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- SATURDAY DECEMBER 27 2008 12:00 PM
Playwright Harold Pinter Dead at (pause) 78
Submitted by Cigarette
Edited by nicole_powers
Tags: harold pinter, playwright, theatre, liberal, jewish, protest
Harold Pinter, who was arguably the greatest living playwright (along with Edward Albee and Caryl Churchill), passed away on Wednesday, December 24, after a prolonged battle with cancer.
Rising to prominence in the late fifties and pigeonholed into "Theatre of the Absurd" along with Eugene Ionesco, Jean Genet, Samuel Beckett (all of whom were about twenty years older), Pinter's work often focused on shadowy, mysterious forces of oppression, contrasting with the day-to-day banality of the English working class existence. His work as a playwright, screenwriter, poet and essayist earned him numerous honors, including the Legion d'honneur and the Nobel Prize for literature, along with a Tony Award and Oscar/Golden Globe nominations.
How he came by his plays is contrary to much of playwrighting theory, as he stated in his Nobel Prize lecture:
Most of the plays are engendered by a line, a word or an image. The given word is often shortly followed by the image. I shall give two examples of two lines which came right out of the blue into my head, followed by an image, followed by me.
The plays are The Homecoming and Old Times. The first line of The Homecoming is 'What have you done with the scissors?' The first line of Old Times is 'Dark.'
In each case I had no further information.
In the first case someone was obviously looking for a pair of scissors and was demanding their whereabouts of someone else he suspected had probably stolen them. But I somehow knew that the person addressed didn't give a damn about the scissors or about the questioner either, for that matter.
'Dark' I took to be a description of someone's hair, the hair of a woman, and was the answer to a question. In each case I found myself compelled to pursue the matter. This happened visually, a very slow fade, through shadow into light.
Pinter became a household name in theater and drama, joining such luminaries as Chekhov and Brecht in having a popular eponymous adjective -- "Pinteresque" meaning "menaced by great and unidentifiable forces" -- and creating what is commonly called the "Pinter pause," a menacing beat of silence in drama that he later disowned.
I made a terrible mistake when I was young, I think, from which I've never really recovered. I wrote the word "pause" into my first play.
Respected by stage and screen luminaries alike, Pinter's works were performed and directed by Kenneth Branagh, Jude Law, John Malkovich, Jeremy Irons, Ben Kingsley, Peter Hall, Ian Holm, Raul Esparza, Michael McKean, Patrick Stewart, Juliette Binoche, Liev Schreiber, Christopher Plummer, Jason Robards, Gary Sinise, John Gielgud, Sarah Jessica Parker, F. Murray Abraham, Abe Vigoda, Faye Dunaway and Robert Duvall.
Pinter was also an incredibly outspoken critic of authoritarianism, oppression and imperialism. His facility with the English language and his ability to see the motivations and deceptions behind seemingly banal and benign words, made his political commentary some of the most cutting.
Again, his Nobel Prize speech:
The United States supported and in many cases engendered every right wing military dictatorship in the world after the end of the Second World War. I refer to Indonesia, Greece, Uruguay, Brazil, Paraguay, Haiti, Turkey, the Philippines, Guatemala, El Salvador, and, of course, Chile. The horror the United States inflicted upon Chile in 1973 can never be purged and can never be forgiven.
Hundreds of thousands of deaths took place throughout these countries. Did they take place? And are they in all cases attributable to US foreign policy? The answer is yes they did take place and they are attributable to American foreign policy. But you wouldn't know it.
It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It's a brilliant, even witty, highly successful act of hypnosis.
Unique amongst English men of letters, Pinter's voice is one that will be sorely missed in artistic, social and political spheres.




Comments
Quirky
Birmingham, AL
October 2005
DEC 28, 2008 03:36 AM
r00kers
Nederland, CO
February 2003
DEC 28, 2008 09:30 AM
mamet
Charleston, SC
March 2005
DEC 28, 2008 12:20 PM
TheFuckOffKid
NEWSWIRE
Australia
DEC 28, 2008 12:37 PM
mattbavougian
Lincoln, NE
June 2003
DEC 31, 2008 06:47 AM