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  • TUESDAY MAY 2 2006 11:00 PM

Munch Thieves Punished, No Munch Paintings Found

Of six men, three have been convicted of the theft of Edvard Munch’s “The Scream” and “Madonna.” The remaining three were acquitted in a Norwegian court.

They faced various charges relating to the theft of the paintings on 22 August 2004 from the Munch Museum in Oslo.

The three convicted men received prison sentences of between four to eight years for their role in the theft.

Five of the men had been charged with planning or taking part in the daylight robbery, and the sixth had been accused of handling stolen goods.

Judge Arne Lyng sentenced Bjoern Hoen to seven years for planning the robbery, Petter Tharaldsen to eight years in prison for driving the getaway car and Petter Rosenvinge received four years for supplying the vehicle.

Hoen and Tharaldsen were also ordered to pay 750m kroner (£66.3m) compensation to the City of Oslo to reflect the value of its lost paintings.

Stian Skjold, 30, who had been accused of being one of the two robbers; Morten Hugo Johansen, 39; and Thomas Nataas, 35, accused of handling stolen goods, were acquitted.


The paintings have not been recovered, but I imagine they're hanging in an organized crime boss’ living room. One silver lining in this whole thing is that these paintings are in circulation, which from a collector's perspective is really exciting. The bane of the antiquity collector is the museum because they remove artifacts from circulation forever.

 

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FunkySkunk

FunkySkunk

Gainesville, FL
July 2004

MAY 02, 2006 11:04 PM

I will trade my Jose Cansecso rookie card and three Alf pogs for your Edvard Munch's "The Scream". Fine... I'll throw in my chocolate milk for a week.

MrDaft

MrDaft

Vancouver, BC
January 2005

MAY 02, 2006 11:05 PM

A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?

Christopher

Christopher

Portland, OR
November 2002

MAY 02, 2006 11:11 PM

MrDaft said:
A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?


Imagine that you trade baseball cards and you can never have all of the most rare and impressive cards. Would you really want to collect cards?

For the most part, serious collectors buy and trade art in the same vein as children trade and buy baseball cards. The rare book trade is an example. The last thing a rare book dealer likes doing is to donate or give rare books to libraries because it effectively removes them from anyone being able to acquire them.

vespa1959

vespa1959

Simi Valley, CA
June 2004

MAY 03, 2006 12:30 AM

Not cool if these rumors are true.

Munch masterpieces destroyed?

TheDuke

TheDuke

United Kingdom
April 2003

MAY 03, 2006 12:35 AM

Poor munch frown

fpkk

fpkk

United Kingdom
June 2003

MAY 03, 2006 12:46 AM

TheDuke said:
Poor munch frown


Curse you! You and your making the inevitable UK Member based joke skills!

Next time TheDuke it will be a different story!

*shakes fist, lets go of side rail, falls into boiling ocean, the body will never be found*

TheFuckOffKid

TheFuckOffKid

NEWSWIRE

Australia

MAY 03, 2006 12:47 AM

TheDuke said:
Poor munch frown


Beat me to it.

Telltale

Telltale

USA
May 2004

MAY 03, 2006 08:09 AM


The bane of the antiquity collector is the museum because they remove artifacts from circulation forever.



I can hear Indiana Jones now:

"This belongs in a museum!"

Cigarette

Cigarette

Cleveland, OH
April 2004

MAY 03, 2006 08:13 AM

Christopher said:

MrDaft said:
A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?


Imagine that you trade baseball cards and you can never have all of the most rare and impressive cards. Would you really want to collect cards?

For the most part, serious collectors buy and trade art in the same vein as children trade and buy baseball cards. The rare book trade is an example. The last thing a rare book dealer likes doing is to donate or give rare books to libraries because it effectively removes them from anyone being able to acquire them.


But everyone being able to enjoy them. Who gives a fuck about art collectors? Granted, museums don't display everything they own and libraries put limitations on access to rare and fragile books, but it's still better than hanging in Wilfordshire P. Rockefeller-Carnegie IV's summer house.

Cigarette

Cigarette

Cleveland, OH
April 2004

MAY 03, 2006 08:13 AM

Laughing_Man said:


The bane of the antiquity collector is the museum because they remove artifacts from circulation forever.



I can hear Indiana Jones now:

"This belongs in a museum!"


YOU BELONG IN A MUSEUM!

PointBlank

PointBlank

New York, NY
November 2004

MAY 03, 2006 08:14 AM

Christopher said:

MrDaft said:
A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?


Imagine that you trade baseball cards and you can never have all of the most rare and impressive cards. Would you really want to collect cards?

For the most part, serious collectors buy and trade art in the same vein as children trade and buy baseball cards. The rare book trade is an example. The last thing a rare book dealer likes doing is to donate or give rare books to libraries because it effectively removes them from anyone being able to acquire them.


WTF are you talking about? That is one of the worst comparisons I've ever heard. The most valuable and rare baseball cards are ones THAT THE "CHILDREN" WILL NEVER HAVE. The serious art collector is just like the rich baseball card collector--the sort of person who keeps the best collectables out of the hands of the regular collectors. Shit, I'm not sure about you, but I'd rather see the Munch painting hanging in a museum where ANYBODY can see it, rather than being in some rich guys house, where its only for him and his family. Stop acting like art thefts are some sort of good thing. Geez.

Not to mention the fact that in no way are these painting "in circulation"


[Edited on May 03, 2006 by PointBlank]

Christopher

Christopher

Portland, OR
November 2002

MAY 03, 2006 11:01 AM

Clov said:

Christopher said:

MrDaft said:
A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?


Imagine that you trade baseball cards and you can never have all of the most rare and impressive cards. Would you really want to collect cards?

For the most part, serious collectors buy and trade art in the same vein as children trade and buy baseball cards. The rare book trade is an example. The last thing a rare book dealer likes doing is to donate or give rare books to libraries because it effectively removes them from anyone being able to acquire them.


But everyone being able to enjoy them. Who gives a fuck about art collectors? [...].


You're not a collector, are you? smile

Christopher

Christopher

Portland, OR
November 2002

MAY 03, 2006 11:12 AM

PointBlank said:
WTF are you talking about? That is one of the worst comparisons I've ever heard. The most valuable and rare baseball cards are ones THAT THE "CHILDREN" WILL NEVER HAVE. The serious art collector is just like the rich baseball card collector--the sort of person who keeps the best collectables out of the hands of the regular collectors. Shit, I'm not sure about you, but I'd rather see the Munch painting hanging in a museum where ANYBODY can see it, rather than being in some rich guys house, where its only for him and his family. Stop acting like art thefts are some sort of good thing. Geez.

Not to mention the fact that in no way are these painting "in circulation"


[Edited on May 03, 2006 by PointBlank]


Art collectors are always sharing their collections outside of their families. And unless a painting is über-famous, it's in storage. And unless they're Scrooge McDuck, collectors are eager to share their pieces.

As far as seeing a Munch painting in a museum, because the museum didn't provide adequate security, tracking, or recovery of the piece NO ONE will see it.
I think that the theft of these piece are terrible and four to eight years in jail isn't nearly enough for these assholes, but in my opinion they would have been easier to track and harder to steal if they were in private hands.

PointBlank

PointBlank

New York, NY
November 2004

MAY 03, 2006 11:44 AM

Christopher said:

PointBlank said:
WTF are you talking about? That is one of the worst comparisons I've ever heard. The most valuable and rare baseball cards are ones THAT THE "CHILDREN" WILL NEVER HAVE. The serious art collector is just like the rich baseball card collector--the sort of person who keeps the best collectables out of the hands of the regular collectors. Shit, I'm not sure about you, but I'd rather see the Munch painting hanging in a museum where ANYBODY can see it, rather than being in some rich guys house, where its only for him and his family. Stop acting like art thefts are some sort of good thing. Geez.

Not to mention the fact that in no way are these painting "in circulation"


[Edited on May 03, 2006 by PointBlank]


Art collectors are always sharing their collections outside of their families. And unless a painting is über-famous, it's in storage. .


Ummm...I work in a museum that is FILLED with paintings you've never heard of. There are tons of museums like this. I'd say that, as a rule, Museums tend to show more of the art they own to more people than private collectors do (unless they loan them out to, er, museums). And I'd say that it's not even close.

MrDaft

MrDaft

Vancouver, BC
January 2005

MAY 03, 2006 11:44 AM

Christopher said:

MrDaft said:
A museum removes them from circulation forever? What about when a museum puts it on display for people to see? Is that not a circulation for the people? Or how about when a museum lends the art and/or artifacts out for a tour?


Imagine that you trade baseball cards and you can never have all of the most rare and impressive cards. Would you really want to collect cards?

For the most part, serious collectors buy and trade art in the same vein as children trade and buy baseball cards. The rare book trade is an example. The last thing a rare book dealer likes doing is to donate or give rare books to libraries because it effectively removes them from anyone being able to acquire them.



The Answer would still be...if I had a chance to see it, even if it were a museum, it would be in circulation. As long as the museum has it out for people to see it is in circulation. The other benefit of the paintings being at a museum is that the museum knows how to protect the integrity of the painting and/or artifact. Take a look at the book of judas which was in the hands of a personal tradesman. He was trying to keep it in your version of circulation, alas because of his stupidity and not knowing how to properly take care of the item, it started to distingrate due the regular exposure to air. The answer is still the best place for most artifacts of humanity is in a museum under properly maintained conditions.

Your card analogy is wasted on me, I used to own a comic store and never felt that I had to own all of the ones from the series I collected (though I did attempt to complete the series, but that was my OCD of needing a completeness.) I also used to collect hockey cards...still never had that urge. wink I was what would be considered a serious collector too, considering it led me to opening the store in the first place.

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