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  • FRIDAY MARCH 10 2006 12:56 PM

SuicideGirl Gets Tattoo Copyrighted

Last Monday, SuicideGirl Amina Munster received her official certificate of registration from the United States Copyright Office to copyright the "DEAD MEN TELL NO TALES" tattoo on her chest. Needled recounts the controversy behind the story that started when Amina's custom tattoo was, she says, plagiarized by another tattoo artist. Marisa DiMattia, Needled's editor and an attorney who covered "The Tattoo Copyright Controversy" in the past, reports: "Hell hath no fury like a Suicide Girl scorned."

Rock-n-Roll pin-up queen Amina Munster says on her Suicide Girl page that she's into "intoxicants, shotguns, and hockey." Clearly not the type of woman you should mess with. Amina also holds sacred her tattoo art, particularly her signature Dead Men Tell No Tales chestpiece created by Tim Kern of Last Rites in September 2004. One year later, her custom tattoo was plagiarized by California tattooist Brandon Swartz. She called Swartz expecting an apology but received insults and threats.

Instead of shoving her prosthetic leg up Swartz's anal cavity, however, she took action to ensure that no one would rip off her custom body art again: She registered her tattoo with the US Copyright Office.

I wrote the Tattoo Copyright Controversy for BMEzine in 2003 to discuss various intellectual property issues that could arise in the context of tattoos. At that point, I didn't take a position either way -- in favor or against -- registering tattoos with the US Copyright Office. It was just an idea.

Over time, I grew to support the idea of copyright registration protection for tattoos, particularly after hearing offensive stories of blatant tattoo theft and also having my husband's work ripped off numerous times. When I discussed the idea with other lawyers, however, many were skeptical. I was told that there was no way the US Copyright Office would accept registration of a tattoo design on skin.

But it did. So allow me this one smug moment to tell them: I told you so.

This past Monday, March 6th, 2006, Amina Munster received her Certificates of Copyright: one for the drawing itself and one for the actual tattoo. [The recorded date of registration by the Copyright Office is October 4th, 2005.]

By registering her tattoo, Amina has sought to protect her rights as well as educate people that custom tattoos hold deep meaning to many and should never be copied. She's also sending a message to unscrupulous tattooists who tattoo the designs of others that they will suffer financial damage as well as damage to reputation.

Amina holds the sole rights to her tattoo art after an agreement with her artist Tim Kern. But Tim also feels strongly against tattoo theft. Here's what he said:

"Amina's chest piece was based loosely on other art, and adapted to be an original design, specifically for HER, to fit her body. I spent many hours making sure the design was just right....Seeing someone else rip off our tattoo makes me sick to my stomach. I've been tattooing for ten years. I know that tattoos get copied and usually poorly. The Internet is rampant with examples of this.["]

 

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Comments
boyfriday

boyfriday

Cardiff By The Sea, CA
January 2004

MAR 10, 2006 02:19 PM

isnt the whole phrase "dead men tell no tales" from disney? is that not copyrighted? ARRR!!!

Cigarette

Cigarette

Cleveland, OH
April 2004

MAR 10, 2006 02:19 PM

PointBlank said:
Another stupid question (as I know nothing of tattoos nor the difference, apparently, between copyrights and trademarks): is the tattoo copyrighted or the work of art? And does that basically boil down to the same thing?


The image is what is protected. For example, I couldn't sell a print of Amina's chest piece without permission. I don't see why it's so weird that it's copyrighted. It's something someone drew. No different from Mickey Mouse.

Leanimal

Leanimal

Gainesville, FL
February 2005

MAR 10, 2006 02:20 PM

halfcuban said:
And what exactly will happen if someone gets her tattooo? Are they going to have ot get it lasered off?



No, courts would be unlikely to order such drastic action. Significant money damages are much more likley; It's not like they're ripping off some random person's tattoo - Amina is a model, she derives profit from her likeness - her ability to derive profit from her likeness is potentially jeapordized if her body art becomes less original (i.e. asshats copy her tattoos) - so there's some actual damages there, which, when tied in with emotional stress, etc. can add up quickly.

halfcuban said:
I mean what about the girls on here who have copyrighted works on their bodies?

Some of that stuff is copyrighted and some of it isn't - the problem is that it wouldn't be worth it for the owner of the copyright to sue - so say someone has some logo on them - even if the logo is copyrighted, what damages is the owner of the copyright going to claim? It's not like Amina's case where she profits off her likeness and originality of the body art - other than injunctive relief (i.e. stop tattooing my copyrighted image) there's really no money damages, and it's not worth the legal fees.

halfcuban said: And what if the person who her own artist admits he got the idea from comes and says...wait a second...this is my copyright.



That's why she registered it; to prevent people from doing that. If there was some type of fight right when she registered, a jury would decide based on the factual issues of who created the image first and who should get to copyright it.

And no, you don't always have to sue to protect your copyright; usually when it's causing you damages (most often monetary damages) - the trademark thing that Clov mentioned is what you're thinking about; if a trademark becomes commonplace and adopted by the public, you can lose your right to it (bandaid, kleenex and xerox are all in jeopardy, or may have already lost it)

I asked some of the legal folks who know more about IP to stop by here to answer some more questions. But I think it's cool she copyrighted the image; it sends a message more than anything.

*Edited to add - Check this out - lots of answers here

[Edited on Mar 10, 2006 by Fee]

priapus

priapus

I'm lost
January 2004

MAR 10, 2006 02:26 PM

Fee said:
*Edited to add - Check this out - lots of answers here

[Edited on Mar 10, 2006 by Fee]



Nice work.

Iggy

Iggy

SUICIDEGIRL

Alabama, USA

MAR 10, 2006 02:26 PM

fuck yeah! Go Amina!!

nonbillable

nonbillable

Brooklyn, NY
September 2004

MAR 10, 2006 02:28 PM

PointBlank said:
Can some law talking guy or gal explain what this means, exactly? Since this copyright is dated to before the date of the imitator's, is there any recourse?


For one thing, I think the work has to be registered before you can sue. But more importantly, if the work is registered you can get what's called statutory damages rather than having to prove actual damages. Basically the copyright act says that if you violate a registered copyright you can be liable for statutory damages of $750 to $30,000 even if the plaintiff can't show that s/he suffered any actual monetary damages (lost profits, etc.).

Unfortunately I don't know enough about it to be familiar with this backdating issue. He got his after October 4, 2005?

Cigarette

Cigarette

Cleveland, OH
April 2004

MAR 10, 2006 02:29 PM

imaFAKE said:
isnt the whole phrase "dead men tell no tales" from disney? is that not copyrighted? ARRR!!!


Disney did not originate it.

smile

Roethke

Roethke

SUICIDEGIRL

California, USA

MAR 10, 2006 02:31 PM

Clov said:

imaFAKE said:
isnt the whole phrase "dead men tell no tales" from disney? is that not copyrighted? ARRR!!!


Disney did not originate it.

smile


Nice work Clov.

And yay for Amina. Good on you for taking proper action.

Cigarette

Cigarette

Cleveland, OH
April 2004

MAR 10, 2006 02:34 PM

nonbillable said:

PointBlank said:
Can some law talking guy or gal explain what this means, exactly? Since this copyright is dated to before the date of the imitator's, is there any recourse?


For one thing, I think the work has to be registered before you can sue. But more importantly, if the work is registered you can get what's called statutory damages rather than having to prove actual damages. Basically the copyright act says that if you violate a registered copyright you can be liable for statutory damages of $750 to $30,000 even if the plaintiff can't show that s/he suffered any actual monetary damages (lost profits, etc.).

Unfortunately I don't know enough about it to be familiar with this backdating issue. He got his after October 4, 2005?


Copyrights exist from the moment the work is put into a tangible form (i.e. drawn or tattooed). Registration simply makes it easier to sue or obtain some sort of injunction.

Somnia

somnia

Victoria, BC
October 2005

MAR 10, 2006 02:45 PM

PointBlank said:
Third, if i draw a copy of a trademarked album cover and hang it on my wall, I'm not breaking a law (again, to the best of my knowledge--which is pretty poor) but I can't profit or exhibit it...how is a tattoo different?



I think the defining factor here is that, since she's a model, Anima profits come from from her image. It could be argued that people hire her for a job based on her unique tattoos, and if those tattoos stop being unique, than she stops getting work. Then she could sue the infringer for making her lose money.

Obviously Anima has alot more going for her than just her tattoos ( love ), but I believe that's how it would come down in court.

Am I wrong?

nonbillable

nonbillable

Brooklyn, NY
September 2004

MAR 10, 2006 02:51 PM

Clov said:

nonbillable said:

PointBlank said:
Can some law talking guy or gal explain what this means, exactly? Since this copyright is dated to before the date of the imitator's, is there any recourse?


For one thing, I think the work has to be registered before you can sue. But more importantly, if the work is registered you can get what's called statutory damages rather than having to prove actual damages. Basically the copyright act says that if you violate a registered copyright you can be liable for statutory damages of $750 to $30,000 even if the plaintiff can't show that s/he suffered any actual monetary damages (lost profits, etc.).

Unfortunately I don't know enough about it to be familiar with this backdating issue. He got his after October 4, 2005?


Copyrights exist from the moment the work is put into a tangible form (i.e. drawn or tattooed).


Yes, certainly copyright exists from the moment the work is put into tangible form, but that's separate from the question of whether you can sue to enforce your rights, and:

Copyright registration is a prerequisite for filing an infringement claim in federal court with respect to works that originate in the United States.


See here.


Registration simply makes it easier to sue or obtain some sort of injunction.


I think the main benefit is statutory as opposed to actual damages--not sure about injunctions.

nonbillable

nonbillable

Brooklyn, NY
September 2004

MAR 10, 2006 02:56 PM

PointBlank said:
also, how much would one tattoo have to differ from this one to be considered outside the trademark?


The infringing work has to be "substantially similar" to the original copyrighted work. Unfortunately that's very fact-specific; there really aren't any bright-line rules (e.g., if you change three elements you're off the hook, or whatever).

Third, if i draw a copy of a trademarked album cover and hang it on my wall, I'm not breaking a law (again, to the best of my knowledge--which is pretty poor) but I can't profit or exhibit it...how is a tattoo different?


Well actually...theoretically if you're copying or making a derivative work out of a copyrighted work without permission, you're violating copyright law. The fact that you're using it for a noncommercial purpose at home would go to a fair use defense. You'd probably have a decent argument that you were making a fair use of the original and so shouldn't be liable.

Practically speaking, of course, no one really cares if you're hanging handmade copies of copyrighted works on your wall, so no one is going to go through the trouble of pursuing you. I think that's likely the main difference between what you're talking about and tattoos--if someone feels personally aggrieved by the copying, s/he might think it's worthwhile to pursue the alleged infringer. That person could try to raise a fair use defense, but it's far from a sure thing. Noncommercial use is only one factor courts consider (others include how much of the original work you're using and whether widespread use of that sort would affect the market for the original work or permission to use the original work).

[Edited on Mar 10, 2006 by nonbillable]

nonbillable

nonbillable

Brooklyn, NY
September 2004

MAR 10, 2006 03:03 PM

somnia said:

PointBlank said:
Third, if i draw a copy of a trademarked album cover and hang it on my wall, I'm not breaking a law (again, to the best of my knowledge--which is pretty poor) but I can't profit or exhibit it...how is a tattoo different?



I think the defining factor here is that, since she's a model, Anima profits come from from her image. It could be argued that people hire her for a job based on her unique tattoos, and if those tattoos stop being unique, than she stops getting work. Then she could sue the infringer for making her lose money.

Obviously Anima has alot more going for her than just her tattoos ( love ), but I believe that's how it would come down in court.

Am I wrong?


The problem is that, if you're proving actual damages, you have to show that that actual infringer caused you a specific amount of damage. So it would be hard to show that one infringement caused any more than very slight actual damage, I think. But your point could go to defeating a fair use defense--see my post above.

Wren

Wren

SUICIDEGIRL

Minnesota, USA

MAR 10, 2006 03:36 PM

w00t!

argentwyrm

argentwyrm

Tucson, AZ
May 2004

MAR 10, 2006 03:55 PM

Good for her! smile

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