- 1938 - A 450 metric ton meteorite strikes the earth in an empty field near Chicora, Pennsylvania.
- # 1947 - Kenneth Arnold makes the first widely reported UFO sighting near Mount Rainier, Washington.
On June 24, 1938 a meteorite fell in the vicinity of Chicora. Named the "Chicora Meteor", the 450+ metric ton meteorite exploded approximately twelve miles above the earth surface. Only two fragments of the meteorite were found following initial investigations. They had masses 242g and 61g, and were discovered some miles short of the calculated point of impact of the main mass - which is yet to be found. Two more small fragments were found nearby in 1940.
Numerous reports of the Chicora Meteor mention that a cow was struck and injured by a falling stone, multiple accounts report the cow was in fact killed by the stone.
The Meteor was an olivine-hypersthene chondrite. Its remains were split between the Carnegie Museum of Natural History and the Smithsonian Institution.
The sound and light of the exploding meteor were initially mistaken for an explosion in the powder magazine at West Winfield, and was compared by investigators FW Preston, EP Henderson and James R Randolph as comparable to with the Halifax explosion of 1917 in destructive power. "If it had landed on Pittsburgh there would have been few survivors", they stated
June 24, 1947 UFO sighting
On June 24, 1947, Arnold was flying from Chehalis, Washington to Yakima, Washington in a CallAir A-2 on a business trip. He made a brief detour after learning of a $5000 reward for the discovery of a U.S. Marine Corps C-46 transport airplane that had crashed near Mt. Rainer. The skies were completely clear and there was a mild wind.
A few minutes before 3:00 p.m. at about 9,200 feet in altitude and near Mineral, Washington, he gave up his search and started heading eastward towards Yakima. He saw a bright flashing light, similar to sunlight reflecting from a mirror. Afraid he might be dangerously close to another aircraft, Arnold scanned the skies around him, but all he could see was a DC-4 to his left and back of him, about 15 miles away.
About 30 seconds after seeing the first flash of light, Arnold saw a series of bright flashes in the distance off to his left, or north of Mt. Rainier, which was then 20 to 25 miles away. He thought they might be reflections on his airplane's windows, but a few quick tests (rocking his airplane from side to side, removing his eyeglasses, later rolling down his side window) ruled this out.
They flew in a long chain, and Arnold for a moment considered they might be a flock of geese, but quickly ruled this out for a number of reasons, including the altitude, bright glint, and obviously very fast speed. He then thought they might be a new type of jet and started looking intently for a tail and was surprised that he couldn't find any.
They quickly approached Rainier and then passed in front, usually appearing dark in profile against the bright white snowfield covering Rainier, but occasionally still giving off bright light flashes as they flipped around erratically. Sometimes he said he could see them on edge, when they seemed so thin and flat they were practically invisible. According to Clark[4] Arnold said that one of the objects was rather crescent shaped, while the other eight objects were more circular, but initially Arnold's descriptions were only of the latter disk-like shape.
At one point Arnold said they flew behind a subpeak of Rainier and briefly disappeared. Knowing his position and the position of the (unspecified) subpeak, Arnold placed their distance as they flew past Rainier at about 23 miles.
Using a Zeus cowling fastener as a gauge to compare the nine objects to the distant DC-4, Arnold estimated their angular size as slightly smaller than the DC-4, about the width between the outer engines (about 60 feet). Arnold also said he realized that the objects would have to be quite large to see any details at that distance and later, after comparing notes with a United Airlines crew that had a similar sighting 10 days later (see below), placed the absolute size as larger than a DC-4 airliner (or greater than 100 feet in length). Army Air Force analysts would later estimate 140 to 280 feet, based on analysis of human visual acuity and other sighting details (such as estimated distance).
Arnold said the objects were grouped together, as Ted Bloecher[5] writes, "in a diagonally stepped-down, echelon formation, stretched out over a distance that he later calculated to be five miles". Though moving on a more or less level horizontal plane, Arnold said the objects weaved from side to side ("like the tail of a Chinese kite" as he later stated), darting through the valleys and around the smaller mountain peaks. They would occasionally flip or bank on their edges in unison as they turned or maneuvered causing almost blindingly bright or mirror-like flashes of light. The encounter gave him an "eerie feeling", but Arnold suspected he had seen test flights of a new U.S. military aircraft.
As the objects passed Mt Rainer, Arnold turned his plane southward on a more or less parallel course. It was at this point that he opened his side window and began observing the objects unobstructed by any glass that might have produced reflections. The objects did not disappear and continued to move very rapidly southward, continuously moving forward of his position. Curious about their speed, he began to time their rate of passage: he said they moved from Mt. Rainer to Mt. Adams where they faded from view, a distance of about 50 miles, in one minute and forty-two seconds, according to the clock on his instrument panel. When he later had time to do the calculation, the speed was over 1,700 miles per hour. This was about three times faster than any manned aircraft in 1947. Not knowing exactly the distance where the objects faded from view, Arnold conservatively and arbitrarily rounded this down to 1200 miles an hour, still faster than any known aircraft, which had yet to break the sound barrier. It was this supersonic speed in addition to the unusual saucer or disk description that seemed to capture people's attention.
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Abbiss: Summer without Water

Calliope: Fandango Hott Mama

Annika: Classica

Addison: Bare Essentials

Dice: Roll The

Fraiya: Blue Hawaii

Franpire: Psychodelic Summer

Jayney: CSI

Dorsal: My Love

Heroine: Rock of Love

Sassie: Classy

Kemper: Peep Hole

We saw one of his last performances last Friday. I've been looking frantically for the ticket stub which I hope I didnt leave in my room
LOS ANGELES (Reuters) - Comedian George Carlin, a counter-culture hero famed for his routines about drugs and dirty words, died of heart failure at a Los Angeles-area hospital on Sunday, a spokesman said. He was 71.
Carlin, who had a history of heart and drug-dependency problems, died at Saint John's Health Center in Santa Monica about 6 p.m. PDT (2 a.m. British time) after being admitted earlier in the afternoon for chest pains, spokesman Jeff Abraham told Reuters.
Known for his edgy, provocative material, Carlin achieved status as an anti-Establishment icon in the 1970s with stand-up bits full of drug references and a routine called "Seven Words You Can Never Say On Television." A regulatory battle over a radio broadcast of the routine ultimately reached the U.S. Supreme Court.
In the 1978 case, Federal Communications Commission vs. Pacifica Foundation, the top U.S. court ruled that the words cited in Carlin's routine were indecent, and that the government's broadcast regulator could ban them from being aired at times when children might be listening.
Carlin's comedic sensibility often came back to a central theme: humanity is doomed.
"I don't have any beliefs or allegiances. I don't believe in this country, I don't believe in religion, or a god, and I don't believe in all these man-made institutional ideas," he told Reuters in a 2001 interview.
Carlin, who wrote several books and performed in many television comedy specials, is survived by his wife Sally Wade, and daughter Kelly Carlin McCall.
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Abbiss: Summer without Water

Calliope: Fandango Hott Mama

Annika: Classica

Addison: Bare Essentials

Dice: Roll The

Fraiya: Blue Hawaii

Franpire: Psychodelic Summer

Jayney: CSI

Dorsal: My Love

Heroine: Rock of Love

Sassie: Classy

Kemper: Peep Hole

So naturally at approximately 12:15pm they called me apologizing and asking me to come in to do the paperwork. Jobs a job so I went in and I'm officially a part time employee for blockbuster
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Abbiss: Summer without Water

Calliope: Fandango Hott Mama

Annika: Classica

Addison: Bare Essentials

Dice: Roll The

Fraiya: Blue Hawaii

Franpire: Psychodelic Summer

Jayney: CSI

Dorsal: My Love

Heroine: Rock of Love

Sassie: Classy

Kemper: Peep Hole

Even worse it turns out all those rejections were probably right
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So I went and saw this this afternoon in spite of my many friends opinion on this movie. I wouldn't have but my buddy Joe came by and was hell bent on watching this movie. He seems to still be a fan of M Night Shymalan, I have no idea why. Clearly he likes bad movies. Anyway, I was told the outcome ahead of time which in my opinion is the reason I wanted to see it in the first place. I liked the "event" in the movie given my opinion on things so it was cool. Lame ending though
Honestly any director could have done this movie and it would have been just as good or hell even better
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Calliope: Fandango Hott Mama

Annika: Classica

Addison: Bare Essentials

Dice: Roll The

Fraiya: Blue Hawaii

Franpire: Psychodelic Summer

Jayney: CSI

Dorsal: My Love

Heroine: Rock of Love

Sassie: Classy

Kemper: Peep Hole

That also might explain the difficulty I've been experiencing hearing back from all these companies that are hiring right now. Seems as though all that "we're no longer hiring for that position" and "You're over qualified" was bullshit. I don't know how long I'll have to wait to hear back from this place
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I saw this the other day and I wasn't disappointed by it. But I wasn't disappointed by the first one either, I can understand why people didn't like it. I can point out things I hated about "HULK" but hey we have a new one and it was done fairly well.

I didn't go see this, cuz his last couple of movies were to say the least, disappointing. But after hearing the plot from my good friend Drusylla it didn't sound bad. Now whether or not he made the movie good I don't know. But I'll actually watch it when it goes on DVD
Movies I'm still looking forward to:

Del Torro & Perlman together again

I'm gonna be honest, I've been looking forward to this for so long that I partly don't even want to see it now
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Calliope: Fandango Hott Mama

Annika: Classica

Addison: Bare Essentials

Dice: Roll The

Fraiya: Blue Hawaii

Franpire: Psychodelic Summer

Jayney: CSI

Dorsal: My Love

Heroine: Rock of Love

Sassie: Classy

Kemper: Peep Hole


Stan Winston (April 7, 1946 - June 15, 2008) was an American special effects and make-up artist, and film director. He was best known for his work in the Terminator series, the Jurassic Park series, Aliens, the Predator series, and Edward Scissorhands. He won a total of four Academy Awards for his work.
Winston, a frequent collaborator with director James Cameron, owned more than one effects studio, including Stan Winston Digital. The established areas of expertise for Winston were in makeup, puppets and practical effects, but he had recently expanded his studio to encompass digital effects as well.
Career
Stan Winston was born on April 7, 1946, in Arlington, Virginia. He studied painting and sculpture at the University of Virginia, Charlottesville, from which he graduated in 1968. In 1969, after attending California State University, Long Beach, Winston moved to Hollywood to pursue a career as an actor. Struggling to find an acting job, he began a makeup apprenticeship at Walt Disney Studios.
1970s
In 1972, Winston established his own company, Stan Winston Studio, and won an Emmy Award for his effects work on the telefilm Gargoyles. Over the next seven years, Winston continued to receive Emmy nominations for work on projects such as The Autobiography of Miss Jane Pittman. Winston also created the Wookiee costumes for the 1978 Star Wars Holiday Special.
1980s
The Terminator endoskeleton designed by WinstonIn 1982, Winston received his first Oscar nomination for Heartbeeps, by which time he had set up his own studio.
In 1983, Winston designed the Mr. Roboto facemask for the American rock group Styx.
Winston reached a new level of fame in 1984 when James Cameron's The Terminator premiered. The movie was a surprise hit, and Winston's work bringing the metallic killing machine to life led to many new projects and additional collaborations with Cameron. In fact, Winston won his first Oscar for Best Visual Effects in 1986 on James Cameron's next movie, Aliens.
Over the next few years, Winston and his company received more accolades for its work on many more Hollywood films, including Tim Burton's Edward Scissorhands, John McTiernan's Predator, Alien Nation, The Monster Squad, and Predator 2.
In 1989, Winston made his directorial debut with the horror movie Pumpkinhead, and won Best First Time Director at the Paris Film Festival. Although poorly received at the box office, Pumpkinhead has since become somewhat of a cult classic. His next directing project was the child-friendly A Gnome Named Gnorm (1990), starring Anthony Michael Hall.
1990s
James Cameron drafted Winston and his team once again in 1990, this time for the groundbreaking Terminator 2: Judgment Day. T2 premiered in the summer of 1991, and Winston's work on this box office hit won him two more Oscars for Best Makeup Effects and Best Visual Effects.
In 1992, he was nominated and won again with yet another Tim Burton film, this time for Burton's superhero sequel, Batman Returns, where his effects on Danny DeVito as The Penguin, Michelle Pfeiffer as Catwoman, and in delivering Burton's general vision for what was an increasingly gothic Gotham City earned him more recognition for his work ethic and loyalty to what was an intrinsic ability to bring different directors' ideas to life. It was particularly poignant because for Batman Returns, Winston had to follow on from Anton Furst's earlier work, and recreate change according to what Burton wanted to do differently the next time around.
Winston turned his attention from super villains and cyborgs to dinosaurs when Steven Spielberg enlisted his help to bring Michael Crichton's Jurassic Park to the cinema screen. In 1993, the movie became a blockbuster and Winston won another Oscar for Best Visual Effects.
In 1993, Winston, Cameron and ex-ILM General Manager Scott Ross co-founded Digital Domain, one of the foremost digital and visual effects studios in the world. In 1998, after the box office success of Titanic, Cameron and Winston severed their working relationship with the company and resigned from its board of directors.
Winston and his team continued to provide effects work for many more films and expanded their work into animatronics. Some of Winston's notable animatronics work can be found in The Ghost and the Darkness and T2 3-D: Battle Across Time, James Cameron's 3-D continuation of the Terminator series for the Universal Studios theme park. One of Winston's most ambitious animatronics projects was Steven Spielberg's AI: Artificial Intelligence, which earned Winston another Oscar nomination for Best Visual Effects.
2000s
In 2001, Winston produced a series of made-for-TV movies for HBO/Cinemax with the titles of old American International monster films - including Earth vs the Spider (1958), How to Make a Monster (1958), Day the World Ended (1956), The She-Creature (1956), and Teenage Cave Man (1958) - but with completely different plots.
According to reports, next for Stan Winston was Jurassic Park IV.[5][6] Winston was also signed on to help with the monster effects on The Suffering, which is based on the horror video game.
Death
Stan Winston died on June 15, 2008, at his home in Malibu, California after suffering for seven years with multiple myeloma.[1] A spokeswoman reported that "Stan died peacefully at home surrounded by family."[2] It is not known if his work on Terminator 4 was completed before his death. A teaser for the upcoming Terminator film will premiere with The Dark Knight.
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Calliope: Fandango Hott Mama

My new friend Calliope made a set, a beautiful prego set that I really appreciated. If you appreciate the beauty of a pregnant lady and the natural beauty of Calliope then check this set out... Wow!
Annika: Classica

It's almost a sure bet that if Annika puts out a set it goes live. The camera loves her and so do I!
Addison: Bare Essentials

Probably one of the cutest SG's period!
Dice: Roll The

A pretty damn good set, Dice is awesome.
Fraiya: Blue Hawaii

I love Fraiya's eyes
Franpire: Psychodelic Summer

I think I'm gonna start a thread on Franpire
Jayney: CSI

Jayney is definitely one of my favorite girls on this site. She looks like a actress I just can't place which one
Dorsal: My Love

She included her favorite, Cherry.
Heroine: Rock of Love

Sensual, sexual Herione. Looks fucking hot in a bikini
Sassie: Classy

Sassie, man what a body on her...
Kemper: Peep Hole

I like Kemper, she's got that perfect female body to me
Things pretty much are the same upon returning home, but I do feel better and I feel a need or urge to get things going. Dont know what else to say
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Calliope: Fandango Hott Mama

My new friend Calliope made a set, a beautiful prego set that I really appreciated. If you appreciate the beauty of a pregnant lady and the natural beauty of Calliope then check this set out... Wow!
Annika: Classica

It's almost a sure bet that if Annika puts out a set it goes live. The camera loves her and so do I!
Addison: Bare Essentials

Probably one of the cutest SG's period!
Dice: Roll The

A pretty damn good set, Dice is awesome.
Fraiya: Blue Hawaii

I love Fraiya's eyes
Franpire: Psychodelic Summer

I think I'm gonna start a thread on Franpire
Jayney: CSI

Jayney is definitely one of my favorite girls on this site. She looks like a actress I just can't place which one
Dorsal: My Love

She included her favorite, Cherry.
Heroine: Rock of Love

Sensual, sexual Herione. Looks fucking hot in a bikini
Sassie: Classy

Sassie, man what a body on her...
Kemper: Peep Hole

I like Kemper, she's got that perfect female body to me
I went with $100 and turned it into $300 and then blew it on drinking and food and taxis and shows
Stayed at the Imperial Palace, if you happen to see it I stayed under the "A" of the "Imperial" sign on the building. Not the best rooms but had an awesome fucking view.
took pics with my phone but they were all blurry so that sucks. My friends took pics I'll post them
Went and saw the man!

My buddy managed to get us in the front row for that show, we were drunk and screamed we love him and he came over and joked on us
It was great!
Then and went and watched Penn & Teller and saw all the stars of the World Series of Poker that was the shit.
well pics to come just giving you the highlights
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Calliope: Fandango Hott Mama

My new friend Calliope made a set, a beautiful prego set that I really appreciated. If you appreciate the beauty of a pregnant lady and the natural beauty of Calliope then check this set out... Wow!
Annika: Classica

It's almost a sure bet that if Annika puts out a set it goes live. The camera loves her and so do I!
Addison: Bare Essentials

Probably one of the cutest SG's period!
Dice: Roll The

A pretty damn good set, Dice is awesome.
Fraiya: Blue Hawaii

I love Fraiya's eyes
Franpire: Psychodelic Summer

I think I'm gonna start a thread on Franpire
Jayney: CSI

Jayney is definitely one of my favorite girls on this site. She looks like a actress I just can't place which one
Dorsal: My Love

She included her favorite, Cherry.
Heroine: Rock of Love

Sensual, sexual Herione. Looks fucking hot in a bikini
Sassie: Classy

Sassie, man what a body on her...
Kemper: Peep Hole

I like Kemper, she's got that perfect female body to me
The fear of Friday the 13th is called paraskavedekatriaphobia, a word derived from the concatenation of the Greek words Paraskeví (Παρασκευή ) (meaning Friday), and dekatreís (δεκατρείς ) (meaning thirteen), attached to phobía (φοβία ) (meaning fear). The term is a specialized form of triskaidekaphobia, a simple phobia (fear) of the number thirteen appearing in any case.
History
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Both the number thirteen and Friday have been considered unlucky:
- In numerology, the number twelve is considered the number of completeness, as reflected in the twelve months of the year, twelve recognized signs of the zodiac, the twelve tribes of Israel, the twelve Apostles of Jesus, etc., whereas the number thirteen was considered irregular, transgressing this completeness. There is also a superstition, thought by some to derive from the Last Supper, that having thirteen people seated at a table will result in the death of one of the diners.
- Friday, as the day on which Jesus Christ was crucified, has been viewed both positively and negatively among Christians. The actual day of Crucifixion was the 14th day of Nisan in the Hebrew Lunar calendar which does not correspond to "Friday" in the solar calendar of Rome. The 15th day of Nissan (beginning at Sundown) is celebration of Passover.
Despite the onus on the two separated elements, there is no evidence for a link between the two before the 19th century. The earliest known reference in English occurs in a 1869 biography of Gioachino Rossini:
[Rossini]was surrounded to the last by admiring and affectionate friends; and if it be true that, like so many other Italians, he regarded Friday as an unlucky day, and thirteen as an unlucky number, it is remarkable that on Friday, the 13th of November, he died.
However, only in the 20th century did the superstition receive greater audience, as
Friday the 13th doesn't even merit a mention in E. Cobham Brewer's voluminous 1898 edition of the Dictionary of Phrase and Fable, though one does find entries for "Friday, an Unlucky Day" and "Thirteen Unlucky." When the date of ill fate finally does make an appearance in later editions of the text, it is without extravagant claims as to the superstition's historicity or longevity.
Though the superstition developed relatively recently, much older origins are often claimed for it, most notably in the novel The Da Vinci Code (and later the film), which traced the belief to the arrest of the Knights Templar on Friday October 13, 1307.
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Gonna be leaving in a matter of hours.
@ 12:30pm mountain time actually
Vegas Friday the 13th to 15th

If you're in town say what's up ![]()
I'm watching the man on Friday night!
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Annika: Classica

It's almost a sure bet that if Annika puts out a set it goes live. The camera loves her and so do I!
Addison: Bare Essentials

Probably one of the cutest SG's period!
Dice: Roll The

A pretty damn good set, Dice is awesome.
Fraiya: Blue Hawaii

I love Fraiya's eyes
Franpire: Psychodelic Summer

I think I'm gonna start a thread on Franpire
Jayney: CSI

Jayney is definitely one of my favorite girls on this site. She looks like a actress I just can't place which one
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Dorsal: My Love

She included her favorite, Cherry.
Heroine: Rock of Love

Sensual, sexual Herione. Looks fucking hot in a bikini
Sassie: Classy

Sassie, man what a body on her...
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Kemper: Peep Hole

I like Kemper, she's got that perfect female body to me
She has that in common with all my fave SG's you should check them out


