I wrote this in 2000, or 2001. Not sure, but it was definitely the first poem I was proud of:
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When? O when?
My bones are strung over a rack of hours
Minutes which are told to be days
but are not the actors required for the role
(Minutes cannot recall the lines of days)
Stretched far too thinly and needing
the glue of my angel to bind them
The hand of most coveted stillness shakes the more
I must be calm but O!
Impossibility!
Asking a boat on the sea to have the decency as not to rock
Assembling a three-masted galleon in corked bottle
with short, ill-fitting implements
As soup of tomato with chopsticks absurd!
The night was symphony/staccato and forte
but the day is a coda of legato and tedium
Conductor! I await the crescendo!
My love is first seat with the strings
my flute sings of her virtuosity
But my part is underwritten and developed poorly
The reverb of the hall brings out of the din
two voices adrift on the waves of a sea of madness
speaking of decency in the bed of the vile
Walking with sureness on a path that is crumbling
Trackless like birds having no attachment
to the pond of the frogs and the fishes
A libretto such as I had never seen
nor imagined existed
she has written
with ease in her sleep
Burned into the pages of her eyes
while the wisps of smoke
have settled on her hair
But the fire still smolders through her smile.
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When? O when?
My bones are strung over a rack of hours
Minutes which are told to be days
but are not the actors required for the role
(Minutes cannot recall the lines of days)
Stretched far too thinly and needing
the glue of my angel to bind them
The hand of most coveted stillness shakes the more
I must be calm but O!
Impossibility!
Asking a boat on the sea to have the decency as not to rock
Assembling a three-masted galleon in corked bottle
with short, ill-fitting implements
As soup of tomato with chopsticks absurd!
The night was symphony/staccato and forte
but the day is a coda of legato and tedium
Conductor! I await the crescendo!
My love is first seat with the strings
my flute sings of her virtuosity
But my part is underwritten and developed poorly
The reverb of the hall brings out of the din
two voices adrift on the waves of a sea of madness
speaking of decency in the bed of the vile
Walking with sureness on a path that is crumbling
Trackless like birds having no attachment
to the pond of the frogs and the fishes
A libretto such as I had never seen
nor imagined existed
she has written
with ease in her sleep
Burned into the pages of her eyes
while the wisps of smoke
have settled on her hair
But the fire still smolders through her smile.
VIEW 4 of 4 COMMENTS
alisa:
mmmmm...i like. and i like it more because you wrote it. 
adeline:
very different style of writing...I love it!