
age: 34 (Aug 12, 1977)
MEMBER SINCE: January 2004
occupation: Streamlined Information Regurgitator
i lost my virginity: I can't even remember how old I was. Somewhere between 14-16.
makes me happy: Making my wife happy, excelling in classes, Oregon's transition offense
into: Writing/recording electronica; feeding my friends; Joust; beer for lunch; criticizing the refs
body mods: Beergut, pierced spine
makes me sad: Making my wife sad, failing classes, Oregon's halfcourt offense
fantasy: To write an interesting song.
gets me hot: Flexing in front of the mirror
most humbling moment: Literally too many to remember.
stats: 3-16, 1-5, 0-2, 7 points, fouled out
crush: Makes me want to do uber-manly things like smoke Marlboros and run a chainsaw.
So I've got a $100 turntable. I've discovered that I really like buying and listening to vinyl LPs. I certainly don't think of myself as a 'record collector', since I'm not into the Beatles nor the Stones, nor terribly interested in investing a lot of money in old jazz or blues recordings. We have the signal running into a bookshelf stereo that's plenty solid/loud enough for our apartment, and I don't see us investing in better equipment anytime soon. But, my wife and I have some cool stuff that was given/lent to us by parents and friends who no longer have turntables: Led Zeppelin, Chet Atkins, Willy Nelson, etc. And we've made some pretty good (cheesy!) finds at thrift stores: early Bowie, Men At Work, Styx, Loverboy, etc. Somehow it's ok to play music on vinyl that you would never play on CD. And it's all so cheap, the turntable has really paid for itself.
So here's my new obsession: I picked up a reissue of the Butthole Surfers' first EP (given a title upon reissue: Brown Reason to Live). It's from '83, and it's best described by a term that my wife, to my knowledge, coined especially for it: Vomit Rock. Personally, I find it fascinating on a few levels. I can't imagine what the recording process was like; it's so chaotic and random. It's so incredibly different than their newest (Weird Revolution, 2001)...but it strikes me as very similar in some almost intangible ways. Anyway, that probably came off as pretty overstated, so I'm gonna move on. So I liked this EP so much I went back to the shop and picked up old imports of Rembrandt Pussyhorse (1986) and Locust Abortion Technician (1987). And then I started systematically downloading all the bootlegs and sample mp3s they have up on their website. And now I'm searching Ebay for deals on the albums I don't own.
I also want...
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uglyart