So when you're making a film, every day you produce "footage." In the book the term is appropriate since all the bits and pieces are not released in order; you don't talk about the "footage" of a finished film, because you're thinking of it more as parts of an unfinished product.
You might also run across the term in the context of a documentary: in that case, the "footage" is whatever real life events have been recorded and incorporated as part of the documentary. During the disaster in Asia, for instance, there was footage of the tsunami coming ashore.
I think Gibson's idea is that the video is so intricate and mysterious that people are fascinated by it. In an age dominated by marketing and defined by copyright laws, here is something brilliant and beautiful that no one is taking credit for. It's mysterious and unique.
Media addiction is pretty common, or at least I think it is. People follow television shows, movies, books, comic books, even internet cartoons. They have to know what happens next, and they'll gather every bit of information available to understand this thing they've become fixated on while they wait for the next installment.
Darkangelion
Italy
June 2004
JAN 18, 2005 04:00 AM