Cronenberg Remake Worries
FRIDAY OCTOBER 5 2007 12:00 AM
Submitted by johnnyfu. Edited By erin_broadley.
TAGS: cronenberg, jason vorhees

Horror movie geeks are abuzz and aghast at news of a Michael Bay-anchored reboot of Friday the 13th.
Jason Vorhees might be safe in Bay’s hands. But more troubling horror remake news was broken this week. While it doesn’t involve a hockey-mask wearing psychopath, it does involve a Canadian with a dark inner life.
Variety reports that movie production house Spyglass entertainment is prepping a remake of David Cronenberg’s 1979 oddball, creepo classic The Brood. The original was a Canadian-government produced low budget, squirm-inducing part of Cronenberg’s masterful run of horror movies. Along with Shivers, Rabid and Scanners, Videodrome and other films its proof that Cronenberg’s is a sick genius. (Writing that list of WTF movies gave me chills — the Onion’s AV Club has a pretty OK explanation of why.)
There’s about zero chance that The Brood remake will be any good. There’s no way a modern studio would release a film constructed like the original. When the plot of the movie – which I don’t want to reveal because I think everyone should have the chance to watch it cold — is stripped and tightened, there will be zero of the original’s mojo left.
The original maintains an unsettling creepy tone for much of its length and then — blammo, ka-pow — there’s a huge plot turn with some of the grossest, strangest imagery that’s ever been in a movie. Making the basic story conform to a conventional three act structure – would totally kill it.
Judging from the other films penned by Cory Goodman, the scripter charged with re-write duties – the new version is extremely unlikely to be half as visionary or weird. According to his IMDB profile, he’s written two scripts, neither of which have been mounted as movies, and one of which – Priest – is summarized on IMDB as an “A priest … disobeys church law to track down the vampires who kidnapped his niece.” Too bad somebody already got to the biker with a flaming skull gimmick, right?
Scanners, another Cronenberg classic set for a remake, is just as problematic. Aside from the film’s biggest set piece – a justifiably famous shot of a head blowing up – the film is surprisingly slow and deliberate. A remake would have, like, 20 times as many heads blowing up, but none of its other-worldliness.
The only director that really could be trusted to make these movies is the one who made them in the first place – Cronenberg himself. However, judging from his last three movies, he’s not interested in revisiting his splattery venereal film roots. A History of Violence, Spider and Eastern Promises are all pretty good movies, but they’re disappointingly realistic and, for Cronenberg at least, self consciously mature. The last real mutant movie Cronenberg made, the criminally under-seen Existenz, was a flop, so maybe he’s scared to get back into the fleshy sci-fi movies that really made his name.

















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