
Fittingly, the story behind the creation of the novel Frankenstein is almost as famous as that of the monster itself.
Mary Shelley, only nineteen at the time, spent the cold summer of 1816 with her future husband, Percy Bysshe Shelley; Lord Byron; and Byrons doctor, John William Polidori. Due to the subnormal temperatures, the group was forced to stay indoors where they entertained each other by reading from a book of German ghost stories. When Lord Byron challenged the group to write their own stories, Mary Shelley came up with the first spark that would become the classic Frankenstein. Remarkably, Polidori was also inspired by Byron that night and later wrote what is considered to be the first modern vampire story, The Vampyre . Two horror greats were born that night. It don't get any more goth than that, people.
Now, however, one scholar is claiming that the story might not be true, at least when it comes to Mary Shelley and her monster. How did a marginally-educated nineteen-year old come up with what is now thought of as one of the first science-fiction novels, and why didn't she ever write anything of merit again? Perhaps she wasnt the author at all, according to John Lauritsen, who claims that Percy Bysshe Shelley actually wrote the novel.
Lauritsen, a Harvard-educated "independent scholar" who has spent seven years in its libraries comparing the texts of Shelley's great works such as Ozymandias with his wife's subsequent books, says Frankenstein was too profound to have been created by an "ill-educated 19-year-old whose later writings were just ordinary".
He says some of the language, with lines such as "I will glut the maw of death", were pure Shelley, and that the young aristocrat wrote a handful of fashionable horror tales that echo the later tone of Frankenstein. Lauritsen said Shelley had many reasons to disguise his authorship, including hints of "free love" that had already driven him out of England and an undertone of "Romantic, but I would not say gay, male love".
Lauritsen also points out that the first edition of Frankenstein was published with no author credited and was roundly panned by the critics of the time. Obviously, a book like this is going to cause some controversy, but at least one critic, Camille Paglia, writing in Salon sees the novel as not only an important investigation, but a shot fired across the bow of academia as well.
Lauritsen's book is important not only for its audacious theme but for the devastating portrait it draws of the insularity and turgidity of the current academy. As an independent scholar, Lauritsen is beholden to no one. As a consequence, he can fight openly with myopic professors and, without fear of retribution, condemn them for their inability to read and reason.
Will a village of angry scholars armed with pitchforks and torches be coming for Lauritsen when his book, The Man Who Wrote Frankenstein comes out next month? Only time will tell.
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