Anyone who has ever read books or googled around for advice about songwriting will have come across what is known as "the poor man's copyright." That's where you put a tape, lyrics, lead sheet, or what have you in a sealed envelope and mail it to yourself, the postmark supposedly proving the date of composition.
Would that really stand up in an actual lawsuit? I can't recall ever reading of a case where a "poor man's copyright" case ever won in court, but here, at any rate, appears to be one case where it didn't work.
A super-brief sketch of copyright law: In the U.S., copyright protection attaches at the moment that you finish an original work fixed in some "tangible medium of expression" (which basically means anything other than a purely transient performance, ex. delivering an improv comedy routine that nobody records and which ceases to exist at the moment you get off the stage). You do not need to attach notice of copyright. You do not need to file it anywhere. Mailing it to yourself is a weird little ritual that serves no real function beyond, arguably, showing the date that your work was completed.
To prove copyright infringement, which is what this guy tried and failed to do, you need to prove:
1. That you had a copyrighted work;
2. That the person copied it;
3. That the copying was "improper appropriation" (i.e., not fair use or another recognized exception from infringement).
#2 is probably where this guy lost. Assuming Britney didn't admit that she copied it (sometimes people do, usually because they have some other and better defense), he would have had to prove this by circumstantial evidence. He would have had to show that she a) had access to his original work; b) subsequently came out with something substantially similar to his work. My guess is that he probably couldn't prove that she had access to his original and his case fell apart right there.
Dr_Frank said:
Anyone who has ever read books or googled around for advice about songwriting will have come across what is known as "the poor man's copyright." That's where you put a tape, lyrics, lead sheet, or what have you in a sealed envelope and mail it to yourself, the postmark supposedly proving the date of composition.
Would that really stand up in an actual lawsuit? I can't recall ever reading of a case where a "poor man's copyright" case ever won in court, but here, at any rate, appears to be one case where it didn't work.
This law is much more a part of the British copywright sysyem. It's valid there... in North America, not so much.
I send all my stuff registered mail to my lawyer. They don't charge you for archiving evidentiary copies and there's nothing an IP lawyer would like more than to prosecute some nimwit knowing full well that they have had a copy of that work in their archive for god knows how long...
Liante said:
A super-brief sketch of copyright law: In the U.S., copyright protection attaches at the moment that you finish an original work fixed in some "tangible medium of expression" (which basically means anything other than a purely transient performance, ex. delivering an improv comedy routine that nobody records and which ceases to exist at the moment you get off the stage). You do not need to attach notice of copyright. You do not need to file it anywhere. Mailing it to yourself is a weird little ritual that serves no real function beyond, arguably, showing the date that your work was completed.
To prove copyright infringement, which is what this guy tried and failed to do, you need to prove:
1. That you had a copyrighted work;
2. That the person copied it;
3. That the copying was "improper appropriation" (i.e., not fair use or another recognized exception from infringement).
#2 is probably where this guy lost. Assuming Britney didn't admit that she copied it (sometimes people do, usually because they have some other and better defense), he would have had to prove this by circumstantial evidence. He would have had to show that she a) had access to his original work; b) subsequently came out with something substantially similar to his work. My guess is that he probably couldn't prove that she had access to his original and his case fell apart right there.
[Edited on Nov 10, 2005 by Liante]
The problem with the article, is that it does not state WHY the case was thrown out. If I were to venture a guess, I would suspect it had more to do with the judge not accepting the poor mans copyright as legitimate (forged.)
Although the fact that it had been submitted to publishing companies (and not Ms. Spears directly) may mean that it could have been throw out because the plaintiff was simply suing the wrong person.
I'm mostly with Liante. Copyright in most english speaking nations attaches when a sufficiently originally work is made, and mailing yourself a sealed copy can be a piece of evidence in your favour but it doesn't have to be determinative. that's true of Britain as much as Canada or the U.S..
Whether he mailed it to himself was probably not the deciding factor and probably had very little to with the way it turned out. The press are often shockingly wrong about the effects and even the substance of court cases.
As I understand it, a few decades ago in the U.S. you actually did have to officially claim copyright for it to exist, which is where a lot of hoopla and misunderstanding come from.
Liante's analysis is spot on. From what I understand, the veracity of a poor-man's copyright wasn't ultimately at issue. Spears' attorneys were able to demonstrate that the song was written by professional songwriter Jorgen Elufsson (who lives and works in Sweden) and that they had a valid copyright registration.
Thus the burden fell to the complainant to establish that the Elufsson song was not sufficiently original to warrant copyright protection, and that his version was clearly copied by Elufsson and that he deserved to hold the copyright. That's a tough burden to carry, and it doesn't sound like he had any avenue of direct linkage between his purported version and that penned by Elufsson.
Then, the Spears team was able to show that the complainant's purported email was false, which forced the complainant to agree to dismiss the case with prejudice (a stipulated dismissal, i.e., the court didn't rule on anything).
For a thorough analysis of copyright issues regarding Spears' "What you see is what you get" (also penned by Elufsson), albeit where the complainants already had a valid copyright, check out the opinion from this similar case.
Liante said:
A super-brief sketch of copyright law: In the U.S., copyright protection attaches at the moment that you finish an original work fixed in some "tangible medium of expression" (which basically means anything other than a purely transient performance, ex. delivering an improv comedy routine that nobody records and which ceases to exist at the moment you get off the stage). You do not need to attach notice of copyright. You do not need to file it anywhere. Mailing it to yourself is a weird little ritual that serves no real function beyond, arguably, showing the date that your work was completed.
To prove copyright infringement, which is what this guy tried and failed to do, you need to prove:
1. That you had a copyrighted work;
2. That the person copied it;
3. That the copying was "improper appropriation" (i.e., not fair use or another recognized exception from infringement).
#2 is probably where this guy lost. Assuming Britney didn't admit that she copied it (sometimes people do, usually because they have some other and better defense), he would have had to prove this by circumstantial evidence. He would have had to show that she a) had access to his original work; b) subsequently came out with something substantially similar to his work. My guess is that he probably couldn't prove that she had access to his original and his case fell apart right there.
dholokhov said:
As I understand it, a few decades ago in the U.S. you actually did have to officially claim copyright for it to exist, which is where a lot of hoopla and misunderstanding come from.
i don't think you had to actually claim it, you only neede4d to insert the copyright notice with the lil round "c" thingie. You don't have to anymore since '89
Dr_Frank
Oakland, CA
May 2005
NOV 10, 2005 02:38 PM