Activists are protesting the movie "Million Dollar Baby," and are demanding that those who review or write about the movie reveal its ending. Click on the Spoiler link below if you want to see the rest of this article, which will indeed spoil the ending.
SPOILERS! (Click to view)
Late in the movie, Maggie, the boxer played by Hilary Swank and trained by Clint Eastwood's character, Frankie, is rendered quadriplegic by injuries she sustains in a fight. Frankie promises her he will care for her, but Maggie doesn't want to live like this, so Frankie pulls out her ventilator, and gives her a lethal injection of adrenaline, which kills her. Activists for the disabled are blasting the movie as saying that the disabled would be better off dead, and are asking that reviewers of the movie address this.
Kalman Kaplan, a professor of psychology at Wayne State University, wrote a letter of protest to Roger Ebert. He seconded Ebert's praise for the first two-thirds of Million Dollar Baby, the portion Ebert had described in his review. "My disagreement is with what you haven't discussed: the 90 degree turn after Maggie's tragic accident into a naive . . . factually incorrect, out-of-date and dangerous characterization of a disabled person, and its implicit advocacy . . . of mercy-killing of the disabled." He compared Million Dollar Baby to propaganda films made in Germany under Hitler.
Diane Coleman considers herself lucky to have known what was coming. Coleman, president of Not Dead Yet, has spinal muscular atrophy. She's been in a wheelchair since she was 11 and is now on a ventilator at night. "I was the only wheelchair user in the theater, which was packed," she says. "I already knew what I was going to see, and I was pretty much steeled against it in terms of personal pain. But I couldn't stop thinking about all the people I see at the Rehabilitation Institute of Chicago who are newly injured and how they would react when they were assaulted by the ending.
"The whole thing is so contrived, because people already have the right to refuse treatment. She was on a ventilator, and she had the legal right to refuse it. The role of everyone else is to convince them that life is worth living."
Fueling the fire is that Eastwood himself was sued for violations of the Americans with Disabilities Act in 1997 for not providing handicapped facilities at a hotel he owns.
So far, most major reviewers are continuing to refuse to discuss the movie's ending, except in oblique terms that doesn't reveal what happens, citing the anger they'd stir up if they gave away the ending.
All these details were off-limits to critics because they came along in the part of the movie critics forbid themselves to talk about. "There's an unspoken rule you don't reveal reversals in the third act," says Wilmington. Ebert wrote me, "A critic who gives away something like that in his original review will have scorn and hatred heaped upon him by moviegoers. Believe me, I know." On Tuesday he obliquely weighed in on the debate by applauding the documentary Murderball, which is about quadriplegics who triumph as athletes. Ebert and Wilmington both loved Million Dollar Baby. Diane Coleman despised it, and her duty, unlike the critics', was to promptly and loudly say why.
Full article here: http://www.chireader.com/hottype/2005/050128_2.html
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