CheshireCat said:
Their performance at The Lesser Free Trade Hall in Manchester had several people who formed their own bands in the audience , Ian Curtis,Peter Hook of Joy Division , Morrissey of the Smiths. The Pistols were the spark of things to come.They were not tailored together by Malcolm McLaren, as a band they existed and hung out at "Let It Rock ,which later became "Sex". Steve Jones was perstant in having McLaren manage them , as he had several music contacts ,and had also briefly managed the New York dolls.
On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what came to be regarded as one of the most influential rock shows ever. Among the approximately forty audience members were the three locals who had organized the gig%u2014they soon began performing as the Buzzcocks. Others in the small crowd went on to form Joy Division, The Fall, and%u2014in the 1980s The Smiths.[117]
You've been douched, dude.
Actually I took it from a paper which I wrote , which said information was taken from Wikepedia and "England's Dreaming" by John Savage....therefor I douched myself thank you. either way I am right. I don't know you that well for a douche comment , at least give it another few days.
CheshireCat said:
Their performance at The Lesser Free Trade Hall in Manchester had several people who formed their own bands in the audience , Ian Curtis,Peter Hook of Joy Division , Morrissey of the Smiths. The Pistols were the spark of things to come.They were not tailored together by Malcolm McLaren, as a band they existed and hung out at "Let It Rock ,which later became "Sex". Steve Jones was perstant in having McLaren manage them , as he had several music contacts ,and had also briefly managed the New York dolls.
On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what came to be regarded as one of the most influential rock shows ever. Among the approximately forty audience members were the three locals who had organized the gig%u2014they soon began performing as the Buzzcocks. Others in the small crowd went on to form Joy Division, The Fall, and%u2014in the 1980s The Smiths.[117]
You've been douched, dude.
Actually I took it from a paper which I wrote , which said information was taken from Wikepedia and "England's Dreaming" by John Savage....therefor I douched myself thank you. either way I am right. I don't know you that well for a douche comment , at least give it another few days.
You used Wikepedia as a source for a paper?
Credibility: GONE
I know Wikepedia has been vanished from all class rooms, my teacher would crucify me . Since your so intelligent , try reading about it in the several books on the subject I have already listed, "England's Dreaming " is phenomenally page turning. p.s. its even on the web, but I will leave it to you in seeking out that attainable knowledge.
Actually i think "Filth and the Fury" is factual, as well as relevant to the origins of Uk punk as it illustrates the punk movement through the words of the "Sex Pistols " themselves, not someone saying this is what the British punk scene was about, but by the architects themselves.Have you seen it? maybe you should.
The Sex Pistols are architects of punk? Your ignorance is showing. That is like saying that The Monkees were architects of the summer of 67.
No,thats your ignorance of thinking that the Sex Pistols were just a commercialization of punk. They were the band which pretty much started the London scene , and it was their influence which sparked other bands like Siouxsie and the Banshees , as well as The Clash. Their performance at The Lesser Free Trade Hall in Manchester had several people who formed their own bands in the audience , Ian Curtis,Peter Hook of Joy Division , Morrissey of the Smiths. The Pistols were the spark of things to come.They were not tailored together by Malcolm McLaren, as a band they existed and hung out at "Let It Rock ,which later became "Sex". Steve Jones was perstant in having McLaren manage them , as he had several music contacts ,and had also briefly managed the New York dolls.
The pistols were a totally manufactured band. The genius of Malcolm Maclaren was to make them seem to be anti-establishment. I am sure The Monkees inspired future musicians. That does not make them any less a manufactured band. The same is of the pistols. To say that the pistols begat The Clash is to continue to show ignorance. While I was only 12 in 1977, I remember it well. The London punk scene was launched by The Ramones visiting London, not by Malcolm's proteges.
Oh and I don't have to check Wiki to remember those days. Yes, I am a geezer!
I know Wikepedia has been vanished from all class rooms, my teacher would crucify me . Since your so intelligent , try reading about it in the several books on the subject I have already listed., "England's Dreaming " is phenomenally page turning.
I would . . . but I've lost all interest in the subject. You've made Punk boring for me.
CheshireCat said:
Their performance at The Lesser Free Trade Hall in Manchester had several people who formed their own bands in the audience , Ian Curtis,Peter Hook of Joy Division , Morrissey of the Smiths. The Pistols were the spark of things to come.They were not tailored together by Malcolm McLaren, as a band they existed and hung out at "Let It Rock ,which later became "Sex". Steve Jones was perstant in having McLaren manage them , as he had several music contacts ,and had also briefly managed the New York dolls.
On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what came to be regarded as one of the most influential rock shows ever. Among the approximately forty audience members were the three locals who had organized the gig-they soon began performing as the Buzzcocks. Others in the small crowd went on to form Joy Division, The Fall, and in the 1980s The Smiths.[117]
You've been douched, dude.
Actually I took it from a paper which I wrote , the said information was taken from Wikepedia and "England's Dreaming" by John Savage....therefor I douched myself thank you. Either way I am right. I don't know you that well for a douche comment , at least give it another few days. Also you left out a large portion of my statement which makes you a manipulative douche.
It would be nice if passersby could flag this. We might all benefit.
Did you seriously diss me in another thread for getting a fact from wikipedia for a board arguement, and in this thread, admit that you used a wikipedia thread in a collegiate paper? christ, add hypocrite to the list of reasons you baffle me.
CheshireCat said:
Well they both protested against the contemporary , in general their rejection of established art , as well bourgeois society.
I think a really important difference in this, however, is that dada was a post war fallout. an artistic traumatic stress disorder of its time. Punk, on the otherhand, comes more from an economic disdain, I think, either from economic expectations, or poor economic showings. Totally different angst.
But I would say it was the collage technique , which the punk style used in its subversion.
I call bullshit on this. Punk is music, and while a number of bands used collage, (as a style of posters and albums) its hardly the main thrust of the movement. More importantly, did punks KNOW ANYTHING about dada? I doubt it; punks werent exactly college bound kids. More likely, they took the collage from ransom notes on detective shows.
You could also say Tristan Tzar and his exquisite corpse writing techniques were important precursors, as beat poets like William Burroughs used it or perfected it in their writing, it has since been used by David Bowie and Kurt Cobain as a key components in their song writing. Though it was really Brion Gysin who gave it to Burroughs, and perfected Tristan Tzar's method.
ok, im needing more proof that punks used EC writing techniques at all. Which punks used it, and in what albums?
attn_ho said: CheshireCat said:
If you do not want to listen to others' opinions, do not want to support your arguement, and do not want to think about your own belliefs,
TAKE IT TO YOUR BLOG, SON.
because youre blogging. youre just doing it in the wrong place, on this website, or youre just a culture troll.
Do you have an opinion except in correcting grammar issues ? I support my arguments just fine.
He said jack crap about your grammar right here, and most of your "arguments" are name dropping and not actual statements.
So, would one of you other film school graduates explain to a simple layman what a Documentary is supposed to be ?
I was under the impression they were generally about facts, as opposed to fiction, or flow of consciousness, or channeling spirits or something.
So, would one of you other film school graduates explain to a simple layman what a Documentary is supposed to be ?
I was under the impression they were generally about facts, as opposed to fiction, or flow of consciousness, or channeling spirits or something.
sure! a documentary is a film about a series of events that happened. as our esteemed professor cheshire pointed out, edited films can lie.
but by poiinting out an early documentary/ propaganda film and saying that all documentaries lie (except the one our brave and intrepid soul cites) is mental backwash of the worst kind. Just because a documentary has a strong point of view, does not mean it is falsified. one would expect a film school student to defend a documentarian's right to thier point of view within thier own films.
So, would one of you other film school graduates explain to a simple layman what a Documentary is supposed to be ?
I was under the impression they were generally about facts, as opposed to fiction, or flow of consciousness, or channeling spirits or something.
sure! a documentary is a film about a series of events that happened. as our esteemed professor cheshire pointed out, edited films can lie.
but by poiinting out an early documentary/ propaganda film and saying that all documentaries lie (except the one our brave and intrepid soul cites) is mental backwash of the worst kind. Just because a documentary has a strong point of view, does not mean it is falsified. one would expect a film school student to defend a documentarian's right to thier point of view within thier own films.
So, it is generally supposed to be factual, but may be presented from a particular perspective ? Or even bias ? As I believe, Thistle pointed out as well.
Coyotemike
USA
May 2006
AUG 17, 2008 07:44 PM