so; one time beth and i were watching this fashion show and some old eurotrash commentator is contextualising whoever's collection it is in terms of the 'd.j.'
"see," he says, " it is like the dj. it is about mixing. it is about layering. it is about mixing."
so; now sometimes i put on my frog accent when i'm talking with beth (beth's my wife - we've been married 18 years - longer than any of my daddy's three marriages) "it is like the dj. it is about the mixing." then i do my hands like i'm working a deck.
'montage' may necessarily be about electricity for the concept seems to arrive in our collective minds about the time of electricity, but it does not require electricity, either for t.s.eliot or for henry ragtime texas thomas. 'gothic' and 'industrial' arrive about the same time, those dark satanic mills (blake). but i don't know that an anti-industrial gothic is beyond imagining.
so; in 1963, over labor day weekend i think, a bunch of rich kids in southampton out on the island had a wilding and destroyed an old house.
if we recreated that moment with suicide girls and boys in a movie we could not do so 'realistically' for the flesh of these children was unmarked and unpierced. i ain't much in to realism.
i mean as part of the vampire flick: 'thostein veblen's "the theory of the leisure class."
the theme of this party was 'pink'. just like it is for victoria's secret this year.
so; i go out to southampton and i see we are creating a service class of slavery founded on issues of 'legality' and 'identity' and 'immigration'. this ain't right. there was a time when well to do republicans didn't believe in setting up that kind of shit anymore than an anarchist like me. here, i'm a free trader. if money can move, where money can move, that's how and where people should move. we see this in nature. the migration of the buffalo. 'course we killed them..
love. quin.
"see," he says, " it is like the dj. it is about mixing. it is about layering. it is about mixing."
so; now sometimes i put on my frog accent when i'm talking with beth (beth's my wife - we've been married 18 years - longer than any of my daddy's three marriages) "it is like the dj. it is about the mixing." then i do my hands like i'm working a deck.
'montage' may necessarily be about electricity for the concept seems to arrive in our collective minds about the time of electricity, but it does not require electricity, either for t.s.eliot or for henry ragtime texas thomas. 'gothic' and 'industrial' arrive about the same time, those dark satanic mills (blake). but i don't know that an anti-industrial gothic is beyond imagining.
so; in 1963, over labor day weekend i think, a bunch of rich kids in southampton out on the island had a wilding and destroyed an old house.
if we recreated that moment with suicide girls and boys in a movie we could not do so 'realistically' for the flesh of these children was unmarked and unpierced. i ain't much in to realism.
i mean as part of the vampire flick: 'thostein veblen's "the theory of the leisure class."
the theme of this party was 'pink'. just like it is for victoria's secret this year.
so; i go out to southampton and i see we are creating a service class of slavery founded on issues of 'legality' and 'identity' and 'immigration'. this ain't right. there was a time when well to do republicans didn't believe in setting up that kind of shit anymore than an anarchist like me. here, i'm a free trader. if money can move, where money can move, that's how and where people should move. we see this in nature. the migration of the buffalo. 'course we killed them..
love. quin.