5" height="294"></div>
By mid June I had found and purchased her <a href="http://www.amazon.com/H%C3%A9l%C3%A8ne-Grimaud-plays-Chopin-Rachmaninov/dp/B00061H2UE/ref=pd_bxgy_m_text_b/104-6919082-1567927#moreAboutThisProduct">Chopin & Rachmaninov album</a> and was listening to it almost exclusively, focussing intently on Chopin's Marche Funebre (<a href="http://www.amazon.com/gp/recsradio/radio/B00061H2UE/ref=pd_krex_listen_dp_img/104-6919082-1567927?ie=UTF8&refTagSuffix=dp_img">found here</a> as track 3... notice the immaculate phrasing) I was hooked.
<div style="text-align: center;"><img src="http://tbn0.google.com/images?q=tbn:n7GY5JYy2d5LuM:http://www.southbankcentre.co.uk/assets/92B1BC0E-17A4-F7CE-BFE02869BA73CF4F.jpg" border="5"></div>
By mid-August of that year my whole life had turned upside-down and I had pared down all my material possessions in the world to that which could be shoved into a duffel-bag and was working at sea doing <a href="http://www.seashepherd.org/">Marine Conservation</a>, but I brought Grimaud's Rachmaninov & Chopin w/ me. During my first Pacific crossing, I would wake up early in the morning - 2:30am or so, just to get into the Green Room aboard <a href="http://www.seashepherd.org/fleet/fleet.html">the Farley Mowat</a> so i could put her CD in the DVD player and hear it through half-way decent speakers undisturbed (all I had aboard was a donated boom-box). Amidst a stretch of 5 months or so that involved working in the engine room of a re-purposed 1957 Norweigian fishing trawler, Grimaud was--perhaps on one level--sole "epicurean" vestige, but also she was just <a href="http://www.harrisonparrott.com/artists/Helene_Grimaud.asp">so amazing at what she did,</a> her music was kind of a testimony to something not too far removed from something that I wanted my life to be about. Her music was evidence of the driven, something sorely lacking from the culture of the american south.
Tonight, I happened upon another CD of hers, <a href="http://www.grimaud-credo.com/special/?ID=fr/grimaud-credo">Credo</a>. I'm listening to it now. Totally amazed. Thrilled. Stoked. It's the first time I've heard her play since I left that ship in 2006, leaving the CD behind for someone else to stumble upon. And I'm just wishing I could find an interview of her speaking in English about what this music means to her. You can hear the intensity in parts, but for me what's really more interesting is the restraint--the tocuh--the softness of touch on particular keys for certain notes in the composition. That stems from an intensity too and I think it's evidence of a more mature sort of passion for the song, but I can't be certain--all i can do is listen ant think about it.
Also, Grimaud is a fellow conservationist, working for <a href="http://saintpaulsunday.publicradio.org/featured_artists/grimaud.html">wolf conservation</a> in N. America via <a href="http://www.nytimes.com/2006/11/05/arts/music/05oest.html">the Wolf Conservation Center</a> which she apparently helped found. Add this to the list of reasons why I have a huge crush on her.
<div style="text-align: center;"><img src="http://graphics8.nytimes.com/images/2006/11/05/arts/600_oest.jpg" border="5">
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