- commentary
- WEDNESDAY MARCH 9 2011 11:36 PM
Shepard Fairey’s REVOLUTIONS Will Have Devil Horns
Submitted by SG_Blog
Edited by nicole_powers
Tags: Art, Blog, DIY, Entertainment, Music, Dazed & Confused, Heavy Metal, Obey Giant, Party At The Moontower, Revolutions, Shepard Fairey
When Shepard Fairey last spoke with SuicideGirls, he talked about the rebellious allure of both punk rock and street art, and in his latest gallery show, REVOLUTIONS, he directly combines the two. The exhibition, which opens this Saturday (March 12) at Robert Berman’s C2 Gallery at Bergamot Station in Los Angeles, will feature 80 pieces based on the 12 inch record cover form.
REVOLUTIONS, which Fairey calls “a celebration of all the great music and accompanying art that has inspired me over the years,” reflects the LA graffiti artist’s love of punk, and of the hip-hop scene he is associated with. However, there’s also a somewhat unexpected influence, as seen in a series of pieces which pay homage to the rich visual vocabulary of heavy metal.
We checked in with Fairey to find out more.
SuicideGirls: People mostly associate you with hip-hop culture, but I understand this exhibit will also reflect your love of ’70s metal. How will the genre be represented in the exhibition and opening event?
Shepard Fairey: One of my album cover print sets is called “Party At The Moontower” inspired by the great music from the film Dazed & Confused. There are references to metal bands like Black Sabbath, Motorhead, AC/DC, Spinal Tap, Van Halen, etc., in the record cover images I have made. There are additional rock references in the covers like T-Rex, Hendrix, Iggy and the Stooges, The MC5, and Joan Jett. As an audio supplement to the show I have Matalachi, a heavy metal mariachi band performing metal classics at the opening.
SG: What is it about the metal aesthetic that appeals to you?
SF: I always liked skulls and tough rocker images. There are a lot of fun clichés and genuinely cool graphics in the metal genre. I got to do the Ozzfest logo a couple times and it was a blast designing a demon with a skull, horns, sharp teeth, demon eyes, smoke, a cloak, spikes, and lightning, emerging from the hell of a cracked open earth. My record cover designs pepper these elements in a little more tastefully.
SG: What bands would appear on your ultimate metal mixtape? Any guilty hair metal pleasures among ‘em?
SF: I made a mix, so you can hear for yourself. The “Party At The Moontower” mix includes AC/DC, Joan Jett, Thin Lizzy, Deep Purple, Metallica, The Sweet, Girlschool, Ozzy, Edgar Winter, Billy Squier, Ted Nugent, Judas Priest, The Melvins, and more. I was mostly into punk in my mid teens, but I always liked a few Quiet Riot, Mötley Crüe, and Twisted Sister songs. I could never get into the poofier hair metal like Poison, Whitesnake, Skid Row, etc…
SG: Do you have any cherished metal concert memories or memorabilia?
SF: Black Sabbath in 2000 was the best metal show, and maybe the best of any show I’ve ever seen. Sabbath is an all time favorite of mine and they sounded massive. It was at Ozzfest, and when they played the song “Black Sabbath,” 50,000 metal heads put lighters in the air. It was awe-inspiring. I think my best metal memorabilia is the poster I did for Sabbath’s 2005 tour signed by all four members.

REVOLUTIONS – The Album Cover Art of Shepard Fairey
Where: Robert Berman’s C2 Gallery at Bergamot Station, 2525 Michigan Ave.,_Santa Monica, CA 90404
Opening Celebration: Saturday, March 12, 8 – 11 PM.
(Featuring musical performances by Dan The Automator, Metalachi , and DJ sets by Shepard Fairey.)
Ongoing Exhibition: March 12 thru April 23, Tues thru Sat, 11 AM – 5 PM
- news
- SUNDAY MAY 16 2010 1:00 PM
R.I.P. Ronnie James Dio
Much to my dismay, it has just been confirmed that heavy metal legend Ronnie James Dio passed away on this sad Sunday morning. His wife and manager Wendy officially released the following statement on his website about an hour ago:
Today my heart is broken, Ronnie passed away at 7:45am 16th May. Many, many friends and family were able to say their private good-byes before he peacefully passed away. Ronnie knew how much he was loved by all. We so appreciate the love and support that you have all given us. Please give us a few days of privacy to deal with this terrible loss. Please know he loved you all and his music will live on forever.
- Wendy Dio
The 67-year old frontman of iconic bands such as Rainbow, Black Sabbath and most recenty Heaven & Hell was diagnosed with stomach cancer in November last year. Rumors of Dio's demise surfaced on the internet earlier this year but were discredited when he appeared to be alive and his condition improved somewhat after undergoing chemo therapy. Sadly, Dio was forced to cancel all upcoming shows with Heaven & Hell scheduled this Summer due to his declining health and eventually lost his battle to cancer.
R.I.P. Dio, you will be missed by many.
- feature
- FRIDAY JANUARY 9 2009 4:00 PM
Metal Asylum Vol. 1
Submitted by Hollee
Edited by nicole_powers
Tags: heavy metal, black metal, Opeth, Moonsorrow, dark shit
Greetings fellow head-bangers! Welcome to the first edition of Metal Asylum –– your one stop source for all things metal. I felt that the underground metal scene wasn't being represented enough here on SG, so I will do my best to be that voice.
I started getting into metal when I was about 12-years old. At first it was the mainstream metal/rock bands you could find on MTV's Headbangers Ball (when they actually played videos –– ahhh those were the days). I got really into Tool (still one of my favorite bands), Pantera, Alice in Chains, Metallica, Megadeth, Black Sabbath, Ozzy etc. I guess you could say I was a late metal bloomer since I really didn't start listening to underground metal until I was around 17-years old (I'm currently 25).
I remember the day so clearly; it was a defining moment in my life. A friend played a CD of a band I'd never heard of before. What I didn't realize is that band would change my life forever. The band was Sweden's Opeth, the album was Morningrise. I was speechless. It was like nothing I'd ever heard before. It was what I'd been waiting for musically, but had just not realized it. The guitar riffs were so expeditious and melodic. The drums and double bass were fast and steady (in the heavy parts), and the vocals of singer Mikael Åkerfeldt, were powerful and haunting –– depending on what the music demanded of him. That was it for me; I was hooked! Metal was my drug of choice and I was a full-blown addict.
Above: Opeth performing "Advent" from the album Morningrise at the Inferno Festival in Norway.
After I first heard Opeth, I didn't start listening to the typical American death metal bands, I jumped straight into the whole Swedish melodic death metal scene -- bands like In Flames (old) and Dark Tranquility. Some of my other favorite bands at the time included Katatonia, Anathema, Agalloch, Arcturus, Borknagar, Amorphis, and Shape of Despair . Later on, I discovered the epicness that was Norwegian (and Swedish) black metal, with some of my favorite BM bands being: Emperor, Diabolical Masquerade, Old Man's Child, Dissection, Dimmu Borgir, (some) Immortal and Dark Funeral.
You'll notice that I didn't include Dark Throne (a band much lauded by black metal fans) in my list of personal faves. That's because I don't listen to them at all. Never have. I've heard a few songs off Transylvanian Hunger which is supposed to be their "masterpiece" but never understood what all the hype was about –– it's just noise in my honest opinion.
And that's what I intend to do with this monthly column; I intend to be completely honest. But please remember these are only my opinions –– please feel free to voice yours in the Comments section below or message me anytime. I'd be more than happy to hear your defense of Dark Throne and reasons why you think they're Satan's gift to man.
But first, a little more about where I'm coming from: When I first started getting into metal, I was living in California. I moved back to Chicago when I was 18 (where I was born and raised). With this new-found passion, and no one to share it with, all of my free time (and money) was spent at a small music store in the heart of the city solely dedicated to "underground" metal called Nightfall Records. The man that worked there, Tom, was nice enough to spend countless hours talking music with me, playing new bands and music for me to eagerly digest. This store and the music that was held in it helped me through a really rough and lonely time. About a year later, I had successfully rooted myself into the Chicago metal scene, which is actually pretty big and is very much death metal-based.
Eventually, one of my friends and his wife approached me to do the female vocals on their American folk metal project, Earthen, which was influenced by bands such as Agalloch and Woods of Ypres. It was the kind of project that never seemed to be complete, and the band always had a revolving-door membership. I experienced one of the best moments of my life with that band. We played our first live show at the Heathen Crusade II fest in St. Paul, Minnesota in January of 2007. I got to share the stage with some of my favorite bands, Manegarm, Skyforger, Bal-Sagoth, Máel Mórda, and many other amazing Viking/folk metal bands.
That brings me to the metal I am currently most into. About four years ago a friend turned me on to a folk black metal band called Moonsorrow from Finland. I got the same feeling that I did when I first had heard Opeth. Since then, Viking/Pagan/folk metal has been my alloy of choice, though I also love other forms of metal cut from a much wider sheet.
Above: Moonsorrow performing "Jumalten Kaupunki" from the album Kivenkantaja.
My point of this first article was to let you guys know where I came from and how I came into being a hardcore metalhead. I encourage you all to message me with topics and new bands you'd like me to include in my monthly metal round-up. I'd also like to hear all of your stories of how you got hooked on this crazy lifestyle (it's more than merely a genre of music) that we call "Heavy Metal."
Until next time,
Horns & Hails!!
Hollee
holly@suicidegirls.com

- news
- TUESDAY JUNE 19 2007 6:00 PM
Addicted to Metal? You Might Be Disabled
Submitted by Aaron_Lariviere
Edited by erin_broadley
Tags: Sweden, heavy metal, metalhead, disability

Following up on todays theme of disability, I have breaking news of the heaviest sort. To borrow a phrase: the greatest trick a metalhead ever pulled was convincing the world he was
disabled?!
Swedens The Local presents the case of 42-year-old headbanger Roger Tullgren. Either through dumb luck or sheer brilliance, Roger has managed to convince the Swedish government that his heavy metal addiction is a genuine disability. For serious.
Roger -- being that he is, after all, a metalhead -- has a natural love for heavy metal. When he skips work for a concert, or shows up at his job looking like a gnarly scumfuck, it doesn't go over well with his employers. But seen through the eyes of an imaginative and delusional psychologist, his seeming laziness and disregard for work stem from his inability to express himself and a physical need to bang his head all the live-long day.
I have been trying for ten years to get this classified as a handicap," Tullgren told The Local.
"I spoke to three psychologists and they finally agreed that I needed this to avoid being discriminated against."
Roger, as you have likely guessed, is the smartest man in the world. Befittingly, his rough and tumble powers of persuasion have entitled him to the following state-sanctioned benefits:
- Time off as needed to attend concerts, so long as he makes up the hours when he can.
- The right to listen to metal and wear "heavy-metal attire" while he works.
- A supplement to his income, paid by the Employment Service.
Congratulations, Roger. Admitting you have a problem is the first step on the long razor-strewn road to recovery. With the grace of god you'll surely bear the heavy burden of your metallic disability like an armored saint.
- news
- SUNDAY JUNE 17 2007 5:00 PM
Motörhead Refuse to Die, Prep New Live Album
Submitted by Aaron_Lariviere
Edited by erin_broadley
Tags: Motorhead, Hammersmith, live album, punk, heavy metal

Over 30 years into an ear-shredding career, Motörhead are the unkillable stalwarts of punk-metal. They refuse to change, god bless 'em, and just keep on cranking out albums, year after year. Just last night -- if the early reports can be believed -- they decimated eardrums at the Royal Festival Hall in London as the opening act of the Meltdown Festival. Here's a shot with the crowd forced up and out of their seats:

With 19 studio albums, and four official live albums to their name, Motörhead is ready to serve up yet another platter of noise: a double live album titled Better Motörhead Than Dead. The recordings are taken from the bands 30th-anniversary show on June 16, 2005 at the Hammersmith Apollo/Odeon, which returned them to the site where they recorded their first live record back in '81, No Sleep til Hammersmith. The track listing is as follows:
Disc 1
01. Dr. Rock
02. Stay Clean
03. Shoot You In The Back
04. Love Me Like A Reptile
05. Killers
06. Metropolis
07. Love For Sale
08. Over The Top
09. No Class
10. I Got Mine
11. In The Name Of Tragedy
12. Dancing On Your Grave
Disc 2
01. R.A.M.O.N.E.S.
02. Sacrifice
03. Just 'Cos You Got The Power
04. (We Are) The Road Crew
05. Going To Brazil
06. Killed By Death
07. Iron Fist
08. Whorehouse Blues
09. Bomber
10. Ace Of Spades
11. Overkill
The double-album will be available on July 16, 2007. Heres a little taste of live Motörhead for you, filmed this past Halloween:



