Milla Jovovich: A Perfect Getaway

Milla Jovovich: A Perfect Getaway


Tags: Milla Jovovich, stone, residentevil, A Perfect Getaway

Milla Jovovich picks up an unlit cigarette with her left hand, grips a Bic lighter with her right, and levels an intense gaze at me. It takes me only a couple of seconds to volunteer “Go for it, don’t mind me.” She smiles out of the corner of her mouth and says “Thank you” as she lights up, and I start to get the impression that people don’t often say no to Milla. The aura of effortless authority she projects, combined with an ingratiating warmth and easy humor, seems more native to a diplomat or other well-traveled cosmopolitan (she started out as a globe-trotting model) than to a contemporary movie star, most of whom fidget incessantly and approach chatting with film writers as a grim necessity.

As we stretch our legs and begin to talk about the topic at hand – her new film, naturally – her thoughts continually drift to her twenty month-old daughter, Ever, who arrived after what was reportedly a dangerous, excruciating delivery that began on Halloween night ’07 and continued on for three agonizing days. When Milla exclaims at one point that Ever has grown “thirty pounds in twenty months!” she momentarily becomes so flushed and animated that it’s safe to conclude that her career is not at the forefront of her thoughts these days. Which is somewhat ironic, since the thirty-three year-old’s popularity is at an all-time peak. Next month she begins filming Resident Evil: Afterlife, the fourth installment of the zombie-splatter franchise that rests entirely on her thin shoulders and that continues to justify its big, effects-heavy budgets with box-office results.

For the last few years, Milla has balanced her Resident Evil success with roles in smaller, often obscure indies such as the 2006 revenge film .45, but that dynamic is now shifting as the broader creative community takes more notice of her. A starring role in a Paul Verhoeven epic set in Czarist Russia is currently being considered, and she will also appear in Stone, a psychological thriller co-starring Edward Norton and Robert De Niro. This week , she stars opposite Steve Zahn in A Perfect Getaway, a tropical whodunit dipped in the self-aware, genre-specific humor popularized in films like Scream. The story follows three couples vacationing in a remote corner of Hawaii, where dead bodies begin to turn up on the beach. As Milla tells it, one of the joys of this particular shoot was allowing others to break their backs doing stunt work while she happily played the “new mom” card and focused solely on her acting work and enjoying the scenery.

Ryan Stewart: You came to this movie with skills the male actors don’t have – your action chops. Did you lend them a hand?
Milla Jovovich: Are you kidding? No, not at all. I just let them flounder. I was like “You guys take care of yourself, I just had a baby four months ago, I am not doing any action.” No, what appealed to me about this particular film was that I didn’t have to train and I didn’t have to do any of the action stuff since I’d just had a child. I got to play a girl who is really sweet and really nice and who has a dark side that comes out, cause everything kind of goes wrong at the end, but for the first two acts of the movie I got to just basically be myself. And that’s why I wanted to do it. So, when they tried to get me to do, like, kayaking practice, I was like “Okay, one day, and then forget about it – after that stunt double all the way.”

When I do the Resident Evil movies I do all of my own stunts, because that’s a really big franchise for me and it’s super-important for the fans who love me in those movies to know that I’m doing that for them, but a movie like this? This is a character-driven piece for me. It wasn’t about me fighting and doing action – that’s only the last twenty minutes of the film, you know? People aren’t going to this movie to see explosions and gun fights. I think my fan base is always interested in seeing a different part of me. The people that enjoy my career have enjoyed the different choices that I’ve made over the last twenty-five years and they are into watching to see where I go and how I grow as an actor. They’ve also been able to get their Resident Evil fix every couple of years – and now they’re gonna get another one – but for the smaller films I get to do more versatile things. Obviously, the Resident Evil crowd isn’t going to go see all of my movies, but that’s the fun of having a versatile career – it allows me to do big action and then the smaller pieces as well.
RS:
Kayaking can be a pretty intense experience for anyone, not just a new mom – any scary moments during your brief forays into harm’s way?
MJ:
The kayaking stuff was scary, for me, because I didn’t want to train. It was a little treacherous because we were out in the ocean near the really sharp cliffs – Puerto Rico has a lot of really sharp cliffs, that’s why it’s great strategically and defensively. The town we were in was not like some beach town, because of all the sharp, rocky cliffs that are hard to climb. It would be hard to dominate Puerto Rico, like, from the sea. In the Middle Ages I’m sure that was great, strategically. Anyway, when we were kayaking the currents were so strong they would just push me into the rocks, and I just said to them “Look guys, I’m not doing this. I’m not here to do stunts and I’m not about to injure myself. I’m not about to flip this boat over and scratch myself up on all these rocks that are really sharp. So, they had to sort of cheat it and just have my stunt double do that stuff that’s really close to the rocks. And then they had me a little further out in the sea to do my close-ups. I have a baby, so I’m not gonna take chances.

Before [the baby] I used to be like, hey, whatever, let’s just go for it! But I’m just not gonna do that now. I mean, it’s one thing to take chances on a big action film, when you know it’s all about that, but since it’s not all about that for this movie, why do I need to take risks? What makes this film interesting is the characters – it’s a thriller. In the end, you can have the best action scenes in the world, but if you don’t care about the characters it doesn’t matter how much money you’ve spent on the explosions. Whereas, if you start out with some great characters and then you add in some great action, then the audience will be like “Yeah, yeah, yeah – go, go, go!”
RS:
Are you starting to feel the bruises a little more than you used to, the next morning?
MJ:
[laughs] Definitely, a little bit. Since I had the baby, it’s been a bit hard for me to get back into training mode. It’s like, I’m working all week long and I have a nanny and the baby hasn’t been sleeping because she’s not a sleeper. This last week we’ve been teaching her how to sleep without crying, cause we don’t want to do the whole Ferber thing; it’s a much longer, more drawn-out process when you do it that way, because you go in when she cries and then you start waiting a little longer to go in each time she cries. Finally, she’ll cry for thirty seconds and then put herself back to sleep. You know, she’s finally like “Meh, whatever.” So, now she’s finally sleeping, which is great, but for the last twenty months I’ve had the nanny during the week and then on the weekends I sleep with her and that means no sleep for me. It’s been really hard to have the stamina to do training and still be able to pick up my daughter, who is a big girl – thirty pounds in twenty months! After a hard day of training, she’ll be like “Mama, up, up, up!” And I’m like “Ugh, I love you, but geez!” Then I’ll try to sit down on the couch and again she’s like “Mama!” and I have to get up and go upstairs. Ack!
RS:
It sounds like the Resident Evil series forces you to ramp up your exercise regiment every couple of years, no matter what. Has Paul [Milla’s husband, director Paul W.S. Anderson] decided on directing this new one?
MJ:
Yep, Paul’s gonna direct this one. The script is done and we start shooting in September. I can tell you that Alice’s clones are definitely coming back, so there’s gonna be ten times more ass-kicking in this one. The real Alice also has some major changes that happen to her – that I can’t really talk about. We’ll also see some new characters from the game in this one as well as some old characters from the other films that will make an appearance – or not – in a mysterious way. There will be a lot of interesting elements to this one.
RS:
You might want to consider bringing back that outfit with the cowboy chaps.
MJ:
[laughs] It’ll be better than that. Trust me, we’re taking it to the next level.
RS:
People love to see you in angry-mode, especially in those movies. They like it when you get to the point that you’re not gonna take it anymore. Do you have a temper for real?
MJ:
I have a temper, of course, but it takes a lot. I’m very non-confrontational for the most part, and I think some people might get lulled into a false sense of comfort. I’m very cool, for the most part. I’m sort of like “Oh, that was late? That didn’t arrive? My airplane stuff got screwed up? Hmmm…okay.” I’m pretty cool, but I’m like this [raising her hand to different levels] cool…cool…cool…then I blow up. There are some people who are always all over people’s butts; they’re like “You didn’t do this? You didn’t do that? This is cold!” But with me I’m usually more like [rolls eyes] “Fine, fine, fine” but then at one point I might be really tired or have just finished working hard or maybe I’m sick or whatever, and I’ll suddenly just go “Ahhhhhhh!”
RS:
You and Steve Zahn make for a pretty unlikely couple in A Perfect Getaway, don’t you think? I heard a few people cracking jokes about that earlier.
MJ:
Well, I think it’s actually rare for you to see a model dating another model. Or some really gorgeous guy with a really gorgeous girl. Usually, if that’s the case they’re both like sixteen or seventeen years old. I think, for the most part, women are attracted to men who aren’t the typical model type, in terms of looks. I think, quite the opposite, a lot of women would be like “Whoa, you’re way too manicured and too into your hair and your facial routine.” I’ve always been attracted to guys who are just normal guys. Steve is an amazing guy, he’s hilarious, he’s good-looking; he’s not a model, but that would be a plus for me. I’d be more apt to be attracted to a guy like Steve than some Abercrombie & Fitch guy, you know? Besides the fact that you don’t see their faces in those ads, just the look of their abs is a little too much for me.
RS:
I’m guessing you’re not a Twilight fangirl, in that case.
MJ:
Not yet! I’ve actually been trying my hardest to get away from the whole Twilight thing, because I’m an avid reader – I was a huge Anne Rice fan and I’m sure that if I did start on Twilight that would be it for me, for like the next year. I’d have to take, like, a year off and just do nothing except be into the Twilight series. As a mom, at this point, I’ve had to stop reading at 8:00pm and then I’ll say to myself, okay, I’m just gonna read a few chapters and then go to bed – then suddenly it’s three in the morning and I’m still reading. Then I’m a zombie all the next day. So, I’ve had to just kind of put an end to all of that. Maybe when my baby gets a little bit older, I’ll be able to have more time to focus on getting absorbed in some page-turners.
RS:
Speaking of novels, aren’t you and Paul Verhoeven still trying to get an adaptation of that Russian book, Azazel, off the ground?
MJ:
We’re trying, but at this point it’s pretty much dead. We’ve been trying to get it off the ground for a few years, but Paul finally just wasn’t getting along with the producers. They weren’t agreeing internally even on, to me, stupid stuff like line producer stuff, location stuff, and the money stuff. Now he’s taken on another film – he had to because they just weren’t coming to any kind of agreement. So, for the moment [The] Winter Queen is on hold. Hopefully, maybe when Paul is done with his other film we can get it back up and running.
RS:
Is it a goal of yours to tell Russian or Ukrainian stories?
MJ:
Oh, I would love to. I’ve really been wanting to find the right one to do and I thought that Winter Queen could sort of be a perfect way for me to slowly get into playing an Eastern European character. It’s definitely something that I’m very interested in. I’d love to play a Russian girl to sort of give that to my Russian heritage. I do think a lot of Russian people are like, why doesn’t she ever play Russian characters?
RS:
I’d imagine that one of the biggest challenges of your role in A Perfect Getaway was being mindful of the movie’s huge twists – not contradicting them with your acting choices.
MJ:
Yeah, that’s where [writer/director] David Twohy really helped out a lot. As an actor you have to be so in the moment that sometimes you can forget about the big picture. But that’s the nature of our job – we’re not really supposed to be thinking about the big picture all the time. That’s why directors are so important, because they’re thinking about where your character is coming from and where they’re going in the story. There were plenty of times when we would try out different lines in different ways to make sure that we had choices in the cutting room of how much to show or how little to show.
RS:
They say you’re a stickler for rehearsal – you like to really dig in and rehearse a lot.
MJ:
Who told you that? That’s true, and a lot of people don’t agree with me. Everyone has their own process but for me I definitely need to read lines. And it’s not like when I’m rehearsing I’m giving all the emotion in the rehearsal and I’m doing everything I’m gonna do on the set – not at all. It’s just reading the dialogue and hearing it come out of your mouth and feeling comfortable with your own voice. A lot of times when I’m not prepared [raises her voice a level] my voice starts to rise like this because I’m getting nervous. That’s when I don’t really know what choices I’m making. I have to know where I’m going and what choice I’m making for this or that line. I can say [flat, uninterested voice] “Hey, how’s it going?” or I can go [interested, enthusiastic] “Hi, how are ya!” and it’s a totally different thing.

I need to be comfortable because up here [in the higher register] I’m not telling you the truth – it’s not really me. But if I say “Hey, how’s it going” in my regular voice then it’s coming from my gut and then it just is what it is – it’s just me. When I prepare for a part I tend to watch myself even in my normal, everyday life. If a guest comes over, I’ll say “Hi, my name’s Milla, nice to meet you!” and then later on I’ll find myself trying to remember just how I said that, so that if I have a scene where I have to introduce myself to someone I can be like “Hmm, remember that time my aunt came over and she brought her cousin who I’d never met and I had to introduce myself? Now how did I do that?” [laughs]
RS:
I think what I responded to most in this film was its humor, which you also seemed to really understand and play to. It’s very self-referential, and gives the movie a light tone.
MJ:
Yeah, a lot of it is tongue in cheek, in a sense. And there are also things you only realize after the movie’s over, and then you’re like “Oh God, those people were just completely screwing with each other!” The film also takes you back, I think, to an older school of filmmaking where it’s not at all about explosions or even that much about chase scenes – just very character-driven. It’s about the tension of the situation and not knowing who is telling the truth. Are these people really who they say they are? That’s great for an actor, to get to play a character with a lot of different dimensions. It’s a lot like real life to play a character who could be one way in one situation, but they might also have a darker side that you wouldn’t necessarily know from only meeting them for a few days, you know? That’s a quality I really liked – you have people that seem friendly on the outside, and then you get to know them and start to see other sides that you had no idea existed. That is very much the way life is.

A Perfect Getaway opens in theaters everywhere this Friday.
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