Kelli Ali

Kelli Ali


Kelli Ali would make the perfect SuicideGirl. Not only does she have a ton of tattoos but she loves mushrooms and Takashi Miike movies. I got a chance to speak this former frontwoman of the Sneaker Pimps about her new solo album, Psychic Cat.

Check out the official site of Kelli Ali

Daniel Robert Epstein: What are you up to today?
Kelli Ali: I’m in Birmingham with my family for the holidays. It’s wonderful [laughs].
DRE:
I read you’re not a huge fan of Birmingham.
KA:
It’s not so bad now that I don’t have to live there.
DRE:
Do you go back very often?
KA:
A few times a year and it’s changed a lot. It actually feels like a big city now. It’s always been very industrial with not much else going on but now art and music is catching up there. Also people are so friendly here compared to London.
DRE:
On your label’s website they describe your music as pop. I don’t see it like that and I doubt you do as well.
KA:
Yeah you’re right! Though sometimes I write pop songs. Pop to me is a big umbrella but as a writer I don’t think of my music as being of solely one genre.
DRE:
How did you and [Psychic Cat producer] Dave McCracken hook up?
KA:
It was great because I met Dave a few years ago. We were going to work together but then he had to go off with Depeche Mode and I went to work with Rick Knowles on the Tigermouth album. Dave and I were really looking forward to working together which finally happened on Psychic Cat.
DRE:
Besides producing Dave also co-wrote a few songs and did keyboards.
KA:
It was very organic. It was just us bringing ideas to each other on the day of and just do them.
DRE:
How long did you two work on the album?
KA:
About a month. It was very intense because we didn’t have enough cash to rent a regular studio so we did almost everything in his bedroom studio.
DRE:
You went from recording in the closet with the Sneaker Pimps to recording a solo album in someone’s bedroom.
KA:
It just gets better and better for me [laughs]. I write all the time and that’s why the recording only took a month because I had a lot done beforehand. I’ve got a little studio in my living room so I can bang ideas down all the time.
DRE:
Track four on Psychic Cat is named Home Honey I’m High. It’s an old saying and a great independent cartoon. What does that mean to you?
KA:
It was from the keyboard player, Tony O'Neil, who I don’t work with anymore. He had a big drug history and he’s from Los Angeles so whenever he came to visit he used to say Home Honey I’m High which I thought was the funniest thing. I also wanted to capture the way youthful couples live today especially in London because most of my friends get smashed on a daily basis. It’s me flipping off the conservative idea that a man and woman have to live together and be relatively sober.
DRE:
How about you and drugs?
KA:
I get high all the time! I love psychedelics like magic mushrooms. I never got into stimulants and other crap like that.
DRE:
Did you write any of the songs high?
KA:
Sure yeah. My partner and I wrote Voyeur high.
DRE:
Did you call the album Psychic Cat because your cat talks to you?
KA:
Oh definitely! Every time I hear the song Psychic Cat I get shivers.
DRE:
Have you ever had a bad trip?
KA:
Sure.
DRE:
Did it not make you want to stop tripping out?
KA:
I first dropped acid when I was 15. A bad trip is something you get used to when you take it every weekend. Also if you’re with the right people and you’re having a bad trip, it helps. I never put myself in a strange situation when I’m tripping.
DRE:
You’ve mentioned your partner a couple of times, who’s that?
KA:
My cat.
DRE:
[laughs] I should have known.
KA:
We write and do a lot of drugs together.
DRE:
What’s your cat’s name?
KA:
Metso.
DRE:
Where does that name come from?
KA:
It’s just the name he chose for himself.
DRE:
Do people always give you drugs when you’re out?
KA:
I wish! In London you can get anything you want anywhere. If you’re in the mood it just comes to you.
DRE:
My cat just jumped on my desk, give me a sec.
KA:
That’s so cool, what’s his name?
DRE:
Dario.
KA:
How lovely.
DRE:
I’ve had him for eight years and he’s beautiful.

On the thanks part of your album you thank kids who refuse to accept the mundane. Do you think there is as many of those kids as there used to be?
KA:
I hope so. I travel a lot and I still think there are a lot of cool kids. I don’t think there are more than there used to be because I think that group always stays about the same size.
DRE:
I’ll believe you.
KA:
You’re not convinced?
DRE:
You know how it is sometimes, younger people can annoy you.
KA:
How old are you?
DRE:
I’m 29 and a half.
KA:
You’re so young to be thinking like that.
DRE:
I’m a cynic. I live in America and Paris Hilton is on the TV all the time.
KA:
Then you need to come out with us. We’ll show you where the cool kids are.
DRE:
Have you heard of SuicideGirls?
KA:
Sure!
DRE:
You have tattoos, don’t you?
KA:
I sure do. Sometimes when we’re playing in London we’ll hit the Goth clubs. I love the vampire horror rock and roll vibe. It’s a lot of fun.
DRE:
Have you gotten any new tattoos lately?
KA:
I haven’t simply because the next one I want is going to be a big traditional Yakuza style symbol on my back. I want to go to Japan to get it done and to do that I need to sell a million records.
DRE:
Have you toured much for this album yet?
KA:
A little bit. We’ve been doing it independently because we’re finding that a lot of promoters in London aren’t really interested in putting live bands on as much. So we’ve been doing it ourselves which is really tough because it’s all a scam.
DRE:
From the little I know of the London music scene it seems like your music would fit in well.
KA:
Well you’re not wrong but the scene is much more rock and roll now. Although London is a good little hub for music, the more commercial aspect is much more present now. It’s a struggle to get into the scene now.
DRE:
How did you hook up with your label, One Little Indian?
KA:
When I was with the Sneaker Pimps we were signed to a sub label of One Little Indian. When we split One Little Indian asked if I wanted to deal with them. Now I’ve got a really good relationship with them and I have last word on just about everything.
DRE:
Did you leave the Pimps amicably?
KA:
First I was devastated because I didn’t know it was coming. I felt like I was a key member of the group but now that I look back, thank god. My musical journey wouldn’t have been as interesting if I hadn’t been with them then gone on to my own music.
DRE:
I read you saw Evil Dead at age 11.
KA:
Yeah you’ve been looking at my website. I was so lucky to be exposed to that stuff lately.
DRE:
Have you seen any good movies lately?
KA:
Yeah I saw Takashi Miike’s Gozu. Have you seen it?
DRE:
Yes there was a press screening for it at 10 am! I wouldn’t recommend seeing that movie that early in the morning. I was lucky enough to get to interview him. How’d you like that last scene in Gozu?
KA:
It was amazing! I was smiling from cheek to cheek. How was Miike in person?
DRE:
He was really nice but he doesn’t speak much English at all.
KA:
That’s so great. Have you seen Audition yet?
DRE:
Yes I have and I’m forever scarred. He actually said that he made the first hour of Audition boring on purpose to freak people out with the last half hour.
KA:
If you think Gozu was crazy then you’ll love Visitor Q. You’ve got to go see that.
DRE:
I’ll go rent it.

by Daniel Robert Epstein

SG Username: AndersWolleck
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