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Knowledge is power. That statement is especially true when attempting to break into the movie business. All you need to begin your career in the film business are a few simple things – $100,000 for tuition at a top film school, be sure to see thousands of movies including all of those considered to be historically important, don't forget to save at least $25,000 or more for the projects you wish to finish, get used to the lack of sleep or a social life... oh, and it really helps to have talent.

The unfortunate reality is that money is probably the most important part of this equation. That is, unless you enjoy playing the part of a production assistant working on someone else’s movie at film school, probably for the kid whose family was smart enough to take out a loan.

There really is no formula for success in the film business, no matter the level of education, access to money or God-given talent, it all could amount to nothing. So it might inspire you to know that Quentin Tarantino never graduated high school. He's a dropout and sometimes it shows in the work -- his screenplays are rife with spelling and grammatical errors. But reading a Tarantino script is like poetry to any movie geek who has had the pleasure to soak in his words. Sure, there's a "teh" here and there and rampant misuse of "your/you're" but these words were not meant to be read, they were intended to be heard from the silver screen accompanied by powerful images. It's well-known that QT took advantage of his video store job by watching countless movies. He exposed himself not only to the beloved classics, but to exploitation films from the seventies as well as Hong Kong cinema. Tarantino is not the only one who skirted traditional schooling in favor of the school of life. The film industry is perhaps one of the few businesses in which the points of entry are as varied as the levels of education - a business populated by everyone from college dropouts to those with PHDs. And there are still no guarantees that a degree from film school will gain you anything but a production assistant job paying less than working as a fast food meat jockey.

For those without the ability to fund an expensive film school education, or if you're simply seeking a way to supplement your schooling, there are several ways to achieve this. And the best part is that the school of life is free. Well, mostly free. The one thing to keep in mind if you choose this path is that you never really graduate. The schooling just goes on and on. In fact, the education should never really end. Spielberg himself sees many films each week because he always feels he can learn something new. And so can you by pursuing a few of these opportunities.



Listen to DVD Commentaries
Paul Thomas Anderson, the director of Boogie Nights has said that listening to commentary tracks (then only heard on laser discs) was how he learned about filmmaking. Some great commentaries are almost like sitting in class with professor Scorsese. In fact, listening to commentaries should become a habit. Personally, I'm addicted to DVD commentary tracks and I listen to them like talk radio at home and in my car and on my ipod. It's not difficult to rip a DVD and grab an MP3 of the commentary tracks for convenience later. However, now that commentaries are an expected part of a "special edition" DVD, most are average at best. A solid commentary should offer inside knowledge free from the political "niceties" so often heard on these tracks. One of the best is on Requiem for a Dream by Darren Aronofsky. He includes his cinematographer on the commentary and the two reveal the guerilla filmmaking methods they used to get the movie made. The recent release of Joe Carnahan's Smokin' Aces has two commentary tracks that are amazing.

A filmmaker who consistently provides excellent commentary is Steven Soderbergh. He is probably the best filmmaker doing commentary on DVD today for films like sex, lies and videotape or Ocean’s Eleven or Traffic or The Limey or Out of Sight or Full Frontal. Soderbergh always hosts his commentary with the screenwriters of his films and introduces the commentary track by saying “Hey, welcome to another episode of two white guys talking about movies...”

What makes Soderbergh’s commentary so amazing is that he hits on almost every layer of what you’d look for in a good commentary-
- First of all, insight into his process. We learn firsthand how he makes movies and his philosophies on cinema. Soderbergh will explain why he did what he did and he’s even his own worst critic – he’ll even tell you whether he thought it worked or not.
- Secondly, we get to know about him as a person. With all his success, he’s strangely humble and a regular guy. He reveals personal history, elements of his family life as they relate to the film, where he went to school, where he came from, who influenced him, favorite films, where he stole ideas, etc… Soderbergh also displays a great sense of humor.
- And finally, Soderbergh’s commentaries always include lots of inside stories and anecdotes about the actors, the financing, the problems, the marketing, the studio, etc... He’s not afraid to be vulnerable or even get into an argument with the screenwriting co-hosting the commentary on the disc. Listen to the commentary track for The Limey and you’ll hear Soderbergh’s heated argument with the screenwriter over cut scenes. It’s brilliant!

Others who excel at commentary are actor Bruce Campbell – he’s hysterical.

Explore
For those lucky enough to live in the capitol of the entertainment industry, there are plenty of places to explore.

Hollywood Museum
Learn about the history of Hollywood, and you can even do the tourist thing and take the Location Tour in which you'll visit the actual locations for movies and television shows. The most popular tour currently is the Entourage which takes you to landmarks sucha as Jerry’s Famous Deli, the Urth Café, the Coffee Bean and Tea Leaf on Beverly, Koi and Real Food Daily on La Cienega and ending at the Santa Monica Pier (location for the fictional Aqua-Man movie). Or you could just drive by those places yourself. Anyway, visit them at 3200 Wilshire Boulevard, Suite 1680 South Tower, Los Angeles, CA 90010.

Margaret Herrick Library
The official Oscar web site has incredible resources including The Margaret Herrick Library. This prestigious library collects a wide range of materials relating to motion pictures, including books, periodicals, scripts, photographs, posters and other publicity materials. The library is housed in the Fairbanks Center for Motion Picture Study, at 333 S. La Cienega Boulevard, Beverly Hills, California 90211

Warner Bros. Studio Tour
Studios VIP Tour is an insider's look at one of Hollywood's busiest and most famous motion picture studios - past and present.

Universal Pictures Backlot Tour
Not just a theme park with a look inside big movies, but they even serve beer and margaritas.

Sony Pictures Tour
Just like the other tours, but it’s Sony!
Tip: If you can, find a way to get to the official Sony Pictures Studio Shop where you'll find CDs, DVDs, Blu-ray discs, PS3 games and even PS3s at employee discounts. Whenever I get on the lot, I stop by the store and load up.

Become a Member of the Studio Audience
Hey, if all else fails, you can clap, can't you? Become a member of the audience and learn firsthand how boring shooting a television show can be. Some shows even pay for you to stay seated for hours.



See Movies and More Movies
The multiplex might be a safe place to see mainstream movies, but you must broaden your horizons and seek out film festivals and screening programs in your area. Here's a round-up of the best.

American Cinematheque - Los Angeles
Features classic movies, film forums and daily presentations of Forever Holywood in the historic Hollywood Egyptian Theatre.
6712 Hollywood Blvd, Los Angeles, CA 90028

Creative Screenwriting Magazine Screening Series
See major films hosted by the screenwriters in lively question and answer sessions. Just sign up to their mailing list and you'll be invited to free screenings of new films. Screenings are always packed to capacity as seating is first-come, first-served, so get in line early to guarantee a seat. Best part - it's free as the program is paid for by studios seeking to promote their latest film to the most dedicated fans.

Flicker LA
Hosts special screenings of shorts on Super 8 and 16mm.



Learn Everything in a Weekend
If a four-year college is not in the cards, then you should consider many of the weekend programs available. Many of these serve to not only offer useful instruction, but are a great way to make industry connections. For aspiring screenwriters, the Writers Boot Camp will put you through the paces and provide assignments that will result in a fully written script in six weeks. This is a program that I have taken myself and the exercises they provide will assist anyone with writer's block to fill pages with dialog. Their continuing support after the initical course and list of distinguished alumni, who have actually sold scripts, is a testament to the process they've developed and the succes of their methods.

Perhaps the most reputable and worthwhile is the Sundance Institute which has programs for producers, screenwriters, directors and even emerging film composers. Don't expect to just sign up and write them a check, you have to fill out an application and be selected. I've attended the Producer's Program the last two years and it was an amazing experience, not just from the amount of information, but the contacts, the giant binder of info and even the food. This intimate seminar takes place in Utah and is like summer camp for film geeks.

There are plenty of others, but be careful as these can be very pricey. So do the research yourself and talk to others who have taken the programs to see which ones are worth the often hefty price-tag.

Free Money! Get a Grant
There are many grants available in screenwriting and even for pursuing the career of a film critic. You can even get a grant if you are out of school and have not yet had success in the business. The Nicholl Fellowships in Screenwriting program is an international competition open to screenwriters who have not earned more than $5,000 writing for film or television. The
Broadcast Film Critics Association, of which I am a member, offers a scholarship to a student seeking a career as a film critic. If you already have a feature film going, the Sundance Institute has grants available for documentaries and works-in-progress up to $75,000. There are countless other grants and programs to seek out, these are just a few.
Tip: There are hundreds of screenwriting contests out there and they all offer the hope of getting a large cash prize. Many of them require an entry fee to enter. Be wary as the cost to enter these competitions can add up fast, so research the best and seek out the fate of past winners.

Read All About It
It also helps to hit the books. When I realized that I could never afford to attend USC's film school, one of the most prestigious and expensive in the U.S., I simply walked into the student bookstore and purchased as many titles as I could afford. I then wrote down the names of all the books provided for the film program and then gave a copy of that list to my fellow classmates back in Detroit at Wayne State University. Sure, I could never afford that USC tuition at the time, but I knew that at the very least, I could read the same books as those lucky students.

For me, the best books include Chris Voglers' The Writer's Journey: Mythic Structure for Writers, The Hero with a Thousand Faces by Joseph Campbell and Breaking In: How 20 Film Directors Got Their Start by Nicholas Jarecki. For truly advanced books about the industry and the craft seek out
Michael Wiese Publications, Living Spirit's series of Guerilla Filmmaking books are must-reads and for data and contact info, the Hollywood Creative Directory is top-notch.

Taking advantage of just some of these non-traditional ways to learn about film may be your ticket to a successful career. Or it could all end horribly. Y’know, depending on how you decide to script the climactic ending of your own movie.

Gore gone.

Chris_Gore is an author, a filmmaker and the creator of Film Threat. Chris counts himself among the many proud graduates of the school of life.

 
Spats

Spats

North Hollywood, CA
September 2006

APR 20, 2007 12:30 PM

Excellent article! I had no idea about the Margaret Herrick library. (I would only add one thing to every aspiring filmmaker's to-do list: Read Chris Gore voraciously.)

Zoetica

Zoetica

NEWSWIRE

Los Angeles, CA

APR 20, 2007 01:15 PM

this was very informative. i go to the Egyptian fairly often, but didnt know about the other screening groups.

Chris_Gore

Chris_Gore

Los Angeles, CA
September 2005

APR 20, 2007 01:37 PM

The Creative Screenwriting Group is especially amazing! Get on that list and you'll see every major movie free along with the creators.

Also, I didn't mean for my list to be complete in any way, these are just the ones I personally know about and use myself. So if anyone reading this has other screening programs or helpful resources to contribute, please post them here.

Cassiel

Cassiel

Aurora, CO
September 2004

APR 20, 2007 07:39 PM

Chris, I thank you greatly for articles such as this. As a (graduating) film student, it's good to know that there are people like you out there who are friendly and knowledgeable.

you are right: money is the biggest issue perhaps. But i've made (and help produce) films on a budget much less than $25000 and they came out wonderful. And it doesn't necessarily take $100000 tuition and student loans for film school. The school I'm attending, the Colorado Film School, is quite affordable and offers one of the best and most hands-on educations in the country. From Day 1, you're given a camera (no rental fees for any equipment) and told to go out and make a movie. Along the way, you're given a firm grounding in all aspects of filmmaking. if you've got the money to shoot actual film, then do it--I highly recommend it. If not, there's always video, and with technology now, to the untrained eye, it can look just like film (of course, there's always HD too).

I agree w/you on a lot of the other points. See as many movies as you can as many times as you can and absorb whatever knowledge you can from them (Netflix!). Yes, your social life and amount of sleep will plummet. And be very prepared to work hard and receive brutal criticism at times. It's for those people with true grit and determination and passion.

And yeah, QT can be a hack at times.

subwayfare

subwayfare

New York, NY
October 2004

APR 20, 2007 09:08 PM

well said. i concur with c.g. this is excatly what i did. i began reading variety and the hollywood reporter to grasp the business end and bought a bunch of screenwriting books beginning with syd field's "screenplay," to learn about structure. i then went to every film festival i could get to, saw as many movies as possible and, maybe even more importantly, soaked up every panel discussion on anything having do with any aspect of filmmaking, finance, etc. i then found a free lawyer through an organization called "volunteer lawyers for the arts," (not sure if it still exists. that was 1992) who helped my old partner and i put together a limited partnership to raise money. we rounded up a crew through friends and associates who were willing to work for sweat equity and managed to get a 16mm feature in the can for 40k (1992 dollars) when we needed finishing money to get out of hock with the lab i reached out to a sales agent i'd learned about by reading the trades. he put in 140k to finish the film and blow it up to 35mm and sold it to a distributor after playing the festival circuit. i've had my ups and downs but i've made a living doing nothing but writing, producing, directing or acting ever since. oh yeah, i also dropped out of two high schools and one college. twice.

antenna

antenna

United Kingdom
February 2003

APR 21, 2007 01:40 PM

Nice article, if a tad Hollywood-centric.
DVD commentaries by Terry Gilliam and Robert Rodriguez are also great, both are very enthusiastic and honest, and Rodriguez' 10-minute film school is a refreshingly simple kick up the arse for aspiring directors.

Death_or_Glory

Death_or_Glory

Marfa, TX
December 2005

APR 22, 2007 11:36 AM

how about lloyde kaufman's "make your own damn movie" d.v.d. and book?

tshirtvictim

tshirtvictim

Athens, GA
May 2005

APR 22, 2007 12:37 PM

I cannot agree any more about the usefulness and understated glory of DVD commentaries. Trying to get anyone to watch them, unfortunately, is like pulling teeth. Robert Rodriguez is a great starter, as is the commentary to SLC Punk and Repo Man for the absolute fun of the commentaries' conversations. Oliver Stone often offers a good deal of insight into the process in particular but rambles off enlightening stories like some sort of a southern gentile lost in potent reveries of the past. But the best, in my opinion, has to be Cronenberg who often riddles his commentary with such a spectabular amount of information, digestion of it is almost as difficult as understanding Naked Lunch without it. So please, take advantage of all that special features crap. Who knows, you might even find a psychotic Hunter S. Thompson making live crank calls to Johnny Depp and Terry Gilliam.

Chris_Gore

Chris_Gore

Los Angeles, CA
September 2005

APR 23, 2007 12:37 AM

legend_of_jd said:
how about lloyde kaufman's "make your own damn movie" d.v.d. and book?



That is a great book! His first book, "Everything I need to know I learned from the Toxic Avenger" is equally amazing.

Chris_Gore

Chris_Gore

Los Angeles, CA
September 2005

APR 23, 2007 12:41 AM

antenna said:
Nice article, if a tad Hollywood-centric.



Yeah, well, if I wanted to be really thorough, I'd write a book. I was simply referencing sources with which I've had direct experience. If you know sceening series, libraries or funding resources, etc... in the UK that you can bring to our attention, please tell us.

I hope the comments for this piece can become a sounding board for others like yourself to post helpful links and sources from all over the world.

Cheers!
CG

Miles_L

Miles_L

Seattle, WA
February 2004

APR 23, 2007 12:17 PM

For those in Seattle and Portland, Warren Etheredge does an incredible job of putting together information and events similar to what Chris talks about here. Which is great for those of us who blister easily in the California sun. I definitely suggest you check it out.

http://www.thewarrenreport.com/

His tagline:
We believe: SMARTER AUDIENCES MAKE BETTER MOVIES!

antenna

antenna

United Kingdom
February 2003

APR 24, 2007 10:03 AM

Chris_Gore said:

antenna said:
Nice article, if a tad Hollywood-centric.



Yeah, well, if I wanted to be really thorough, I'd write a book. I was simply referencing sources with which I've had direct experience. If you know sceening series, libraries or funding resources, etc... in the UK that you can bring to our attention, please tell us.

I hope the comments for this piece can become a sounding board for others like yourself to post helpful links and sources from all over the world.

Cheers!
CG



Sorry, I wasnt whining. Its a good article and if you wrote a book I'd buy it.

UK-wise, I'd recommend the following:

Shooting People - arguably the best online resource for low-budget UK film-makers. Daily e-mailouts with jobs, links to funding sources, screening/distro opportunities, etc, etc. Well worth the small subscription cost.
There's also Talent Circle also does the same thing, but doesnt have the large user-base that SP does. On the upside, it's free.

Mandy.com is also a decent source of jobs, funding opportunities and fest notices. There's US versions of it too.

Funding-wise, the UK Film Council is the main government / lottery sourced funding centre, so worth checking that out, especially the regional low-budget funding schemes.

Also, there's a new UK magazine called The Film Festival Magazine, which... is kinda self-explanatory really.

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