Real comedy fanatics have been cuckoo for Judd Apatow since the wonderfully hysterical The Ben Stiller Show on FOX. Throughout the 90s Apatow was involved with number of comedies like The Cable Guy and Celtic Pride. But it was really after his stint as producer of Paul Feigs Freaks and Geeks that he hit his stride. From there Apatow created the TV series Undeclared and produced the hit films Anchorman and Kicking & Screaming. Along with his main star and co-writer Steve Carell, Apatow has created the funniest project of his career. It is about stereo salesman Andy Schitzer, who has never been a woman, and his co-workers who try to get him some serious pussy.
Check out the official site for The 40 Year-Old Virgin
Daniel Robert Epstein: The 40 Year-Old Virgin is a very funny movie. But its not a high concept or insane, like Anchorman. The tone reminded me of the first half of Stripes.
Judd Apatow: Well when we made the movie I just wanted to do something that combined the set pieces of movies I liked. Like movies by Will Ferrell, [Adam] Sandler and Jim Carrey and the epic comic films of Cameron Crowe and James Brooks. So I was trying to get a character that you would believe, not just in a comic reality, but also in its dramatic parts and huge broad comedy. A guy you would care about in more than just a comedy way.
DRE: Was it tough to meld all of those elements together?
JA: Well, I was surprised that it came together so well. I knew it was tricky to make a movie this dirty that was also sweet and had a credible guy in a credible world that wasnt a caricature. But I just shot a lot of film and covered my ass ten ways from Sunday and when I hit the editing room I was really glad I did because I was really able to shape a movie that we all think is really pretty good. Then when we show it, people laugh like crazy and theyre really rooting for him, so thats nice.
DRE: Is the reason you never directed a film before because you were kind of waiting for something as popular as Anchorman was to give you more momentum?
JA: Well, I tried to direct in the past. I wrote a movie with Owen Wilson before he became a big star and I couldnt get it made because he wasnt a big star. I had been offered a few things over the years, but I felt that they could be made well without me. Then I just started working in TV for a long time and entertained the idea of making a movie, but I wanted to make a movie that I felt that I could control what it was about and really do what people like Cameron Crowe do with their movies. So it wouldnt be a big movie comedy but would have a specific style.
DRE: I remember an episode of The Ben Stiller Show where you had your hairy chest out in the steam room. So I wonder if Steve Carell made you get waxed too.
JA: If I was James Cameron I would have waxed myself, to show him that it didnt hurt too much but I am not as much a man as he. Steve really wanted to wax himself and he thought it would be funnier if it hurt. We didnt even have a script for that moment so I just put four cameras on him, and we just shot 18 minutes of waxing in two takes and thats truly exactly what happened.
DRE: Thats insane!
You made this movie with quite a lot of people that you have worked with before and are probably friends with. But everybody played against the roles that theyve been playing in studio films. Paul Rudd isnt a ladies man hes celibate, Steve Carell isnt a newsanchor, and Seth Rogen isnt playing a teenager. Was that what everyone kind of wanted to do?
JA: I just wanted to hire people that I thought were really funny and could improvise. The movie was Steves idea and we wrote it together, but very early on I thought it would be really funny if he worked in the place where co-workers were having a lot of sex. A stereo store seemed like the kind of place where the guys that work there would prey on all the women. Then I just started thinking, who are the funniest guys that I know, and having worked with Paul on Anchorman and Seth on Undeclared I knew they would be great. Then we just start thinking about what we could do with the parts thats different from the parts that weve done in the past. We all dont want to repeat ourselves so we try to switch it up as much as we can.
DRE: How often do producers work with a young kid like Seth [in Freaks and Geeks] and then they grow into working with them.
JA: I met Seth when he was 16 years old when he auditioned for Freaks and Geeks in Canada. He was so funny on Freaks and Geeks and he improvised so well that I made him a writer and an actor on Undeclared. After Undeclared ended in 2002 nobody hired him as an actor and I was always shocked because I thought Well this guy could be the next [Ben] Stiller. Hes 23 years old and he has this fully formed comic persona. So I wrote a bunch of scripts with him and hes been doing a lot of writing with me, but I always knew I was looking for an opportunity to put him in a movie and Seth has always wanted to make a movie where he could curse freely. He really felt that people want that movie where people talk like they really talk at work and believe me, he could not have been happier with his ability to do that in this movie. He got filthy.
DRE: How long did the actual Youre gay scene between Seth and Paul actually go on for?
JA: We would do ten minute takes where thats all that they would do. They just did like five of them and then we picked the funniest ones. I remember that they did I know youre gay because you like Coldplay. We had forgotten that they did that and the Coldplay record just came out but they are making enough money, they can take the hit.
DRE: I read that the movie was always going to be R-rated.
JA: Yeah, theres no way to talk about this subject and not be R-rated. Then the studio was like, if youre going to be R-rated you should really be R-rated. So we took advantage of that. I saw Wedding Crashers, which I thought was great, but I was shocked at how much dirtier we were than that. It kind of scared me.
DRE: The girls nipple popping out in the speed dating scene was just hysterical.
JA: I think its the simplest joke. Everyone thought you cant think of a joke that you cannot believe hasnt been done 50 times. I remember when I thought of it I just said, Im about to tell you a joke and you are going to worship me due to its simplicity and perfection. The woman was very funny. I could not have been more uncomfortable directing her. I did one take of it and sent her home quickly.
DRE: What made you cast Jane Lynch?
JA: Steve worked with her at Second City. He called me one day and said You should read Jane Lynch because we were actually reading men for the boss and we were thinking that maybe it would be a gay man that ran the place. She came in and what she did in her audition as an improv is exactly whats in the movie. Just out of the blue she went on that whole route of I want to be your fuck buddy. I literally took the tape of the audition, sent it to a transcriber, had them type out everything she said and put it in.
DRE: How did it help to have such an amazing cinematographer like Jack Green?
JA: Well it helps because I literally have no idea how to direct visually. I am a fan of Hal Ashby movies like The Last Detail and Harold and Maude and I like the idea that youre not in peoples face as a director. I never have been interested in making like Tim Burton movies where a lot of it is about how beautiful it looks. I just try to capture the energy of the performers and stay out of the way. I also try to cover it in such a way that they can improvise. So Jack was willing to light in such a way that I could shoot both actors talking to each other at the same time which isnt how most people do it. Then when we got into action comedy sequences like Steve in the car with the drunk woman theres nobody better at that than Jack Green. It was funny having Jack Green and his great crew because on some level youre just embarrassed that their crew is better than what you do.
DRE: What age were you when you lost your virginity?
JA: I was 17 and it was delightful. Afterwards she said, I guess it will get better.
DRE: How was it directing your wife, Leslie Mann in the drunk driving scene?
JA: I met Leslie when she was in The Cable Guy and shes just hilarious.
DRE: Did you know that shed be a good drunk?
JA: I said to her, I want you to go out, get drunk and videotape yourself then well look at the tape and decide how to play this. She looked at the tape and said, Oh my God, I always thought I was so cute when I was drunk, but now I realize I was obnoxious.
DRE: Is there going to be unrated DVD of The 40 Year-Old Virgin?
JA: Oh yeah, we just finished cutting the long unrated version. The movie is an hour and 52 minutes and we added 17 minutes to the unrated cut. We had so many deleted scenes and funny outtakes that we literally dont have enough room on the DVD to use it all. So were trying to figure out if we should do a double DVD or a Collectors Edition.
DRE: What was the actual writing process with Steve since you were allowing for improvisation?
JA: We worked hard on the script for a long time, but when we hired the actors we ran it through an extended rehearsal and then we rewrote the script again. Also Im always open to checking everything out which we would do a fair amount of the time. If theres a joke, Im always nervous it might not work. So Ill allow everybody to give me like eight other jokes as backup.
DRE: Is Andy Schitzer, Steven Carp [the main character from Undeclared], if he had never had sex in college?
JA: I always thought Steven Carp was one of the geeks on Freaks and Geeks five years later. That was a way for me to think about the tone of the movie, because like Freaks and Geeks and Undeclared, I wanted the movie to feel real but also to exist in a style where you could be really funny and really broad when you wanted to.
DRE: Who is more like Andy, you or Steve?
JA: From what I know of Steve I think its me and in our single days Im sure I was much more awkward than Steve and continue to be to this day. But Steve is such a sweet, nice guy that it just shines through that whole performance.
DRE: Were Andys toys real?
JA: I literally am not allowed to say what toys in the movie are real or fabricated. We must protect the innocent.
DRE: How was putting together the Undeclared DVD?
JA: We worked on that DVD for about a year, it was fun but its like pro bono work. We had the fans help us look through all the footage we shot for the show and find the best scenes and outtakes. Then we recorded the Loudon Wainwright concert in Los Angeles and put a it on the DVD. Im a huge fan of this. We put on, all of us speaking at the Museum of Television and Radio two days before we were canceled. Its funny to hear us do this Q & A because we can see the guillotine falling and were so bitter. Thats kind of a riot. Then theres an episode that never aired and an alternate version of an episode that they made us re-shoot half of. Then the usual stuff like the rehearsals and the deleted scenes.
DRE: I was in Paris recently this year and I watched some episodes of Undeclared in my hotel room. It was really funny watching that kind of show in the middle of Paris.
JA: Yes, it was meant to be seen in Paris.
DRE: You were so young when you started. Now it seems like youre doing more stuff than ever and not only is it really good but its also successful. Do you think you kind of grew into working with the studios a little?
JA: Certainly when I started I didnt know how to deal with people and if they had notes, which I thought were wrong, I would just say, Well Im not going to do it, now what happens? I think they were happier to cancel me a little sooner but Im proud of the fact that I didnt give in and ruin anything. The thing is, a lot of people Ive known a long time, that I believe in, have become popular, so it has afforded me the opportunity to do the things I wanted to do ten years ago.
DRE: Will you and Ben [Stiller] ever work together with you as director and him acting?
JA: Oh yeah, he literally just sent me something the other day. Were just in the early stages of looking for something to do together. But you know, over the years, Ben has been really great for me and he appeared on an episode of Freaks and Geeks as a Secret Service Agent and on the last episode of Undeclared he plays the ex-stepfather to Jason Segel, who plays the long distance boyfriend to Lizzie Exley. He was hilarious. We have a joke that every time Ben does a cameo, Im canceled a week later.
DRE: Did you and Mark Brazill ever make up?
JA: Yes everyones all made up.
DRE: Are you serious?
JA: Everything is nice in the world. Theres bigger problems on earth than that.
DRE: Whats the status of Talladega Nights?
JA: Well were starting shooting in September. So, were excited to go do that, and so were going to shoot in North Carolina. Will wrote it with Adam McKay and he plays a NASCAR driver. Adams directing it and Im producing it so Im getting ready to move to North Carolina for three months.
DRE: What is it you do on a semi-daily basis as producer?
JA: I got to understand the nuts and bolts of producing with the money and the production, but the thing I think Im the most helpful with is just being a third eye about, is the story working? is it funny? in what way can we cover our asses and make it funnier? Sometimes I just sit next to Adam and if I think of something funny I whisper in his ear but for the most part Im just looking to go home early.
DRE: What scratches the standup bug for you now?
JA: I did a little standup in the last two years just here and there at these nights at Uncabaret where I just get up and ramble. It would be something fun to do more of. But I like writing, I like hanging out with funny people and trying to think of things we havent done before. This has been a really fun experience because it looks like people really like the movie and it may not be a cult movie but actually be successful and that would be a pleasant change.
DRE: If it doesnt how would that change your immediate future?
JA: I just plow forward and just try to think of the next one regardless of what happens. But the movie was very inexpensive so it doesnt really have to do that well to be successful. Everyone raises their expectations and gets hopeful that itll really break through, but it doesnt even have to do that well to be a worthwhile endeavor.
DRE: Is there anything else that youve done in the past that you want to come out on DVD?
JA: I did a few pilots that I think are pretty funny and Id love to get out on DVD one day. Its pretty hard to get all the rights and pay to finish them up. I did a pilot with Amy Poehler and Jason Segel and called North Hollywood, which is about three actors struggling in North Hollywood. Amy Poehler played Judge Reinholds assistant and Judge Reinhold played himself. It was really a funny pilot but Im sure it scared the hell out of everybody at ABC. But now suddenly everyones doing these things about actors and their lives. I did a pilot with Dave Herman [Michael Bolton of Office Space] called Life on Parole about a burnt-out parole officer.
Then I did this show called Sick in the Head with Kevin Corrigan, David Krumholtz and Amy Poehler also which aired on the Trio Channel. It was about a therapist who just graduated and had no life experience.
DRE: Do you know what youre directing next or anything like that?
JA: Nah, Im just beginning to think of some ideas that I like. Hopefully Ill do another one later next year.
DRE: Have you heard that youre behind this new cabal of comedy people?
JA: Im just glad that I could be forced into that association because I know somehow it makes me money. Theres no truth to it, but maybe someone will pay me more because they think thats true.
DRE: Do you have any tattoos?
JA: I dont. Im Jewish so I cant do that.
by Daniel Robert Epstein
SG Username: AndersWolleck
Check out the official site for The 40 Year-Old Virgin
Daniel Robert Epstein: The 40 Year-Old Virgin is a very funny movie. But its not a high concept or insane, like Anchorman. The tone reminded me of the first half of Stripes.
Judd Apatow: Well when we made the movie I just wanted to do something that combined the set pieces of movies I liked. Like movies by Will Ferrell, [Adam] Sandler and Jim Carrey and the epic comic films of Cameron Crowe and James Brooks. So I was trying to get a character that you would believe, not just in a comic reality, but also in its dramatic parts and huge broad comedy. A guy you would care about in more than just a comedy way.
DRE: Was it tough to meld all of those elements together?
JA: Well, I was surprised that it came together so well. I knew it was tricky to make a movie this dirty that was also sweet and had a credible guy in a credible world that wasnt a caricature. But I just shot a lot of film and covered my ass ten ways from Sunday and when I hit the editing room I was really glad I did because I was really able to shape a movie that we all think is really pretty good. Then when we show it, people laugh like crazy and theyre really rooting for him, so thats nice.
DRE: Is the reason you never directed a film before because you were kind of waiting for something as popular as Anchorman was to give you more momentum?
JA: Well, I tried to direct in the past. I wrote a movie with Owen Wilson before he became a big star and I couldnt get it made because he wasnt a big star. I had been offered a few things over the years, but I felt that they could be made well without me. Then I just started working in TV for a long time and entertained the idea of making a movie, but I wanted to make a movie that I felt that I could control what it was about and really do what people like Cameron Crowe do with their movies. So it wouldnt be a big movie comedy but would have a specific style.
DRE: I remember an episode of The Ben Stiller Show where you had your hairy chest out in the steam room. So I wonder if Steve Carell made you get waxed too.
JA: If I was James Cameron I would have waxed myself, to show him that it didnt hurt too much but I am not as much a man as he. Steve really wanted to wax himself and he thought it would be funnier if it hurt. We didnt even have a script for that moment so I just put four cameras on him, and we just shot 18 minutes of waxing in two takes and thats truly exactly what happened.
DRE: Thats insane!
You made this movie with quite a lot of people that you have worked with before and are probably friends with. But everybody played against the roles that theyve been playing in studio films. Paul Rudd isnt a ladies man hes celibate, Steve Carell isnt a newsanchor, and Seth Rogen isnt playing a teenager. Was that what everyone kind of wanted to do?
JA: I just wanted to hire people that I thought were really funny and could improvise. The movie was Steves idea and we wrote it together, but very early on I thought it would be really funny if he worked in the place where co-workers were having a lot of sex. A stereo store seemed like the kind of place where the guys that work there would prey on all the women. Then I just started thinking, who are the funniest guys that I know, and having worked with Paul on Anchorman and Seth on Undeclared I knew they would be great. Then we just start thinking about what we could do with the parts thats different from the parts that weve done in the past. We all dont want to repeat ourselves so we try to switch it up as much as we can.
DRE: How often do producers work with a young kid like Seth [in Freaks and Geeks] and then they grow into working with them.
JA: I met Seth when he was 16 years old when he auditioned for Freaks and Geeks in Canada. He was so funny on Freaks and Geeks and he improvised so well that I made him a writer and an actor on Undeclared. After Undeclared ended in 2002 nobody hired him as an actor and I was always shocked because I thought Well this guy could be the next [Ben] Stiller. Hes 23 years old and he has this fully formed comic persona. So I wrote a bunch of scripts with him and hes been doing a lot of writing with me, but I always knew I was looking for an opportunity to put him in a movie and Seth has always wanted to make a movie where he could curse freely. He really felt that people want that movie where people talk like they really talk at work and believe me, he could not have been happier with his ability to do that in this movie. He got filthy.
DRE: How long did the actual Youre gay scene between Seth and Paul actually go on for?
JA: We would do ten minute takes where thats all that they would do. They just did like five of them and then we picked the funniest ones. I remember that they did I know youre gay because you like Coldplay. We had forgotten that they did that and the Coldplay record just came out but they are making enough money, they can take the hit.
DRE: I read that the movie was always going to be R-rated.
JA: Yeah, theres no way to talk about this subject and not be R-rated. Then the studio was like, if youre going to be R-rated you should really be R-rated. So we took advantage of that. I saw Wedding Crashers, which I thought was great, but I was shocked at how much dirtier we were than that. It kind of scared me.
DRE: The girls nipple popping out in the speed dating scene was just hysterical.
JA: I think its the simplest joke. Everyone thought you cant think of a joke that you cannot believe hasnt been done 50 times. I remember when I thought of it I just said, Im about to tell you a joke and you are going to worship me due to its simplicity and perfection. The woman was very funny. I could not have been more uncomfortable directing her. I did one take of it and sent her home quickly.
DRE: What made you cast Jane Lynch?
JA: Steve worked with her at Second City. He called me one day and said You should read Jane Lynch because we were actually reading men for the boss and we were thinking that maybe it would be a gay man that ran the place. She came in and what she did in her audition as an improv is exactly whats in the movie. Just out of the blue she went on that whole route of I want to be your fuck buddy. I literally took the tape of the audition, sent it to a transcriber, had them type out everything she said and put it in.
DRE: How did it help to have such an amazing cinematographer like Jack Green?
JA: Well it helps because I literally have no idea how to direct visually. I am a fan of Hal Ashby movies like The Last Detail and Harold and Maude and I like the idea that youre not in peoples face as a director. I never have been interested in making like Tim Burton movies where a lot of it is about how beautiful it looks. I just try to capture the energy of the performers and stay out of the way. I also try to cover it in such a way that they can improvise. So Jack was willing to light in such a way that I could shoot both actors talking to each other at the same time which isnt how most people do it. Then when we got into action comedy sequences like Steve in the car with the drunk woman theres nobody better at that than Jack Green. It was funny having Jack Green and his great crew because on some level youre just embarrassed that their crew is better than what you do.
DRE: What age were you when you lost your virginity?
JA: I was 17 and it was delightful. Afterwards she said, I guess it will get better.
DRE: How was it directing your wife, Leslie Mann in the drunk driving scene?
JA: I met Leslie when she was in The Cable Guy and shes just hilarious.
DRE: Did you know that shed be a good drunk?
JA: I said to her, I want you to go out, get drunk and videotape yourself then well look at the tape and decide how to play this. She looked at the tape and said, Oh my God, I always thought I was so cute when I was drunk, but now I realize I was obnoxious.
DRE: Is there going to be unrated DVD of The 40 Year-Old Virgin?
JA: Oh yeah, we just finished cutting the long unrated version. The movie is an hour and 52 minutes and we added 17 minutes to the unrated cut. We had so many deleted scenes and funny outtakes that we literally dont have enough room on the DVD to use it all. So were trying to figure out if we should do a double DVD or a Collectors Edition.
DRE: What was the actual writing process with Steve since you were allowing for improvisation?
JA: We worked hard on the script for a long time, but when we hired the actors we ran it through an extended rehearsal and then we rewrote the script again. Also Im always open to checking everything out which we would do a fair amount of the time. If theres a joke, Im always nervous it might not work. So Ill allow everybody to give me like eight other jokes as backup.
DRE: Is Andy Schitzer, Steven Carp [the main character from Undeclared], if he had never had sex in college?
JA: I always thought Steven Carp was one of the geeks on Freaks and Geeks five years later. That was a way for me to think about the tone of the movie, because like Freaks and Geeks and Undeclared, I wanted the movie to feel real but also to exist in a style where you could be really funny and really broad when you wanted to.
DRE: Who is more like Andy, you or Steve?
JA: From what I know of Steve I think its me and in our single days Im sure I was much more awkward than Steve and continue to be to this day. But Steve is such a sweet, nice guy that it just shines through that whole performance.
DRE: Were Andys toys real?
JA: I literally am not allowed to say what toys in the movie are real or fabricated. We must protect the innocent.
DRE: How was putting together the Undeclared DVD?
JA: We worked on that DVD for about a year, it was fun but its like pro bono work. We had the fans help us look through all the footage we shot for the show and find the best scenes and outtakes. Then we recorded the Loudon Wainwright concert in Los Angeles and put a it on the DVD. Im a huge fan of this. We put on, all of us speaking at the Museum of Television and Radio two days before we were canceled. Its funny to hear us do this Q & A because we can see the guillotine falling and were so bitter. Thats kind of a riot. Then theres an episode that never aired and an alternate version of an episode that they made us re-shoot half of. Then the usual stuff like the rehearsals and the deleted scenes.
DRE: I was in Paris recently this year and I watched some episodes of Undeclared in my hotel room. It was really funny watching that kind of show in the middle of Paris.
JA: Yes, it was meant to be seen in Paris.
DRE: You were so young when you started. Now it seems like youre doing more stuff than ever and not only is it really good but its also successful. Do you think you kind of grew into working with the studios a little?
JA: Certainly when I started I didnt know how to deal with people and if they had notes, which I thought were wrong, I would just say, Well Im not going to do it, now what happens? I think they were happier to cancel me a little sooner but Im proud of the fact that I didnt give in and ruin anything. The thing is, a lot of people Ive known a long time, that I believe in, have become popular, so it has afforded me the opportunity to do the things I wanted to do ten years ago.
DRE: Will you and Ben [Stiller] ever work together with you as director and him acting?
JA: Oh yeah, he literally just sent me something the other day. Were just in the early stages of looking for something to do together. But you know, over the years, Ben has been really great for me and he appeared on an episode of Freaks and Geeks as a Secret Service Agent and on the last episode of Undeclared he plays the ex-stepfather to Jason Segel, who plays the long distance boyfriend to Lizzie Exley. He was hilarious. We have a joke that every time Ben does a cameo, Im canceled a week later.
DRE: Did you and Mark Brazill ever make up?
JA: Yes everyones all made up.
DRE: Are you serious?
JA: Everything is nice in the world. Theres bigger problems on earth than that.
DRE: Whats the status of Talladega Nights?
JA: Well were starting shooting in September. So, were excited to go do that, and so were going to shoot in North Carolina. Will wrote it with Adam McKay and he plays a NASCAR driver. Adams directing it and Im producing it so Im getting ready to move to North Carolina for three months.
DRE: What is it you do on a semi-daily basis as producer?
JA: I got to understand the nuts and bolts of producing with the money and the production, but the thing I think Im the most helpful with is just being a third eye about, is the story working? is it funny? in what way can we cover our asses and make it funnier? Sometimes I just sit next to Adam and if I think of something funny I whisper in his ear but for the most part Im just looking to go home early.
DRE: What scratches the standup bug for you now?
JA: I did a little standup in the last two years just here and there at these nights at Uncabaret where I just get up and ramble. It would be something fun to do more of. But I like writing, I like hanging out with funny people and trying to think of things we havent done before. This has been a really fun experience because it looks like people really like the movie and it may not be a cult movie but actually be successful and that would be a pleasant change.
DRE: If it doesnt how would that change your immediate future?
JA: I just plow forward and just try to think of the next one regardless of what happens. But the movie was very inexpensive so it doesnt really have to do that well to be successful. Everyone raises their expectations and gets hopeful that itll really break through, but it doesnt even have to do that well to be a worthwhile endeavor.
DRE: Is there anything else that youve done in the past that you want to come out on DVD?
JA: I did a few pilots that I think are pretty funny and Id love to get out on DVD one day. Its pretty hard to get all the rights and pay to finish them up. I did a pilot with Amy Poehler and Jason Segel and called North Hollywood, which is about three actors struggling in North Hollywood. Amy Poehler played Judge Reinholds assistant and Judge Reinhold played himself. It was really a funny pilot but Im sure it scared the hell out of everybody at ABC. But now suddenly everyones doing these things about actors and their lives. I did a pilot with Dave Herman [Michael Bolton of Office Space] called Life on Parole about a burnt-out parole officer.
Then I did this show called Sick in the Head with Kevin Corrigan, David Krumholtz and Amy Poehler also which aired on the Trio Channel. It was about a therapist who just graduated and had no life experience.
DRE: Do you know what youre directing next or anything like that?
JA: Nah, Im just beginning to think of some ideas that I like. Hopefully Ill do another one later next year.
DRE: Have you heard that youre behind this new cabal of comedy people?
JA: Im just glad that I could be forced into that association because I know somehow it makes me money. Theres no truth to it, but maybe someone will pay me more because they think thats true.
DRE: Do you have any tattoos?
JA: I dont. Im Jewish so I cant do that.
by Daniel Robert Epstein
SG Username: AndersWolleck
VIEW 14 of 14 COMMENTS
I'm so happy!!