The New York Times investigates the gothic aesthetic in "Embrace the Darkness." From "Corpse Bride" to Riccardo Tisci, pop culture is being permeated with gothic influences. While in part a nod to Halloween, the piece also posits that the rise of the macabre in the mainstream reflects an increased anxiety in the culture born out of contemporary calamaties. These days, even Barneys is going dark.
Douglas Little is a designer who has parlayed a lifelong affinity for skulls, Victorian curiosity cabinets, stuffed beasts and poisonous vapors into a lucrative career peddling wax effigies, skeletons, Ouija board tables and sickly sweet fragrances with evocative names like Thorn Apple. To him the popularity of these items reflects a growing taste for the eccentric and the exotic, which itself is a reaction, he says, to the antiseptically "clean design" that dominated interiors in recent years.
"People are tired of everything cold and sterile," Mr. Little said. "The seem to prefer things that are elaborate and even bizarre."
And mingled at times with a touch of the macabre. Among the treasures Mr. Little sells in the home department at Barneys is a 19th-century human skeleton, which he unearthed at a medical auction. When he first showed it to the Barneys merchants, they were taken aback, he said.
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