Please to be explaining. I consider myself a high culture type of person, but how exactly do you grow to appreciate this particular artform? It's just a touch beyond my current grasp.
I'd recommend watching a live performance first - you'll know from seeing a live show whether or not it's "for you" - Italian operas are typically the most loved - if you can't catch a live show, there's plenty on tape. Once you've decided whether or not you can get into it - start researching some of the more famous titles by story - I know this sounds backwards, but it's hard to get into, especially when you don't understand the language. Once you find a few story lines that sound interesting, listen to the different versions of them - the more you like the story, the better you'll get into the music. After listening to a few versions, you'll find some songs you really love, and then some artists who convey the emotion the best in their voice.
I always recommend Franco Corelli (old school) and Andrea Bocelli (newer), and my fave Opera is La Boheme. You could also try researching composers - but I've found it to be difficult - I like to work from the story - once I know the story line, I can sort of hear it being told via the music.
I love Opera. Maybe you haven't been exposed to a particular opera you like just yet. I mean we're talking hundreds of years of music here.
I also encourage you to see one live. Preferably an Italian comedy. They're light and full of coloratura. Probably better to begin with this than to jump into something like Tristan und Isolde.
Leanimal said:
I'd recommend watching a live performance first - you'll know from seeing a live show whether or not it's "for you" - Italian operas are typically the most loved - if you can't catch a live show, there's plenty on tape. Once you've decided whether or not you can get into it - start researching some of the more famous titles by story - I know this sounds backwards, but it's hard to get into, especially when you don't understand the language. Once you find a few story lines that sound interesting, listen to the different versions of them - the more you like the story, the better you'll get into the music. After listening to a few versions, you'll find some songs you really love, and then some artists who convey the emotion the best in their voice.
I always recommend Franco Corelli (old school) and Andrea Bocelli (newer), and my fave Opera is La Boheme. You could also try researching composers - but I've found it to be difficult - I like to work from the story - once I know the story line, I can sort of hear it being told via the music.
OK, personally, I have seen it live. What I liked most was big breasted women wearing corsets and flowy gowns. But I dislike musicals, so here's a music in another language, with (usually) smaller seats than the broadway theatres...Im not gonna be happy.
however, I know some folks fall madly in love with the stories, etc...
Y~!
ps - I also just did a focus group based on several ads for opera - they wanted to know what would get me into the theatre, etc...I think when I said 'more women in corsets with big boobs' they assumed I was kidding.
Get a greatest opera hits collection. Most of the time, the songs are really catchy, and there isn't all that downtime between arias. Even though I'm studying opera, I still get a little bored during performances. Either that, or get a cd of Carmen, which is arguably the most audience-friendly opera.
My favorite is Maria Callas singing La Momma Morta. Just give act III a try, it's incredibly powerful. You might recognize it, it was used in the movie Philadelphia.
One thing I've always hated about opera is that it gets treated as this lofty, inaccessible thing. A lot of people don't realize that there are good, modern operas being written, often in English. Certain operas can be legitimately performed in English as well. Also, I applaud the introduction of supertitles to opera.
Remember, opera used to be popular entertainment. As someone who studies classical voice, I can tell you it takes a huge degree of skill to perform, and when done well the singing can be soul-rending. But there's no reason to treat the performance as something codified and sacred. Opera can and should be fun!
That said, I reccomend Solome. It's one act, some great dancing and even humor, and you get to see Solome make out with the severed head of John the Baptist. Word.
JohnClement
Silver Spring, MD
January 2004
MAY 05, 2005 07:40 PM