- news
- TUESDAY JUNE 5 2007 2:00 AM
Bradbury Sets the Record Straight on Fahrenheit 451
Submitted by _DictionaryGirl_
Edited by erin_broadley
Tags: Ray Bradbury, Fahrenheit 451, censorship, television

I love Ray Bradbury. Love. I celebrate the guy's entire catalog.
So hearing from him is always a real treat, considering he's at an age where no one would really blame him if he decided to drop out of the public eye altogether, and his feature in L.A. Weekly last week is no exception. Later this month, Gauntlet Press will be releasing Match to Flame, a collection of short stories leading up to Bradbury's 1953 classic Fahrenheit 451, and when it comes to that particular novel he's got a lot to say right now. Arguably his most well-known full-length book, it is taught in middle schools and high schools pretty much everywhere, often coming tightly bundled with themes of censorship and McCarthyism. Well, enough is enough: Bradbury has had it with all these teachers and critics on his alleged theory and meaning, and he took this interview as a forum to set the record straight once and for all.
Bradbury, a man living in the creative and industrial center of reality TV and one-hour dramas, says it is, in fact, a story about how television destroys interest in reading literature.
It's really as simple as that, kids. But here's some more:
As early as 1951, Bradbury presaged his fears about TV, in a letter about the dangers of radio, written to fantasy and science-fiction writer Richard Matheson. Bradbury wrote that Radio has contributed to our growing lack of attention.... This sort of hopscotching existence makes it almost impossible for people, myself included, to sit down and get into a novel again. We have become a short story reading people, or, worse than that, a QUICK reading people.
He says the culprit in Fahrenheit 451 is not the state it is the people. Unlike Orwells 1984, in which the government uses television screens to indoctrinate citizens, Bradbury envisioned television as an opiate. In the book, Bradbury refers to televisions as walls and its actors as family, a truth evident to anyone who has heard a recap of network shows in which a fan refers to the characters by first name, as if they were relatives or friends...
His fear in 1953 that television would kill books has, he says, been partially confirmed by televisions effect on substance in the news...Useless, Bradbury says. They stuff you with so much useless information, you feel full.
It makes a lot of sense, too, once you think about it: in the big passage where Montag's boss is talking about how firemen came to be, what he speaks of is a society doing it to themselves, not at all the state intervening for them. People being too offended by books to bother with them, stripping out paragraphs until nothing is left but the footnotes. You could really analyze from the angle that the firemen only come to clean up what most people don't want anymore, now that everyone has their flat wall-sized telescreens and favorite programs and interactive entertainment and... hey, wait a minute.
So maybe it's with subtle guilt that we, as a society in general, choose to continue pushing the Big Brother Oppressor interpretation of Fahrenheit 451we would never forgo literature by our own choices!but it's a choice that really chaps Bradbury's hide.
He bristles when others tell him what his stories mean, and once walked out of a class at UCLA where students insisted his book was about government censorship.
I've got to admit, it must be beyond annoying to have a bunch of kids tell you what they know your book must be about when you wrote the thing your damned self. I'd bristle, too.
But it seems like the bristliest bunch in the whole lot of this article are television executives, who claim that Bradbury's claim is stuff and nonsenserather, television has energized the book market through its snappy advertising and cross-promotion. Naturally!
Bradburys latest revelations might not sit well in L.A.s television industry, where Scott Kaufer, a longtime television writer and producer, argues, Television is good for books and has gotten more people to read them simply by promoting them, via shows like This Week and Nightline.
Kaufer says he hopes Bradbury will be good enough in hindsight to see that instead of killing off literature, [TV] has given it an entire boost. He points to the success of fantasy author Stephen King in television and film, noting that when Bradbury wrote Fahrenheit 451, another unfounded fear was also taking hold that television would destroy the film industry.
Kaufer also points out that Bradbury's stories made some awesome movies and television series. Touché! But does that take away from any legitimate fear that drove Bradbury to write the novel, regardless of what spin anyone else wants to put on it? Of course not. If he says that's what the book is about, then guess what: that's what the book is about. Let the man speak. He's Ray fucking Bradbury, for crying out loud, and reallywas he wrong?
_DictionaryGirl_ is off to listen to music on her futuristic "seashell" earpod headphones and chat with her "family" on the "wall screen." Oh Ray, please forgive her. Also, big ups to Media Bistro, where they've even got video on the subject. Word.




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