Perhaps the only bigger than life art-school metal band from Japan who match SG's dominant color: ladies and gentledudes, I give you BORIS
I probably should've started this thread last month, when they were starting their US tour to support PINK, in a shade not more than a few hex values away from SG's own hue. The band features Wata, the girl with an amp stack taller than herself, Takeshi, the singer and bassist with the double-neck bass/guitar combo, and Atsuo, the drummer and singer with the big fucking gong.
Maybe you've heard of Boris, maybe you just know some trivia about their bizarre nomenclature and funny record covers, maybe you just waked and baked and need some totally sweet speed metal/shoegaze hybrid to take the edge off. Please, take off your shoes, kick back, and direct all Boris conversation within.
Still haven't decided what I think of PINK yet. I really liked their other more recent stuff ... Akuma No Uta, Amplifier Worship, and the one with Merzbow.
Saw them with Sunn 0))) a few weeks ago. They were filming their set for, what I understand, will be a live DVD in the not-so-distant future.
Here's some crappy phone cam pics ...
He plays the gong in Sunn 0)))'s live set as well.
I saw them with Sunn O))) in Chicago a few weeks ago. I had the tickets for months and was so excited that I had to take the entire day off of work before the show. It was one of the most thrilling, unique, mind blowing nights of music I've ever witnessed.
The two bands have also recorded an album together, due out later this year. My imagination is running wild right now, thinking about how it'll sound.
Yeah, I guess PINK is a bit 'Rough Guide to BORIS'- fast song, sludgy song, fast song, dirge song, ambient song, fast song- but I like that it covers a lot of the bases they'll normally play to. Atsuo said in an interview I can't find right now that since there isn't much of a specific 'metal scene' in Japan, there's very little orthodoxy to follow- hence the combination of speed, shoegazing, drone, etc. in one group.
I also like that they have a great sense of humor- the Akuma No Uta cover ripped from Nick Drake's Bryter Layter was hilarious.
My girlfriend and I unironically referred to Wata's guitar playing as "shredding" at their show in Philly. That woman has total dominion over the riffs.
adjunct said:
Yeah, I guess PINK is a bit 'Rough Guide to BORIS'- fast song, sludgy song, fast song, dirge song, ambient song, fast song- but I like that it covers a lot of the bases they'll normally play to.
great way to put it. amplifier worship is still my favorite, though.
I love the "Pink" album. it's the first one i've heard from them and apparently i've been missing out!
Any woman who rocks the Orange amps gets my undying worship
Saw them in Leeds some time in the past few months, and it was amazing despite the crowd's unfamiliarity with the stuff. I confess I'm a more recent convert and currently prefer the titanic riffage of their faster rock stuff than the endless, nuanced drone, but give me time!
A live DVD would be so good...
Also, yes, Wata is gorgeous. Her and Tamaki from Mono are awesome examples of small woman+big instrument being incredibly hot/cute.
Iconoclast Japanese trio Boris have announced not one, but TWO all new full-length albums to be released on the same day via Sargent House this spring. The pair of recordings showcase distinctly different sides of the legendary band's personality, while providing further proof of their trenchant significance.
Boris - Attention Please - LP/CD/digital
Boris are widely known for their ability to breach styles and stretch sonic boundaries of all that is heavy, psychedelic, droning and downright cathartic. But, Attention Please is more like a complete redefining of their potential in several ways. First and foremost, it is the first album on which all vocals are sung by lead guitarist, Wata. While she has previously sung on a couple of songs for singles and her solo outings, the entire 10-song album features her intimate, multifaceted vocal style. Secondly, the songs on Attention Please have a sultry, intoxicating catchiness to them. It's melodic without sounding pop. It's psychedelic without sounding dated. It's heavy without relying on barre chord riffs.
Boris - Heavy Rocks - LP/CD/digital
Boris has earned its rabid cult following for their ability to expertly harness music as power. Be it psychedelic metal, colossal drone, blistering punk or distortion-ravaged shoegaze, a Boris song is an exploration of sound as physical mass. The Japanese trio's classic 2002 album, Heavy Rocks is a landmark of their mastery. So, it's fitting that the group's new album sharing the same title and very similar artwork to that disc, Heavy Rocks (2011) seeks to redefine "heavy" music in a culmination of the band's tireless efforts over the past two decades. This year's Heavy Rocks is beyond heavy, it firmly establishes Boris as a pillar of innovation and integrity in guitar-based music.
adjunct
Philadelphia, PA
July 2002
JUN 17, 2006 05:39 AM