Even though Jim Rose attended a Fool School he certainly isn't one. He has been running his freak show for over ten years and has turned into an institution. There are hundreds maybe thousands of imitators all over the world and there is no one that can even touch the insanity that he brings. At every show of his that he shares the bill with another artist, there is always at least one person that passes out. From Nicholas Cage to Susan Olsen he has famous and non-famous fans all over the world.
I met Jim years ago. He would never remember me though. He was being hounded for autographs and I went up to him and said, "Can I just shake your hand?" He said, "Fuck yeah" and shook my hand harder than i thought any person under 5 foot 5 ever could.
Read on and find out what about him impresses Cindy Brady so much.
Dan Epstein: When does the new tour start?
Jim Rose: It starts about May 11th in Vancouver. We're going to hit all the major cities and some fun smaller ones.
DE: What's new on the tour?
JR: There's a lot of new stuff. When was the last time you've seen it?
DE: I saw it last in 1997, so I've seen the Mexican transvestite wrestling.
JR: Well I like to keep the good stuff a secret. Mr. Lifto is back he was injured for a long time and is ready to kick anyone's ass who is ending their name with an O.
DE: How did he hurt himself?
JR: He ripped his penis out in a kind of weird shipping cart accident in a Nine Inch Nails tour. With the new show I've intentionally kept it quiet because I want to surprise people. All I could say is yo-yos.
DE: I read that Bizarre magazine was using Lifto's image illegally.
JR: Yeah they put him in their mailer without even asking him. They used him in advertisements too. They seems to happen a lot. Benson & Hedges used Enigma in their ads all over Europe and never paid him a dime. I mean this is a tough job and some people don't make very much money doing this sort of thing. I pay these people better than everyone else but I still can't pay that much.
Back in 1991 when I first started doing North America before Lollapalooza there was nothing like my show. So every place I went was this first time they saw something like it. there was no manager qualified to do anything for me. I manage myself now. I set the circuit up, now people like Tom Green, the Jackass guys and all these goofballs would have something.
Now any city outside of the U.S. we do about 17,000 twenty-five dollars tickets a city. The U.S. has nothing to do with my house in Maui.
DE: There are a lot of imitators now. How do you keep competitive?
JR: Well I don't know. Im doing great though. It's funny when I first started all this it was so hard to find people. Now they come to me. You don't have to go find them. In 1992 we toured able over the world and people bought tickets to see a pierced and tattooed kid. Now that's your next-door neighbor, that's your mom [laughs]. I'm not too worried about the competition because they came out after cable television exploded. You have to do all the talk shows now and you have to do them in the same month if you want any impact.
DE: What was it like being the only circus on the Lollapalooza tour?
JR: That was a different kind of show. It was fun. I became lifetime friends with people like Chris Cornell and Eddie Vedder. It was my first real exposure to that kind of rock and roll crowd. But I was about five years older than the oldest guys on the tour and I didn't know a whole lot about that scene. When someone said, "Hey there's Jane's Addiction." I said "I hope she gets treatment."
DE: Did Perry Farrell come to you?
JR: Yeah we were on the Sally Jesse Raphael show and somebody saw it and told him about it. Back then you could get on Sally Jesse Raphael and the phone would ring like crazy. Nowadays you could be on Springer or David Letterman and no one calls afterwards.
Well in the 80's when I was still on heroin; I was doing performance shit at a place called DC Space. That's where Fugazi and Henry Rollins started. I came out of that era, no one got really successful but legends were made. But somehow I got connected with the Seattle scene in the 90's. I got called a grunge circus by a paper in England and I thought, Jeez all you have to do is stop off in Seattle for six months. I never wore Doc Martins I always had pointed boots from Spain.
DE: You used to be an exterminator; did you learn anything for the show from that?
JR: Well I was a heroin addict back then.
DE: Did you quit heroin before you started your act?
JR: Yeah I kicked in France in 1988.
DE: The Simpsons episode with the freak show. They didn't use your voice, how come?
JR: They used my press. But Matt Groening called me and asked if they could do a version of my show. I was in Europe at the time touring so they couldn't use my voice.
DE: I saw you on a courtroom room, what was it and what were you doing
there?
JR: It was the People's Court.
DE: Was it real?
JR: Nothing in television is real. Even reality television is a lie. This guy made me a bed of nails that was defective and I wasn't going to pay him. It was fun.
DE: In Bangkok they call you The Massacre of Ceremonies.
JR: I have no idea why; I've never even been there.
DE: Another nickname I read is Piss Biscuit. Where did that come from?
JR: When I was in bad mood I would call people in my circus piss biscuit. Then they started calling me that. I've had a lot of names. I was Jimmy the Geek back in the 1980's.
DE: What's your favorite nickname?
JR: Bizarre of Bizarre, God of Odd.
DE: Why did The Enigma leave the show?
JR: It's not just him. Cats, lizards I've worked with them all. It's a funny thing once the face gets tattooed their perceptions of themselves change. I would like to buy him for what he's worth and sell him for what he thinks he's worth, I could retire. Like I said it's not just him, I've worked with many people since he left and the audience doesn't seem to notice.
DE: Is there bad blood?
JR: Its not bad blood on my part definitely. He left pretty honorably and framed his own show. He was still saying nice stuff about me because his ego was still up. He didn't sell any tickets and basically got kind of stuck. Ever since he realized he couldn't sell tickets on his own, after telling me how great he was, he changed. He's not the only one that that happened to. There was another kid in 1992 that stuck pins in himself did that the exact same thing happened. Its funny thing you get somebody the cover of a magazine and they change but they don't realize I'm the one that did it for them.
Like X-Files asked for my entire circus, I never heard of them so I said no. They called again then my agent said to do it. Chris Carter said I could help write it and have any guys in there I want to. A lot of that stuff is choices I make and help out the members who are with at the time. I used to own pest control companies and when a sprayer left he thought my company would fall and that's just human nature. I guess if you talk to Enigma now he would say I'm horrible but in three more years, that seems to be the curve, he'll like me again. He'll have gotten over the fact hat he can't sell tickets. He's talented but he's an act not a show.
DE: Is your book Freak Like Me going ahead as movie?
JR: Yeah, White Peach Productions picked that up. The Peach in White Peach is TV villain Pat Peach from Project Greenlight.
DE: Are you going to play yourself?
JR: No I probably won't even be in it. But the guy playing me has got to be real ugly. But Pat Peach has got me in a Dracula movie, they're filming it soon in Canada and I'll be in it.
DE: Where did you first start doing your act?
JR: I guess the real roots started when I was 11 or 12 and these guys would come around and hire guys in neighborhoods to sell soft drinks and promise us a big stuffed animal at the end of the two week run which we never got, but we stole enough to make it worth it. I started doing that yearly and they gave me access backstage to a lot of stuff including rock and roll. I was just a little kid but I did see Jimi Hendrix and The Doors. I also worked monster truck shows, professional wrestling and legitimate theatre. I was Nicely Nicely Johnson in Guys and Dolls for two seasons. I hurt my back doing motorcycle stunt shows. I jumped a bunch of mules. I cleared them and no jackasses got hurt.
DE: Did anyone teach you to do what you did?
JR: There has always been someone teaching me. This is a really dangerous occupation. The key is to look like you're winging it. Like everything on [The MTV show] Jackass is contrived but they make it look like they are winging it. It's all crap though but I love that show. Andy Dick is better though he just makes me laugh.
DE: What other TV do you watch?
JR: Oh man nothing beats The Osbournes [laughs]. Its really real, Ozzy is that way.
DE: What was the Fool School in Amsterdam?
JR: It's a French clown school. You learn circus stunts and I studied there.
DE: Is there anything you do in other countries that you can't do in America?
JR: Oh yeah. Nudity for one. No problem with the Mexican transvestite wrestling which got me thrown in jail in Lubbock Texas.
DE: How long were in jail?
JR: I was in for a night with Low Blow Ventura and Tickles Valdez and then they released us on our own recognizance. We took off, never came back and I can't ever go back to Lubbock. Too bad. The best compliment I could give my arresting officer was "nice tooth".
DE: You toured with Nine Inch Nails and Marilyn Manson before Manson was big, what did you think of him back then?
JR: Back then Marilyn was just Brian. Kind of Machiavellian chameleon. He blends in then takes over. I hung out with him and Trent Reznor until five in the morning every night for six months. Trent is still a good buddy of mine. Marilyn was on a mission and that mission was to suck up everything he could and reuse it in his own show. Marilyn started destroying his equipment which was Trent's shtick, next thing I know he's breaking glass on himself but it didn't bother me. We were still good friends, he was always saying "How do I get famous, How do I get famous". One night I told him "why don't you set up a non-profit organization that feels like a religious one and have them team up with Christian organizations and get them to protest you. Then have some friends call in some bomb scares." A month or so later look what happened. He called me up the first time he was on the cover of Rolling Stone just to hang around him when he was feeling good. But I haven't heard from since, he's that kind of guy.
DE: Was that a real blurb from Susan Olsen [Cindy Brady from The Brady Bunch] on your book?
JR: Yeah [laughs]. She came to my show at Lollapalooza. That happens a lot. The Spice Girls came to my show, Scary Spice was supposed to stand on my hand. If Billy Gibbons of ZZ Top is within a thousand miles of my show will come fuckin find me. Nicholas Cage has come to the show. Leonardo DiCaprio is always wearing my t-shirt. Penn & Teller comes to shows and Penn tells me I'm the best talker he ever heard in his life. Then I heard him do a talk show with Enigma doing my pitch word for word, I guess he did like it.
DE: You have a house in Hawaii, what do you like about that place?
JR: Like I said, I live in Maui and I stay away from the tourist areas. I don't do shows here. I just don't want to be recognized when I am at home. It's about a three-minute bicycle ride from a great beach, there's a golf course across the street and I play a lot of golf.
DE: When and why did you start the interactive audience part of the show?
JR: I think I learned that in 1989. In the beginning I got hurt often.
DE: Do you only let small people do it?
JR: No I had a sumo wrestler do it in Japan. He stood on the back of my head. I won't do that ever again.
DE: How did you get involved with the snowboard game SSX Tricky?
JR: Well I love snowboarding. Electronic Arts asked me to do it. They based the character on me.
DE: You've said you admire the works of Louis-Ferdinand Celine. What is it about his work that interests you?
JR: Jesus how the hell did you find that out? He was the first published black humorist. He's the one that came up with the three dots when you don't finish a sentence [example: ...]. If you read any beat poet stuff like Jack Keoruac or William S. Burroughs, every one of them will say something to the effect of "it was a very Celinian experience". Because I knew Allen Ginsberg and Burroughs, both their work and somewhat personally, they got me into it. I knew Burroughs well but I didn't care for Ginsberg.
DE: Was it the dark humor that appealed to you with Celine?
JR: Yeah well my wife is French and I spent a lot of time in Europe. I got to like Celine and when I came back to the U.S. people didn't really know him but he's getting there. He was accused of being a Nazi in 1943 when he moved to Germany. It just goes to show you there is never a good time to become a Nazi.
DE: How did you meet Burroughs?
JR: He came to my shows. He saw me eat razor blades and he said, "Jim I saw a man in Tangiers do that. He had two stomachs". I knew a lot about his life and the original way he told it and I knew he had only one stomach. But Burroughs was about 80 so I let him live the rest of his life thinking that [laughs]. The guy had a fuckin cane, he didn't need it to walk he just batted everyone out of the way. He liked his vodka and he had a handler named James and if you could get around him, Burroughs would still do a little heroin.
DE: Even though you eat lightbulbs its been said you are a picky eater.
JR: Well I won't eat dogshit but I know those that will.
DE: Do you still have a fear of sending stuff back in a restaurant?
JR: Oh yeah. Who needs it coming back with spit all over it.
DE: What grosses you out?
JR: Having dinner with lawyers and accountants. Well I've been getting interested in witches and stuff. It didn't interest me for a long time. But you know that band Godsmack?
DE: Sure they're pretty big.
JR: Really? Sully Erna [drummer and frontman for Godsmack] is a buddy of mine got me very interested in it. One guy I met years ago calls me a lot and talks about it, its funny because he's famous now, Aaron Lewis from Staind, he got me into fishing. I get call the other day and the voice says "Hey loser, its loser. Its Pauly Shore my bro Aaron gave me your number. I'm coming to Maui, lets hang out." I never met Pauly before that. It's a funny thing being Pauly Shore. I go to this fuckin beach and Pauly is laying out. I go out bodysurfing for about an hour and a half. I come back, Pauly has got his face right in the sand asleep, there's fifty fuckin people around him with no dominant nationality. They're all pointing and going, Pauly Shore Pauly Shore. When little darker skinned people with foreign accents know who you are, you've really been around the world.
DE: Is there anything you'd like to be doing that you're not?
JR: Yeah I would definitely like to be shooting in the 70's in golf.
DE: Good luck with that Jim.
I met Jim years ago. He would never remember me though. He was being hounded for autographs and I went up to him and said, "Can I just shake your hand?" He said, "Fuck yeah" and shook my hand harder than i thought any person under 5 foot 5 ever could.
Read on and find out what about him impresses Cindy Brady so much.
Dan Epstein: When does the new tour start?
Jim Rose: It starts about May 11th in Vancouver. We're going to hit all the major cities and some fun smaller ones.
DE: What's new on the tour?
JR: There's a lot of new stuff. When was the last time you've seen it?
DE: I saw it last in 1997, so I've seen the Mexican transvestite wrestling.
JR: Well I like to keep the good stuff a secret. Mr. Lifto is back he was injured for a long time and is ready to kick anyone's ass who is ending their name with an O.
DE: How did he hurt himself?
JR: He ripped his penis out in a kind of weird shipping cart accident in a Nine Inch Nails tour. With the new show I've intentionally kept it quiet because I want to surprise people. All I could say is yo-yos.
DE: I read that Bizarre magazine was using Lifto's image illegally.
JR: Yeah they put him in their mailer without even asking him. They used him in advertisements too. They seems to happen a lot. Benson & Hedges used Enigma in their ads all over Europe and never paid him a dime. I mean this is a tough job and some people don't make very much money doing this sort of thing. I pay these people better than everyone else but I still can't pay that much.
Back in 1991 when I first started doing North America before Lollapalooza there was nothing like my show. So every place I went was this first time they saw something like it. there was no manager qualified to do anything for me. I manage myself now. I set the circuit up, now people like Tom Green, the Jackass guys and all these goofballs would have something.
Now any city outside of the U.S. we do about 17,000 twenty-five dollars tickets a city. The U.S. has nothing to do with my house in Maui.
DE: There are a lot of imitators now. How do you keep competitive?
JR: Well I don't know. Im doing great though. It's funny when I first started all this it was so hard to find people. Now they come to me. You don't have to go find them. In 1992 we toured able over the world and people bought tickets to see a pierced and tattooed kid. Now that's your next-door neighbor, that's your mom [laughs]. I'm not too worried about the competition because they came out after cable television exploded. You have to do all the talk shows now and you have to do them in the same month if you want any impact.
DE: What was it like being the only circus on the Lollapalooza tour?
JR: That was a different kind of show. It was fun. I became lifetime friends with people like Chris Cornell and Eddie Vedder. It was my first real exposure to that kind of rock and roll crowd. But I was about five years older than the oldest guys on the tour and I didn't know a whole lot about that scene. When someone said, "Hey there's Jane's Addiction." I said "I hope she gets treatment."
DE: Did Perry Farrell come to you?
JR: Yeah we were on the Sally Jesse Raphael show and somebody saw it and told him about it. Back then you could get on Sally Jesse Raphael and the phone would ring like crazy. Nowadays you could be on Springer or David Letterman and no one calls afterwards.
Well in the 80's when I was still on heroin; I was doing performance shit at a place called DC Space. That's where Fugazi and Henry Rollins started. I came out of that era, no one got really successful but legends were made. But somehow I got connected with the Seattle scene in the 90's. I got called a grunge circus by a paper in England and I thought, Jeez all you have to do is stop off in Seattle for six months. I never wore Doc Martins I always had pointed boots from Spain.
DE: You used to be an exterminator; did you learn anything for the show from that?
JR: Well I was a heroin addict back then.
DE: Did you quit heroin before you started your act?
JR: Yeah I kicked in France in 1988.
DE: The Simpsons episode with the freak show. They didn't use your voice, how come?
JR: They used my press. But Matt Groening called me and asked if they could do a version of my show. I was in Europe at the time touring so they couldn't use my voice.
DE: I saw you on a courtroom room, what was it and what were you doing
there?
JR: It was the People's Court.
DE: Was it real?
JR: Nothing in television is real. Even reality television is a lie. This guy made me a bed of nails that was defective and I wasn't going to pay him. It was fun.
DE: In Bangkok they call you The Massacre of Ceremonies.
JR: I have no idea why; I've never even been there.
DE: Another nickname I read is Piss Biscuit. Where did that come from?
JR: When I was in bad mood I would call people in my circus piss biscuit. Then they started calling me that. I've had a lot of names. I was Jimmy the Geek back in the 1980's.
DE: What's your favorite nickname?
JR: Bizarre of Bizarre, God of Odd.
DE: Why did The Enigma leave the show?
JR: It's not just him. Cats, lizards I've worked with them all. It's a funny thing once the face gets tattooed their perceptions of themselves change. I would like to buy him for what he's worth and sell him for what he thinks he's worth, I could retire. Like I said it's not just him, I've worked with many people since he left and the audience doesn't seem to notice.
DE: Is there bad blood?
JR: Its not bad blood on my part definitely. He left pretty honorably and framed his own show. He was still saying nice stuff about me because his ego was still up. He didn't sell any tickets and basically got kind of stuck. Ever since he realized he couldn't sell tickets on his own, after telling me how great he was, he changed. He's not the only one that that happened to. There was another kid in 1992 that stuck pins in himself did that the exact same thing happened. Its funny thing you get somebody the cover of a magazine and they change but they don't realize I'm the one that did it for them.
Like X-Files asked for my entire circus, I never heard of them so I said no. They called again then my agent said to do it. Chris Carter said I could help write it and have any guys in there I want to. A lot of that stuff is choices I make and help out the members who are with at the time. I used to own pest control companies and when a sprayer left he thought my company would fall and that's just human nature. I guess if you talk to Enigma now he would say I'm horrible but in three more years, that seems to be the curve, he'll like me again. He'll have gotten over the fact hat he can't sell tickets. He's talented but he's an act not a show.
DE: Is your book Freak Like Me going ahead as movie?
JR: Yeah, White Peach Productions picked that up. The Peach in White Peach is TV villain Pat Peach from Project Greenlight.
DE: Are you going to play yourself?
JR: No I probably won't even be in it. But the guy playing me has got to be real ugly. But Pat Peach has got me in a Dracula movie, they're filming it soon in Canada and I'll be in it.
DE: Where did you first start doing your act?
JR: I guess the real roots started when I was 11 or 12 and these guys would come around and hire guys in neighborhoods to sell soft drinks and promise us a big stuffed animal at the end of the two week run which we never got, but we stole enough to make it worth it. I started doing that yearly and they gave me access backstage to a lot of stuff including rock and roll. I was just a little kid but I did see Jimi Hendrix and The Doors. I also worked monster truck shows, professional wrestling and legitimate theatre. I was Nicely Nicely Johnson in Guys and Dolls for two seasons. I hurt my back doing motorcycle stunt shows. I jumped a bunch of mules. I cleared them and no jackasses got hurt.
DE: Did anyone teach you to do what you did?
JR: There has always been someone teaching me. This is a really dangerous occupation. The key is to look like you're winging it. Like everything on [The MTV show] Jackass is contrived but they make it look like they are winging it. It's all crap though but I love that show. Andy Dick is better though he just makes me laugh.
DE: What other TV do you watch?
JR: Oh man nothing beats The Osbournes [laughs]. Its really real, Ozzy is that way.
DE: What was the Fool School in Amsterdam?
JR: It's a French clown school. You learn circus stunts and I studied there.
DE: Is there anything you do in other countries that you can't do in America?
JR: Oh yeah. Nudity for one. No problem with the Mexican transvestite wrestling which got me thrown in jail in Lubbock Texas.
DE: How long were in jail?
JR: I was in for a night with Low Blow Ventura and Tickles Valdez and then they released us on our own recognizance. We took off, never came back and I can't ever go back to Lubbock. Too bad. The best compliment I could give my arresting officer was "nice tooth".
DE: You toured with Nine Inch Nails and Marilyn Manson before Manson was big, what did you think of him back then?
JR: Back then Marilyn was just Brian. Kind of Machiavellian chameleon. He blends in then takes over. I hung out with him and Trent Reznor until five in the morning every night for six months. Trent is still a good buddy of mine. Marilyn was on a mission and that mission was to suck up everything he could and reuse it in his own show. Marilyn started destroying his equipment which was Trent's shtick, next thing I know he's breaking glass on himself but it didn't bother me. We were still good friends, he was always saying "How do I get famous, How do I get famous". One night I told him "why don't you set up a non-profit organization that feels like a religious one and have them team up with Christian organizations and get them to protest you. Then have some friends call in some bomb scares." A month or so later look what happened. He called me up the first time he was on the cover of Rolling Stone just to hang around him when he was feeling good. But I haven't heard from since, he's that kind of guy.
DE: Was that a real blurb from Susan Olsen [Cindy Brady from The Brady Bunch] on your book?
JR: Yeah [laughs]. She came to my show at Lollapalooza. That happens a lot. The Spice Girls came to my show, Scary Spice was supposed to stand on my hand. If Billy Gibbons of ZZ Top is within a thousand miles of my show will come fuckin find me. Nicholas Cage has come to the show. Leonardo DiCaprio is always wearing my t-shirt. Penn & Teller comes to shows and Penn tells me I'm the best talker he ever heard in his life. Then I heard him do a talk show with Enigma doing my pitch word for word, I guess he did like it.
DE: You have a house in Hawaii, what do you like about that place?
JR: Like I said, I live in Maui and I stay away from the tourist areas. I don't do shows here. I just don't want to be recognized when I am at home. It's about a three-minute bicycle ride from a great beach, there's a golf course across the street and I play a lot of golf.
DE: When and why did you start the interactive audience part of the show?
JR: I think I learned that in 1989. In the beginning I got hurt often.
DE: Do you only let small people do it?
JR: No I had a sumo wrestler do it in Japan. He stood on the back of my head. I won't do that ever again.
DE: How did you get involved with the snowboard game SSX Tricky?
JR: Well I love snowboarding. Electronic Arts asked me to do it. They based the character on me.
DE: You've said you admire the works of Louis-Ferdinand Celine. What is it about his work that interests you?
JR: Jesus how the hell did you find that out? He was the first published black humorist. He's the one that came up with the three dots when you don't finish a sentence [example: ...]. If you read any beat poet stuff like Jack Keoruac or William S. Burroughs, every one of them will say something to the effect of "it was a very Celinian experience". Because I knew Allen Ginsberg and Burroughs, both their work and somewhat personally, they got me into it. I knew Burroughs well but I didn't care for Ginsberg.
DE: Was it the dark humor that appealed to you with Celine?
JR: Yeah well my wife is French and I spent a lot of time in Europe. I got to like Celine and when I came back to the U.S. people didn't really know him but he's getting there. He was accused of being a Nazi in 1943 when he moved to Germany. It just goes to show you there is never a good time to become a Nazi.
DE: How did you meet Burroughs?
JR: He came to my shows. He saw me eat razor blades and he said, "Jim I saw a man in Tangiers do that. He had two stomachs". I knew a lot about his life and the original way he told it and I knew he had only one stomach. But Burroughs was about 80 so I let him live the rest of his life thinking that [laughs]. The guy had a fuckin cane, he didn't need it to walk he just batted everyone out of the way. He liked his vodka and he had a handler named James and if you could get around him, Burroughs would still do a little heroin.
DE: Even though you eat lightbulbs its been said you are a picky eater.
JR: Well I won't eat dogshit but I know those that will.
DE: Do you still have a fear of sending stuff back in a restaurant?
JR: Oh yeah. Who needs it coming back with spit all over it.
DE: What grosses you out?
JR: Having dinner with lawyers and accountants. Well I've been getting interested in witches and stuff. It didn't interest me for a long time. But you know that band Godsmack?
DE: Sure they're pretty big.
JR: Really? Sully Erna [drummer and frontman for Godsmack] is a buddy of mine got me very interested in it. One guy I met years ago calls me a lot and talks about it, its funny because he's famous now, Aaron Lewis from Staind, he got me into fishing. I get call the other day and the voice says "Hey loser, its loser. Its Pauly Shore my bro Aaron gave me your number. I'm coming to Maui, lets hang out." I never met Pauly before that. It's a funny thing being Pauly Shore. I go to this fuckin beach and Pauly is laying out. I go out bodysurfing for about an hour and a half. I come back, Pauly has got his face right in the sand asleep, there's fifty fuckin people around him with no dominant nationality. They're all pointing and going, Pauly Shore Pauly Shore. When little darker skinned people with foreign accents know who you are, you've really been around the world.
DE: Is there anything you'd like to be doing that you're not?
JR: Yeah I would definitely like to be shooting in the 70's in golf.
DE: Good luck with that Jim.
VIEW 3 of 3 COMMENTS
hel:
i love their cirkus... i do most of the things they do, just not as well
gogobongo:
Jim Rose is awesome. I saw them in '92 at alalapalooza. Great fuckin' show!