I'm living such a weird sexuality these days. It all revolves around Eric - when he's there, I can't contain myself and when he's not, which is most of the time, my entire sexuality is dormant.
I sometimes see people who I rationally recognize as attractive and my usual prey pattern. And it does nothing for me. I can look at them but it doesn't translate. For the first time in my life, sex is not important to me, and only because it's become so pointedly important to me. Because it only makes sense with him.
We've always had an element of power dynamic in our sexual relationship, in fact, some of you may remember that one outrageous, long term power game of intense magnitude was what brought us together in the first place. First apart, with our remote and separated worlds revolving around each other without having physical contact and then together, ever since we've been inseperable in a weirdly true and desperate way.
But the dynamics have shifted and while I was the clingy, helpless mess and he the understatedly genteel, poised, confident and utterly superior one, there have been some changes. And I remembered how much I like having boys suffer.
And slowly but surely, with tiny steps, by stringing a web of gluey, inescapable lust and perverted kink and providing absolute trust, I'm totally making him my bitch.
When I tell him what to do, forbid him to do and conduct this arrangement of filthy smutty greasy depraved and panting sex acts, is the only time my sexuality is resurrected. And it returns with a vengeance.
Alas, I can't go into details of what I do to him and make him do because he asked me to not disclose it publically. Which is a fair request.
I just wanted to let you know my current thoughts on sex.
October 2nd was the last time I saw him. The date is very dear to us (information regarding this is classified though, as well) so I booked a flight to see him. He didn't know. I left the dogs alone for a night, boarded a plane and just showed up.

So. Besides that, here are two pictures of Manko in a ponytail belt I made for her a while back:


(Leggings by Charles of London.)
Here are two pictures I shot of me the other day:


On my social network pages I am actually using those for a little competition in which you can win an item for up to 65$ in the shop.
If you want, participate. ![]()
I also shot pictures of my friend Marcel, who has grown a rather magnificent beard. I'm not particularly beard-affin but it seems that all the girls around me are. Sorry ladies, he's gay.

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There have also been TONS of improvements on the shop, you can now choose colors, measuring is explained, etc., etc., but I'm too tired for a sales pitch right now. It's good though. ![]()
Some other random pictures I shot:
And here is an excerpt of an interview I did once:
Q: A lot of your designs remind of the costumes and clothing in Blade Runner and The Girl of the Dragon Tattoo, where do you draw your inspiration from?
A: Thanks!
I feel ambivalent about costumes, since on one hand, escapism is a crucial part of what Anthracite is, on the other hand, its purpose isn't to obscure or disguise. It's not about dressing for a part, it's about visually representing what is a defining part of you to begin with. It's identification, a lifestyle in the best sense of the word.
I can only inadequately answer where my inspiration is drawn from since I fail to grasp what inspiration actually is. It has these fluttery, random connotations that aren't congruent with my work method. I'm not a nucleus surrounded by swiveling sparks of ideas. ![]()
I just have an image in my head, an intangible mixture of visuals and the way it should feel. That's just there, suddenly, and what makes me a professional is that I can summon it. I'm not an artist who works only when inspiration strikes, I'm a worker and things need to get done. I'm assuming this idea comes from the many impressions we are exposed to every day, architecture, nature, clothing, photographs, atmosphere. It's weird what the brain choses to subconsciously remember and use.
But the main part of creating an item comes later, when physically constructing it. The garment has its own dynamics from the start, and often I feel like the tamer of demons who, with sweat and tears and desperation, tries to force the item to follow the form I want it to, while it goes all over the place and has a will and character of its own.
The only time I follow my gut is when I, in an instant, get a sudden punchy feeling of elation and relief. Then I know its right.
And here is a picture of Gina walking determinedly:

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